Table Of ContentPalgrave Studies in Nineteenth- Century Writing and Culture
General Editor: Joseph Bristow, Professor of English, UCLA
Editorial Advisory Board: Hilary Fraser, Birkbeck College, University of London; Josephine
McDonagh, Kings College, London; Yopie Prins, University of Michigan; Lindsay Smith,
University of Sussex; Margaret D. Stetz, University of Delaware; Jenny Bourne Taylor, University
of Sussex
Palgrave Studies in Nineteenth- Century Writing and Culture is a new monograph series that aims
to represent the most innovative research on literary works that were produced in the English-
speaking world from the time of the Napoleonic Wars to the fin de siècle. Attentive to the
historical continuities between ‘Romantic’ and ‘Victorian’, the series will feature s tudies that
help scholarship to reassess the meaning of these terms during a century marked by diverse
cultural, literary, and political m ovements. The main aim of the series is to look at the increas-
ing influence of types of historicism on our understanding of literary forms and genres. It
reflects the shift from critical theory to cultural history that has affected not only the period
1800–1900 but also every field within the discipline of English literature. All titles in the
series seek to offer fresh critical perspectives and challenging readings of both canonical and
non- canonical writings of this era.
Titles include:
Eitan Bar- Yosef and Nadia Valman (editors)
‘THE JEW’ IN L ATE- VICTORIAN AND EDWARDIAN CULTURE
Between the East End and East Africa
Heike Bauer
ENGLISH LITERARY SEXOLOGY
Translations of Inversions, 1860–1930
Luisa Calè and Patrizia Di Bello (editors)
ILLUSTRATIONS, OPTICS AND OBJECTS IN NINETEENTH- CENTURY LITERARY AND
VISUAL CULTURES
Deirdre Coleman and Hilary Fester (editors)
MINDS, BODIES, MACHINES, 1770–1930
Colette Colligan
THE TRAFFIC IN OBSCENITY FROM BYRON TO BEARDSLEY
Sexuality and Exoticism in Nineteenth- Century Print Culture
Eleanor Courtemanche
THE ‘INVISIBLE HAND’ AND BRITISH FICTION, 1818–1860
Adam Smith, Political Economy, and the Genre of Realism
Stefano Evangelista
BRITISH AESTHETICISM AND ANCIENT GREECE
Hellenism, Reception, Gods in Exile
Margot Finn, Michael Lobban and Jenny Bourne Taylor (editors)
LEGITIMACY AND ILLEGITIMACY IN NINETEENTH-C ENTURY LAW, LITERATURE AND HISTORY
John Gardner
POETRY AND POPULAR PROTEST
Peterloo, Cato Street and the Queen Caroline Controversy
F. Elizabeth Gray (editor)
WOMEN IN JOURNALISM AT THE FIN DE SIÈCLE
Making a Name for Herself
Yvonne Ivory
THE HOMOSEXUAL REVIVAL OF RENAISSANCE STYLE, 1850–1930
Colin Jones, Josephine McDonagh and Jon Mee (editors)
CHARLES DICKENS, A TALE OF TWO CITIES AND THE FRENCH REVOLUTION
Stephanie Kuduk Weiner
REPUBLICAN POLITICS AND ENGLISH POETRY, 1789–1874
Kirsten MacLeod
FICTIONS OF BRITISH DECADENCE
High Art, Popular Writing and the Fin de Siècle
Diana Maltz
BRITISH AESTHETICISM AND THE URBAN WORKING CLASSES, 1870–1900
Catherine Maxwell and Patricia Pulham (editors)
VERNON LEE
Decadence, Ethics, Aesthetics
Muireann O’Cinneide
ARISTOCRATIC WOMEN AND THE LITERARY NATION, 1832–1867
David Payne
THE REENCHANTMENT OF NINETEENTH- CENTURY FICTION
Dickens, Thackeray, George Eliot and Serialization
Julia Reid
ROBERT LOUIS STEVENSON, SCIENCE, AND THE FIN DE SIÈCLE
Virginia Richter
LITERATURE AFTER DARWIN
Human Beasts in Western Fiction 1859–1939
D. Shapple Spillman
BRITISH COLONIAL REALISM IN AFRICA
Inalienable Objects, Contested Domains
Anne Stiles (editor)
NEUROLOGY AND LITERATURE, 1860–1920
Caroline Sumpter
THE VICTORIAN PRESS AND THE FAIRY TALE
Sara Thornton
ADVERTISING, SUBJECTIVITY AND THE NINETEENTH- CENTURY NOVEL
Dickens, Balzac and the Language of the Walls
Ana Parejo Vadillo
WOMEN POETS AND URBAN AESTHETICISM
Passengers of Modernity
Phyllis Weliver
THE MUSICAL CROWD IN ENGLISH FICTION, 1840–1910
Class, Culture and Nation
Paul Young
GLOBALIZATION AND THE GREAT EXHIBITION
The Victorian New World Order
Palgrave Studies in Nineteenth- Century Writing and Culture
Series Standing Order ISBN 978–0–333–97700–2 (hardback)
(outside North America only)
You can receive future titles in this series as they are published by placing a standing order. Please
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Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke,
Hampshire RG21 6XS, England
Women in Journalism at the
Fin de Siècle
Making a Name for Herself
Edited by
F. Elizabeth Gray
Senior Lecturer, Massey University, New Zealand
ISBN 978-1-349-34836-7 ISBN 978-1-137-00130-6 (eBook)
DOI 10.1057/9781137001306
Introduction, selection and editorial matter © F. Elizabeth Gray 2012
Individual chapters © contributors 2012
Softcover reprint of the hardcover 1st edition 2012 978-0-230-36171-3
All rights reserved. No reproduction, copy or transmission of this
publication may be made without written permission.
