Table Of ContentTHE
LITERATURE
BOOK
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THE
LITERATURE
BOOK
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DK LONDON original styling by CONTRIBUTORS
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SENIOR EDITOR 
Sam Atkinson 
produced for DK by
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Gillian Andrews
ART EDITOR  ART EDITORS  Our consultant and coauthor James Canton  
Saffron Stocker Darren Bland, Paul Reid is a lecturer in literature at the University  
MANAGING EDITOR  EDITORS  of Essex, England, where he teaches the  
Gareth Jones  Richard Gilbert, Diana Loxley,   MA “Wild Writing: Literature and the 
Kirsty Seymour-Ure, Marek Walisiewicz,   Environment.” His published work includes 
MANAGING ART EDITOR  Christopher Westhorp
Lee Griffiths From Cairo to Baghdad: British Travellers in 
Arabia (2011) and Out of Essex: Re-Imagining  
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Jane Perlmutter, Margaret Parrish Published in the United States by  a Literary Landscape (2013), which explores 
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Natalie Godwin Without limiting the rights under the copyright   A nonfiction writer and editor, Helen Cleary 
JACKET EDITOR  reserved above, no part of this publication may be  studied English literature at Cambridge 
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of the copyright owner. taught by W. G. Sebald and Lorna Sage. Helen  
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Tony Phipps Published in Great Britain by   is a published writer of poetry and short fiction 
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Nadine King A catalog record for this book is available  
from the Library of Congress. ANN KRAMER
SENIOR PRODUCERS 
Mandy Innes, Rita Sinha ISBN: 978-1-4654-2988-9
A writer and historian, Ann Kramer worked  
DK books are available at special discounts when  for various publishers, including DK, before 
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ROBIN LAXBY HILA SHACHAR NICK WALTON
A freelance editor and writer, Robin Laxby   A lecturer in English literature at De Montfort  Nick Walton is Shakespeare Courses 
has a degree in English from Oxford University,  University, England, and writer for The  Development Manager at the Shakespeare 
England, and has worked as a publishing  Australian Ballet, Hila Shachar has a doctorate  Birthplace Trust in Stratford-upon-Avon, 
director in London. He has reviewed fiction   in English literature from The University of  England. He has written introductory material 
for The Good Book Guide and has published  Western Australia. She has published widely  for the Penguin editions of Timon of Athens 
five books of poetry since 1985. The Society   on literature and film, including her New York  and Love’s Labour’s Lost, and is coauthor  
of Authors recently awarded him a grant to  Times featured book, Cultural Afterlives and  of The Shakespeare Wallbook. He is also a 
complete a 30,000-word prose poem.  Screen Adaptations of Classic Literature (2012).  contributor to DK’s The Shakespeare Book  
She is also the author of several studies on   in the Big Ideas series. 
DIANA LOXLEY the adaptation of literary works, feminism  
in literature, and popular and classic fiction.   MARCUS WEEKS
Diana Loxley is a freelance editor and writer,  She is currently writing a monograph on 
and a former managing editor of a publishing  literary biopics, examining the screen  Marcus Weeks studied music, philosophy, and 
company in London, England. She has a  adaptation of the figure of the author. musical instrument technology, and had a 
doctorate in literature from the University   varied career, first as a teacher of English as a 
of Essex. Her published works include an  ALEX VALENTE foreign language, then a musician, art-gallery 
analysis of colonial and imperial ideology   manager, and instrument restorer before 
in various key texts of 19th-century fiction. A researcher at the University of East Anglia,  becoming a full-time writer. He has written 
England, literary translator, and writer,   and contributed to numerous books on the 
ESTHER RIPLEY Alex Valente has contributed to the Oxford  humanities, arts, and popular sciences aimed 
Companion to Children’s Literature (2015),   at making big ideas accessible and attractive, 
Esther Ripley has a first-class degree in  the Cultures of Comics Work (2016), and  including many titles in DK‘s Big Ideas’ series.
literature with psychology and has worked   several smaller poetry and prose publications, 
for many years as a journalist, education  in both Italian and English. He has also taught  PENNY WOOLLARD
magazine editor, book reviewer, and short- first-year English literature modules at the 
story competition judge. A former managing  University of East Anglia. A theater studies administrator at the 
editor at DK, she has written books for children  University of Essex, England, Penny Woollard 
and now writes on a range of cultural subjects. BRUNO VINCENT has a doctorate in literature, from the same 
university, titled “Derek Walcott’s Americas: 
MEGAN TODD As a former bookseller, then a book editor,   the USA and the Caribbean.” She has lectured 
and now a freelance writer, Bruno Vincent   on Walcott and has also taught American 
A senior lecturer in social science at the  has spent his entire working life around books  literature at Essex university.
