Table Of ContentADOBE CERTIFIED EXPERT PROGRAM
WHAT IS THE ADOBE CERTIFIED EXPERT (ACE) PROGRAM? REVEALED TITLES FOR ADOBE CERTIFIED EXPERT STUDY
The Adobe Certifi ed Expert program is for graphic designers, Web designers, MATERIALS
systems integrators, value-added resellers, developers, and business professionals
The Revealed Series off ers a number of ACE courseware products that cover the
seeking offi cial recognition of their expertise on Adobe Products.
objectives required to pass an Adobe Product Profi ciency Exam. After studying
with any of the books listed below, you should be prepared to take an Adobe
WHAT IS AN ACE?
Product Profi ciency Exam.
An Adobe Certifi ed Expert is an individual who has passed an Adobe Product
Profi ciency Exam for a specifi c Adobe software product. Adobe Certifi ed Experts EXAM NAME SERIES/TITLE
are eligible to promote themselves to clients or employers as highly skilled,
expert-level users of Adobe software. ACE certifi cation is a worldwide standard for Adobe® Photoshop® CS5 Revealed: Adobe Photoshop CS5
excellence in Adobe software knowledge. To become an Adobe Certifi ed Expert, Adobe® InDesign® CS5 Revealed: Adobe InDesign CS5
you must pass a product-specifi c Adobe Product Profi ciency Exam.
Adobe® Dreamweaver® CS5 Revealed: Adobe Dreamweaver CS5
Adobe® Illustrator® CS5 Revealed: Adobe Illustrator CS5
Adobe® Flash® CS5 Revealed: Adobe Flash
Adobe® Premiere Pro® CS5 Revealed: The Video Collection: Adobe
Premiere Pro CS5, After Eff ects CS5,
Soundbooth CS5, Encore CS5
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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THE VIDEO
™
ADOBE
PREMIERE PRO CS5
COLLECTION AFTER EFFECTS CS5
SOUNDBOOTH CS5
ENCORE CS5
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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This is an electronic version of the print textbook. Due to electronic rights restrictions,
some third party content may be suppressed. Editorial review has deemed that any suppressed
content does not materially affect the overall learning experience. The publisher reserves the right
to remove content from this title at any time if subsequent rights restrictions require it. For
valuable information on pricing, previous editions, changes to current editions, and alternate
formats, please visit www.cengage.com/highered to search by ISBN#, author, title, or keyword for
materials in your areas of interest.
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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THE VIDEO
™
ADOBE
PREMIERE PRO CS5
COLLECTION AFTER EFFECTS CS5
SOUNDBOOTH CS5
ENCORE CS5
DEBBIE KELLER
Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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The Video Collection CS5 Revealed © 2011 Delmar, Cengage Learning Library of Congress Control Number: 2010921377
Debbie Keller ALL RIGHTS RESERVED. No part of this work covered by Hardcover edition:
the copyright herein may be reproduced, transmitted, ISBN-13: 978-1-4390-5756-8
Vice President, Career and Professional Editorial:
stored, or used in any form or by any means graphic, ISBN-10: 1-4390-5756-7
Dave Garza
electronic, or mechanical, including but not limited to
Soft cover edition:
Director of Learning Solutions: Sandy Clark photocopying, recording, scanning, digitizing, taping, Web
ISBN-13: 978-1-4390-5758-2
distribution, information networks, or information storage
Senior Acquisitions Editor: Jim Gish ISBN-10: 1-4390-5758-3
and retrieval systems, except as permitted under Section
Managing Editor: Larry Main 107 or 108 of the 1976 United States Copyright Act, w ithout Delmar
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Cover Design: Joe Villanova Creative Suite® are trademarks or registered trademarks
Cover Art: Spitting Images of Adobe Systems, Inc. in the United States and/or other NPuobtliicseh etro d tohees R neoat dwearrrant or guarantee any of the
countries. Third party products, services, company names, products described herein or perform any independent
Cover Photos: logos, design, titles, words, or phrases within these materi- analysis in connection with any of the product information
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Copy editor: Harold Johnson described herein and to avoid all potential hazards. By
The Adobe Approved Certifi cation Courseware logo is a
following the instructions contained herein, the reader
Production House: Integra Software Services Pvt. Ltd. proprietary trademark of Adobe. All rights reserved. Cengage willingly assumes all risks in connection with such
Proofreader: Kim Kosmatka Learning and The Video Collection CS5—Revealed are instructions. The publisher makes no representations
independent from ProCert Labs, LLC and Adobe Systems or warranties of any kind, including but not limited
Indexer: Alexandra Nickerson to, the warranties of fi tness for particular purpose or
Incorporated, and are not affi liated with ProCert Labs and merchantability, nor are any such representations implied
Technology Project Manager: Christopher Catalina Adobe in any manner. This publication may assist students to with respect to the material set forth herein, and the
prepare for an Adobe Certifi ed Expert exam in Premiere Pro, publisher takes no responsibility with respect to such
material. The publisher shall not be liable for any special,
however, neither ProCert Labs nor Adobe warrant that use of
consequential, or exemplary damages resulting, in whole or
this material will ensure success in connection with any exam. part, from the readers’ use of, or reliance upon, this material.
