Table Of ContentThe Use of Anonymous Characters in Greek Tragedy
Mnemosyne
Supplements
Monographs on Greek and
Latin Language and Literature
EditorialBoard
G.J.Boter
A.Chaniotis
K.M.Coleman
I.J.F.deJong
T.Reinhardt
VOLUME344
Thetitlespublishedinthisseriesarelistedatbrill.nl/mns
The Use of Anonymous
Characters in Greek Tragedy
The Shaping of Heroes
By
FlorenceYoon
LEIDEN•BOSTON
2012
LibraryofCongressCataloging-in-PublicationData
Yoon,Florence,1981-
TheuseofanonymouscharactersinGreektragedy:theshapingofheroes/byFlorenceYoon.
pages.cm.–(Mnemosynesupplements;volume344)
Includesbibliographicalreferencesandindex.
ISBN978-90-04-22903-7(hardback:alk.paper)–ISBN978-90-04-23343-0(e-book)
1.Charactersandcharacteristicsinliterature.2.Greekdrama(Tragedy)–Historyandcriticism.3.
Greekdrama(Tragedy)–Characters.4.Mythology,Greek.I.Title.II.Series:Mnemosyne,
bibliothecaclassicaBatava.Supplementum;v.344.
PA3136.Y662012
882'.0109–dc23
2012011717
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ISSN0169-8958
ISBN9789004229037(hardback)
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CONTENTS
Acknowledgements..................................................... ix
ReferencesandAbbreviations.......................................... xi
Introduction:“What’sinaName?”...................................... 1
I. Classes .............................................................. 9
1. PersonalServants................................................. 10
1.1.NursesandTutors ........................................... 13
2. OtherServants.................................................... 21
2.1.Heralds....................................................... 22
3. Priests ............................................................ 26
4. Children.......................................................... 31
II. Individuals .......................................................... 39
1. WhatTheySay ................................................... 41
1.1.Prologizomenoi............................................... 41
1.2.EteoclesandHisScout(Septem)............................. 46
1.3.AgamemnonandtheHerald(Agamemnon)................. 48
1.4.AdmetusandtheServants(Alcestis)......................... 51
2. WhatIsSaidtoThem............................................. 55
2.1.CreonandtheWatchman(Antigone)........................ 55
2.2.DeianeiraandtheMessenger(Trachiniae) .................. 59
2.3.OrestesandtheTutor(Sophocles’Electra) .................. 61
2.4.Iolaus,Alcmene,andtheServantofHyllus(Heracleidae) ... 67
2.5.HippolytusandtheOldMan(Hippolytus) ................... 70
2.6.AndromacheandHerσύνδουλος(Andromache) ............. 72
2.7.Electra,Orestes,andtheOldTutor(Euripides’Electra) ..... 74
2.8.MenelausandtheDoorkeeper(Helen) ...................... 77
2.9.OrestesandthePhrygianSlave(Orestes) .................... 81
3. WhatTheyDo.................................................... 85
3.1.PhaedraandHerNurse(Hippolytus)......................... 86
3.2.CreousaandtheOldTutor(Ion)............................. 92
3.3.AgamemnonandtheOldServant(IA)....................... 96
4. WhatTheyAre ................................................... 98
4.1.ElectraandtheAutourgos(Euripides’Electra) .............. 99
viii contents
4.2.HeraclesandHisDaughter(Heracleidae).................... 105
4.3.EurystheusandHisHerald(Heracleidae).................... 107
4.4.TheEgyptiansandTheirHerald?(Aeschylus’Supplicesand
Aegyptioi).................................................... 113
III.SpecialCases ........................................................ 121
1. ThePersianQueen:TheAnonymityofaHistoricalFigure ....... 121
2. Cilissa:AnonymouslyNamed .................................... 130
3. TheSlaveofLoxiasinIon:NaminganAnonymousCharacter ... 133
IV.ContrastsandComparisons......................................... 141
1. Epic:HomerandHesiod.......................................... 141
2. AristophanicComedy:TheκηδεστήςinThesmophoriazusae ..... 147
3. ABriefNoteonLaterTragedy.................................... 152
Conclusion ............................................................. 157
Bibliography............................................................ 161
Index ................................................................... 177
ACKNOWLEDGEMENTS
ThankstoScottScullion,mydoctoralsupervisor,towhosecriticalinsight,
support,andruthlessnesswithcommasIamforeverindebted.
Thanks to the Rhodes Trust and the Social Sciences and Humanities
Research Council of Canada, which made it possible for me to write the
thesisonwhichthismonographisbased.
ThankstoBillAllanandJudithMossman,mydoctoralexaminers,who
broughttheκηδεστήςtomyattention,toJasperGriffinandOliverTaplin,
who oversaw the beginning of this project, and to the (anonymous) Brill
reader,whogavemuchvaluableadvice.
ThankstoMyongYoon,GeoffreyWildeandPeterWilde,whoreadand
proofreadthemanuscriptwithscientificeyes,andtotherestofmyfamily
andfriendsfortheirmoralsupport.
Description:Anonymous characters appear in almost every extant Greek Tragedy, yet they have long been overlooked in critical scholarship. This book argues that the creation and use of anonymous figures is an important tool in the transformation of traditional mythological heroes into unique dramatic characters.