University of Central Lancashire, England,  and the written word. He is the author of ten 
Megan Todd has a degree in English literature  titles, including two Sunday Times top ten 
from the University of Aberdeen, Scotland.   best sellers and two volumes of Dickensian 
She taught English literature at a grammar  Gothic horror stories for children.
school in Cumbria and completed a Masters  
in gender studies at Newcastle University,   
with a focus on women’s writing.
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CONTENTS
10  INTRODUCTION 47  Real things in the darkness   72  Laughter’s the property of  
  seem no realer than dreams   man. Live joyfully 
  The Tale of Genji, Murasaki     Gargantua and Pantagruel,  
  Shikibu   François Rabelais
HEROES AND LEGENDS
3000 BCE–1300 CE 48  A man should suffer greatly   74  As it did to this flower, the  
  for his Lord    doom of age will blight  
  The Song of Roland    your beauty
20  Only the gods dwell forever    Les Amours de Cassandre,  
  in sunlight 49  Tandaradei, sweetly sang     Pierre de Ronsard
  The Epic of Gilgamesh    the nightingale 
  “Under the Linden Tree,”  75  He that loves pleasure must  
21  To nourish oneself on     Walther von der Vogelweide   for pleasure fall
  ancient virtue induces     Doctor Faustus, Christopher  
  perseverance 50  He who dares not follow love’s     Marlowe
  Book of Changes, attributed     command errs greatly
  to King Wen of Zhou   Lancelot, the Knight of the Cart,   76  Every man is the child of  
  Chrétien de Troyes   his own deeds
22  What is this crime I am     Don Quixote, Miguel de  
  planning, O Krishna?  52  Let another’s wound be     Cervantes
  Mahabharata, attributed     my warning 
  to Vyasa   Njal’s Saga  82  One man in his time plays  
  many parts 
26  Sing, O goddess, the anger   54  Further reading   First Folio, William Shakespeare
  of Achilles
  Iliad, attributed to Homer 90  To esteem everything is to  
  esteem nothing
34  How dreadful knowledge   RENAISSANCE TO    The Misanthrope, Molière
  of the truth can be when   ENLIGHTENMENT
  there’s no help in truth! 91  But at my back I always hear   
1300–1800
  Oedipus the King, Sophocles   Time’s winged chariot  
  hurrying near
40  The gates of hell are open   62  I found myself within a     Miscellaneous Poems,  
  night and day; smooth the     shadowed forest    Andrew Marvell
  descent, and easy is the way   The Divine Comedy, Dante  
  Aeneid, Virgil   Alighieri 92  Sadly, I part from you; like a  
  clam torn from its shell, I go,  
42  Fate will unwind as it must  66  We three will swear     and autumn too
  Beowulf    brotherhood and unity of     The Narrow Road to the Interior,  
  aims and sentiments   Matsuo Basho¯
44  So Scheherazade began…   Romance of the Three  
  One Thousand and One Nights    Kingdoms, Luo Guanzhong 93  None will hinder and none  
  be hindered on the journey  
46  Since life is but a dream,  68  Turn over the leef and     to the mountain of death
  why toil to no avail?   chese another tale    The Love Suicides at Sonezaki,  
  Quan Tangshi   The Canterbury Tales,     Chikamatsu Monzaemon
  Geoffrey Chaucer
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94  I was born in the Year 1632,  
DEPICTING REAL LIFE
  in the City of York, of a  
  good family  1855–1900
  Robinson Crusoe, Daniel Defoe
158  Boredom, quiet as the spider,  
96  If this is the best of all     was spinning its web in the  
  possible worlds, what are     shadowy places of her heart 
  the others?    Madame Bovary, Gustave  
  Candide, Voltaire   Flaubert
120  Who shall conceive the  
98  I have courage enough to walk     horrors of my secret toil 164  I too am a child of this  
  through hell barefoot   Frankenstein, Mary Shelley   land; I too grew up amid  
  The Robbers, Friedrich Schiller   this scenery 
122  All for one, one for all   The Guarani, José de Alencar
100  There is nothing more difficult     The Three Musketeers,  
  in love than expressing in     Alexandre Dumas 165  The poet is a kinsman in  
  writing what one does not feel   the clouds 
  Les Liaisons dangereuses,   124  But happiness I never     Les Fleurs du mal, Charles  
  Pierre Choderlos de Laclos   aimed for, it is a stranger     Baudelaire
  to my soul 
102  Further reading   Eugene Onegin, Alexander   166  Not being heard is no reason  
  Pushkin   for silence
  Les Misérables, Victor Hugo
125  Let your soul stand cool  
ROMANTICISM AND THE    and composed before a   168  Curiouser and curiouser! 