Printed in the United States of America
1 2 3 4 5 6 7 14 13 12 11 10
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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SERIES & AUTHOR VISION
Revealed Series Vision growing computer fi elds today. We think asked me which title I would like to write,
we’ve done just that, with a sophisticated and Premiere Pro or Aft er Eff ects. I wanted to
Th e Revealed Series is your guide to today’s
instructive book design. write a Video Collection that would include
hottest multimedia applications. Th ese
Premiere Pro, Aft er Eff ects, Soundbooth, and
comprehensive books teach the skills behind —Th e Revealed Series
Encore. I thought it made more sense than
the application, showing you how to apply
just one title. Boy was I being ambitious.
smart design principles to multimedia Author’s Vision
I would not realize that until many months
products such as dynamic graphics,
Th e idea of writing a book has always been later. Jim agreed and the process began, and
animation, Web sites, soft ware authoring
in the back of my mind. Also in the back what a quick process it was.
tools, and digital video.
of my mind was the question “How many
I was introduced to the team and assigned
A team of design professionals including people ever really get this chance?” Well, I
a Project Manager, Jane Hosie-Bounar, and
multimedia instructors, students, authors, got mine. I met a Cengage Sales Rep named
a Development Editor named Ann Fisher.
and editors worked together to create this Debbie Henson about a year ago and it
I received my contract over Th anksgiving
series. We recognized the unique learning started with “You look familiar, where might
break; it was offi cial, I was going to write a
environment of the multimedia classroom I have seen you?” When I provided my
book! Over a period of six quick months,
and created a series that: answer, she told me I should be working with
the book was written. Jane was wonderful to
Cengage. Amazingly, in the next few days my
■ Gives you comprehensive step-by-step world would change. Debbie contacted me work with. She was always patient with my
instructions questions and extremely helpful through the
and asked that I forward my “credentials”;
■ Off ers in-depth explanation of the “Why” she had a Senior Acquisitions Editor named entire process. Ann’s questions in her edits
behind a skill helped make this book better. As a fi rst time
Jim Gish who was interested in learning
■ Includes creative projects for additional more about me. Being in education most of author, I was very fortunate to work with
practice both of these women.
my adult life, I asked if a resume would be
■ Explains concepts clearly using full-color okay (it was). My goal was to write a project-based book
visuals
that integrated the soft ware applications. I
■ Keeps you up to date with the latest Just a few short days later, Jim Gish
hope that is what the reader experiences and
soft ware upgrades so you can always contacted me and said he was interested in
I hope the reader is able to embrace the way
work with cutting edge technology having me write a book for the Revealed
I approached this book. It was a challenge to
series, and asked if I was familiar with
It was our goal to create a book that speaks write, and so very rewarding.
it. At that time, I had just heard of it and
directly to the multimedia and design
was waiting for my evaluation copies. He
community—one of the most rapidly
THE VIDEO COLLECTION CS5 V
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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Th ank you Jim Gish for taking a chance on Education Leaders program back when it Mocha. Th en, when the process of actually
me, I hope I have made you proud. was Macromedia. writing began, while I was teaching high
school fulltime, he started doing the grocery
Th ank you to Barry Britt of Soundzabound, Th ank you to my mother, Catherine
shopping. Th ank you for your continued
and Joel Holland of Footage Firm, for Harrington, for understanding the time
encouragement and reminding me that I
making many of the audio and video clips constraints that were put on me for the
could in fact do this. You will see our dogs,
available. Th ank you to Eric Franke, an last six months and for cleaning my house
Lucky and Potus, in the pages of this book
art teacher at the school where I work, for every Wednesday so I had one less thing to
as well as in video clips used in the projects.
making his photography available. worry about.