No portion of this publication may be reproduced, copied or transmitted
save with written permission or in accordance with the provisions of the
Copyright, Designs and Patents Act 1988, or under the terms of any licence
permitting limited copying issued by the Copyright Licensing Agency,
Saffron House, 6–10 Kirby Street, London EC1N 8TS.
Any person who does any unauthorized act in relation to this publication
may be liable to criminal prosecution and civil claims for damages.
The authors have asserted their rights to be identified as the authors of this
work in accordance with the Copyright, Designs and Patents Act 1988.
First published 2012 by
PALGRAVE MACMILLAN
Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited,
registered in England, company number 785998, of Houndmills, Basingstoke,
Hampshire RG21 6XS.
Palgrave Macmillan in the US is a division of St Martin’s Press LLC,
175 Fifth Avenue, New York, NY 10010.
Palgrave Macmillan is the global academic imprint of the above companies
and has companies and representatives throughout the world.
Palgrave® and Macmillan® are registered trademarks in the United States,
the United Kingdom, Europe and other countries.
ISBN 978–0–230–36171–3
This book is printed on paper suitable for recycling and made from fully
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A catalogue record for this book is available from the British Library.
A catalog record for this book is available from the Library of Congress.
10 9 8 7 6 5 4 3 2 1
21 20 19 18 17 16 15 14 13 12
This book is dedicated to my mother, Pamela Anne Gray,
with love and gratitude:
you have helped light my way
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Contents
Acknowledgements ix
Notes on Contributors x
1 Introduction 1
F. Elizabeth Gray
2 M aking More than a Name: Eliza Lynn Linton and the
Commodification of the Woman Journalist at the Fin de Siècle 21
Lee Anne Bache
3 ‘ Her usual daring style’: Feminist New Journalism,
Pioneering Women, and Traces of Frances Power Cobbe 37
Susan Hamilton
4 Edith Simcox’s Diptych: Sexuality and Textuality 53
Brenda Ayres
5 Alice Meynell, Literary Reviewing, and the Cultivation of Scorn 71
F. Elizabeth Gray
6 Humanitarian Journalism: The Career of Lady Isabella Somerset 91
Michelle Tusan
7 F lora Shaw and the Times: Becoming a Journalist,
Advocating Empire 110
Dorothy O. Helly
8 ‘ Making a name for Whistler’: Elizabeth Robins Pennell as a
New Art Critic 129
Kimberly Morse Jones
9 ‘ A fair field and no favour’: Hulda Friederichs, the Interview,
and the New Woman 148
Fionnuala Dillane
10 R epresenting the Professional Woman: The Celebrity
Interviewing of Sarah Tooley 165
Terri Doughty
11 E lla Hepworth Dixon: Storming the Bastille, or Taking it
by Stealth? 182
Valerie Fehlbaum
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12 J ournalism’s Iconoclast: Rosamund Marriott Watson
(‘Graham R. Tomson’) 202
Linda K. Hughes
13 A nti/Feminism: Frances Low and the Issue of Women’s
Work at the Fin de Siècle 218
Alexis Easley
Complete Bibliography 236
Index 254
Acknowledgements
First and foremost, the editor wishes to express her heartfelt appreciation
to the contributors to this volume for their keen interest, their rigorous
scholarship, and their comradely collaboration. It has been an unmitigated
pleasure working with you on this project.
The editor would like to acknowledge the financial assistance provided
by Massey University, New Zealand, in the form of a University Women’s
Award (2009–10), which helped in the preparation of this book. Thanks
are also due to the School of Communication, Journalism and Marketing
for teaching support while I was deeply engaged in the writing and editing
process, and to Nicky McInnes in particular, for finding solutions to seem-
ingly insoluble problems. Debbie Gamble’s careful bibliographical work and
eye for detail in the late stages of preparation of the manuscript were much
appreciated. Hannah Benson’s creativity and talent made an invaluable
contribution to the volume’s design.
Warm thanks are due to Drs Nikki Hessell, Ingrid Horrocks, and Sarah
Ross, who read sections of this manuscript, were interested and supportive
at every stage of the process, and offered kind, shrewd, invaluable advice.
Thank you for being, as always, ‘the better craftswomen’. Thank you to
my parents, Murray and Pam Gray, and particularly to my mother, whose
passionate interest in pioneering women has helped inspire me.
Thanks from my heart to my husband, Nigel Edgecombe, collaborator in
all I do and my coauthor in the most joyous production of my life.
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