RISE OF THE NOVEL   million universes    Alice’s Adventures in  
  Leaves of Grass, Walt Whitman   Wonderland, Lewis Carroll
1800–1855
126  You have seen how a man   172  Pain and suffering are  
110  Poetry is the breath and the     was made a slave; you shall     always inevitable for a large  
  finer spirit of all knowledge   see how a slave was made     intelligence and a deep heart
  Lyrical Ballads, William     a man   Crime and Punishment, Fyodor  
  Wordsworth and Samuel     Narrative of the Life of Frederick     Dostoyevsky
  Taylor Coleridge   Douglass, Frederick Douglass
178  To describe directly the life  
111  Nothing is more wonderful,   128  I am no bird; and no net     of humanity or even of a  
  nothing more fantastic than     ensnares me    single nation, appears  
  real life   Jane Eyre, Charlotte Brontë   impossible 
  Nachtstücke, E. T. A. Hoffmann   War and Peace, Leo Tolstoy
132  I cannot live without my life!  
112  Man errs, till he has ceased     I cannot live without my soul!  182  It is a narrow mind which  
  to strive    Wuthering Heights, Emily Brontë   cannot look at a subject  
  Faust, Johann Wolfgang     from various points of view
  von Goethe  138  There is no folly of the beast     Middlemarch, George Eliot
  of the Earth which is not  
116  Once upon a time…   infinitely outdone by the   184  We may brave human laws,  
  Children’s and Household Tales,     madness of men   but we cannot resist  
  Brothers Grimm   Moby-Dick, Herman Melville   natural ones
  Twenty Thousand Leagues  
118  For what do we live, but   146  All partings foreshadow the     Under the Sea, Jules Verne
  to make sport for our     great final one 
  neighbours, and laugh     Bleak House, Charles Dickens  
  at them in our turn?
  Pride and Prejudice, Jane Austen 150  Further reading
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185  In Sweden all we do is to   234  The old world must crumble.  
BREAKING WITH 
  celebrate jubilees   Awake, wind of dawn!
  The Red Room, August   TRADITION   Berlin Alexanderplatz,  
  Strindberg   Alfred Döblin
1900–1945
186  She is written in a foreign   235  Ships at a distance have  
  tongue  208  The world is full of obvious     every man’s wish on board 
  The Portrait of a Lady,     things which nobody by any     Their Eyes Were Watching God,  
  Henry James   chance ever observes   Zora Neale Hurston
  The Hound of the Baskervilles,  
188  Human beings can be awful     Arthur Conan Doyle 236  Dead men are heavier than  
  cruel to one another    broken hearts 
  The Adventures of Huckleberry   209  I am a cat. As yet I have no     The Big Sleep, Raymond Chandler
  Finn, Mark Twain   name. I’ve no idea where I  
  was born 238  It is such a secret place,  
190  He simply wanted to go     I Am a Cat, Natsume So¯seki   the land of tears 
  down the mine again, to     The Little Prince, Antoine de  
  suffer and to struggle  210  Gregor Samsa found himself,     Saint-Exupéry
  Germinal, Émile Zola   in his bed, transformed into  
  a monstrous vermin 240  Further reading
192  The evening sun was now     Metamorphosis, Franz Kafka
  ugly to her, like a great  
  inflamed wound in the sky 212  Dulce et decorum est pro  
  Tess of the d’Urbervilles,     patria mori POSTWAR WRITING
  Thomas Hardy   Poems, Wilfred Owen 1945–1970
194  The only way to get rid of a   213  Ragtime literature which  
  temptation is to yield to it   flouts traditional rhythms 250  BIG BROTHER IS 
  The Picture of Dorian Gray,     The Waste Land, T. S. Eliot   WATCHING YOU
  Oscar Wilde   Nineteen Eighty-Four,  
214  The heaventree of stars hung     George Orwell
195  There are things old and     with humid nightblue fruit
  new which must not be     Ulysses, James Joyce 256  I’m seventeen now, and  
  contemplated by men’s eyes   sometimes I act like I’m  
  Dracula, Bram Stoker 222  When I was young I, too,     about thirteen
  had many dreams    The Catcher in the Rye,  
196  One of the dark places of     Call to Arms, Lu Xun   J. D. Salinger
  the earth 
  Heart of Darkness, Joseph Conrad 223  Love gives naught but itself   258  Death is a gang-boss aus  
  and takes naught but     Deutschland 
198  Further reading   from itself    Poppy and Memory, Paul Celan
  The Prophet, Kahlil Gibran
259  I am invisible, understand,  
224  Criticism marks the origin of     simply because people  
  progress and enlightenment    refuse to see me 
  The Magic Mountain,     Invisible Man, Ralph Ellison
  Thomas Mann
260  Lolita, light of my life, fire  
228  Like moths among the     of my loins. My sin, my soul 
  whisperings and the     Lolita, Vladimir Nabokov
  champagne and the stars 
  The Great Gatsby, F. Scott   262  He leaves no stone unturned,  
  Fitzgerald   and no maggot lonely
  Waiting for Godot, Samuel Beckett
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