(Lucky learns to sing in one of the later
Th ank you to my friends at Adobe, who Th ank you to my husband Glenn for being chapters!) Th ank you to Potus for making me
connected me with the right people when supportive of me in everything I do. Last take a break once in a while, and reminding
they were not able to answer my questions: summer, he drove me around the Hill me when it was time to go to bed.
Michelle Galina, Claire Erwin, Anuja Country of Texas to fi lm video and take
— Debbie Keller
Dharkar, Daniela Birch and Tom Dent. Also, pictures to be used as resources for this
thank you to Johann Zimmern and Megan text. Th anks to him, we had some shaky
Stewart who brought me into the Adobe footage to work with when working with
THE VIDEO COLLECTION CS5 VI
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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PREFACE
Introduction to The Video Collection Revealed
Welcome to Th e Video Collection—Revealed. Th is book off ers
creative projects, concise instructions, and complete coverage
of basic to advanced video skills, helping you to create polished,
professional-looking video. Use this book both in the classroom
and as your own reference guide.
Th e text is written in an integrated approach to utilize the benefi ts from
THE VIDEO COLLECTION CS5
each of four applications: Adobe Premiere Pro, Aft er Eff ects, Soundbooth,
and Encore. A chapter is dedicated to each application to help you gain 1
familiarity with the program. Th e last three chapters incorporate what
CHAPTER CREATING A VIDEO MONTAGE
you have learned and have you work with more than one application, or IN ADOBE PREMIERE CS5
work dynamically with more than one application with Adobe Dynamic 1. Create a new project and explore the workspace
2. Import assets
Link. (Note that this feature is only available if your soft ware was installed 3. Work with the Timeline panel and sequences
4. Apply video transitions
as part of a suite and not as individual point products.) 5. Work with motion eff ects
6. Design and insert titles
7. Export a movie
LESSON 7
Export a
MOVIE
What You’ll Do Exporting the Movie Exporting for the Web What You’ll Do
Now it is time to export, or encode, your When exporting video for the Web, your
movie so that other people with be able target audience becomes much larger and
to view it. Premiere Pro has a variety of their soft ware, hardware, and Internet access A What You’ll Do fi gure begins every lesson. Th is fi gure gives you an
options from which to choose. You can methods are too numerous to determine.
export to videotape, create a fi le for viewing Fortunately, there are a number of codecs at-a-glance look at what you’ll do in the chapter, either by showing you
on a computer or the Internet, or put your (compressor/decompressors, also known
project on a DVD or Blu-ray disc with or as encoder/decoders) considered for this
without menus and other features. We will purpose to make video Web-friendly. a page or pages from the current project or a tool you’ll be using.
be exploring the DVD option in detail in According to Adobe, 98 percent of the world’s
Chapter 7 when we create an Electronic computers that are connected to the Internet
Portfolio using Adobe Encore CS5. have a Flash Player installed, and of those
In this lesson, you will export your project. Th roughout the projects in this book, we will Flash Players at least 90 percent are capable of
mainly focus on creating fi les for viewing playing the latest H.264 codec. Th erefore, we Comprehensive Conceptual Lessons
projects on computers and the Internet. will export using the H.264 encoded video for
You need to consider a few options when Flash when saving video for the Web.
you are exporting a movie for others to view Many of these codecs use two types of Before jumping into instructions, in-depth conceptual information
on another computer or the Internet. File technologies that should be considered
smizoev iise ifmorp sotrotraangte f,o trr arnesdmucisinsigo nth, ea nsidz ee ffo ef cat ive wvihdeeno avniedw pinrogg vriedsesoivse o dno twhne lWoaedba:b slter evaidmeion.g tells you “why” skills are applied. Th is book provides the “how” and
playback. Adobe Premiere Pro Help has an A streaming video is also referred to as live
extensive chapter on exporting and options streaming video. Streaming video occurs “why” through the use of professional examples. Also included in
to consider when compressing video for when a video is played much like a traditional
playback on the Web and mobile devices. broadcast, and is aff ected by the bandwidth
Adobe Premiere Pro Help is a Web-based that is available. Buff ering (delay before the the text are tips and sidebars to help you work more effi ciently and
feature and is updated frequently to support video begins to play) may occur when the
new mobile devices as they become available. bandwidth does not meet the required need of creatively, or to teach you a bit about the history or design philosophy
THE VIDEO COLLECTION CS5/PREMIERE PRO 166 Creating a Video Montage in Adobe Premiere CS5 behind the skill you are using.
THE VIDEO COLLECTION CS5 VII
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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Step-by-Step Instructions
Th is book combines in-depth conceptual information with concise 7. Click File on the Application bar, point to New, Figure 76 Creating a new title
then click Title.
steps to help you learn about working with video in CS5. Each set The New Title dialog box opens. You can name
the title and choose size options for it in the Background Video
of steps guides you through a lesson where you will create, modify, dialog box. Timecode setting
TIP You can also click the New Item button on the
or enhance a fi le. Step references to large colorful images and quick Project panel, and choose Title.
8. Type Native American Proverb in the Name
step summaries round out the lessons. Th e Data Files for the steps are text box of the New Title dialog box, as shown
in Figure 75, and then click OK.
provided on the DVDs at the back of this book. 9. Click the Show Background Video button Your clip should
and notice that the Background Video match this
Timecode matches the setting of 00;00;03;20
on the Timeline.
Your Titler window should look like Figure 76.
10. Click the Type tool on the Title Tools panel.
11. Click in the Title panel, click Edit on the Figure 77 Changing the font size
Application bar, then click Paste to paste
the quote.
You will notice that the text is much too big. Font size
We will need to make some adjustments on the
Title Properties panel. We will start by reducing
the font size.
12. Click the Selection tool on the Tools
PORTFOLIO PROJECT panel, then click the text. Cursor change
The text must be selected in order to modify it.
13. On the Title Properties panel, position the
Th e zoo in your area has contracted you to Figure 106 Sample Portfolio Project mouse pointer over the Font Size property and
create a PSA they would like to air on local when you see the cursor change to a scrolling
television and on their Web site bringing fi nger, drag the mouse pointer left until the size
public awareness to a campaign about changes to 62.0, as shown in Figure 77.
endangered animals. Th ey are providing you (continued)
with 12 video clips featuring animals they
would like included in the commercial. A
sample workspace is shown in Figure 106. THE VIDEO COLLECTION CS5/PREMIERE PRO 158 Creating a Video Montage in Adobe Premiere CS5
Using your skills in Premiere Pro and Aft er
Eff ects, create a 30-second commercial with
appropriate text and a voice over from your
own research concerning these endangered
animals. You will need to export your movie
in the MPEG-2 and FLV fi le formats.
1. Import the video clips into Premiere Pro. Projects
2. Trim clips and combine them on a sequence (needs to
be 30 seconds).
3. Use Adobe Dynamic Link to create an After Eff ects Th is book contains a variety of end-of-chapter materials for additional
composition from the Premiere Pro sequence.
4. Add special eff ects of your choosing in After Eff ects.
5. Add appropriate text either in Premiere Pro or in practice and reinforcement. Th e Skills Review contains hands-on
After Eff ects.
6. Return to Premiere Pro and add a voice over. practice exercises that mirror the progressive nature of the lesson
7. Export as an MPEG-2 and FLV.
material. Th e chapter concludes with three projects: two Project
Builders, and one Portfolio Project. Th e Project Builders require you
to apply the skills you’ve learned in the chapter. Portfolio Projects
encourage you to address and solve challenges based on the content
Develop a PSA & Commercial Using Premiere Pro & Aft er Eff ects CS5 THE VIDEO COLLECTION CS5/PREMIERE PRO & AFTER EFFECTS 575
explored in the chapter, and to develop your own portfolio of work.
THE VIDEO COLLECTION CS5 VIII
Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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