Table Of ContentIndex: Volume 63
Titles: Articles, Discussions, & Symposia
Aesthetics, Experience, and Discrimination ROBERT HOPKINS
Aesthetic Terms, Metaphor, and the Nature of Aesthetic Properties RAFAEL DE CLERCQ
Against the Ubiquity of Fictional Narrators ANDREW KANIA
André Bazin’s Ontology of Photographic and Film Imagery JONATHAN FRIDAY
Artist's Sanction in Contemporary Art, The SHERRI IRVIN
Beardsley and the Autonomy of the Work of Art STEPHEN DAVIES
Beardsley’s Approach NICHOLAS WOLTERSTORFI
Beardsley’s Legacy: The Theory of Aesthetic Value ALAN GOLDMAN
Double Content Theory of Artistic Representation, A JOHN DILWORTH
Glamour as an Aesthetic Property of Persons CAROL S. GOULD
How Perspective Could be a Symbolic Form ALLISTER NEHER
Inseparable Insight: Reconciling Cognitivism and Formalism
in Aesthetics KATHERINE THOMSON-JONES
Intentional Model in Interpretation, The ALEX KIEFER
Just a Song? Exploring the Aesthetics of Popular Song Performance JEANETTE BICKNELI
Leaving It Up to the Imagination: POV Shots and Imagining
from the Inside JINHEE CHOI
On tne Prototype Theory of Concepts and the Definitions of Art THOMAS ADAJIAN
Ontology of Art and Knowledge in Aesthetics, The AMIE L. THOMASSON
Origins of Beardsley’s Aesthetics, The GEORGE DICKIE
Pictorial Implicature CATHARINE ABEL!
Picturing Pictures: Reply to Dilworth MICHAEL NEWALI
Practical Significance of Taste in Kant’s Critique of Judgment:
Love of Natural Beauty as a Mark of Moral Character, The ANNE MARGARET BAXLEY
Profound Offense and Cultural Appropriation JAMES O. YOUNG
Race, Rationality, and Melodrama: Aesthetic Response and the
Case of Oscar Micheaux DAN FLORY
Reply to Dickie RICHARD A. RICHARDS
Resemblance, Restriction, and Content-Bearing Features JOHN DIL WORTH
Richards on Evaluation GEORGE DICKII
Sculpture and the Sculptural ERIK KOED
Spectacularly Bad: Hume and Aristotle on Tragic Spectacle E. M. DADLEZ
Toward a Metaphysical Historicism SONDRA BACHARACH
Transformative Katharsis: The Significance of Theophrastus’s
Botanical Works for Interpretations of Dramatic Catharsis JAMES HIGHLAND
What a Documentary Is, After All CARL PLANTINGA
Why Does Jazz Matter to Aesthetic Theory? ROBERT KRAUT
Authors: Articles, Discussions, Symposia, & Book Reviews
ABELL, CATHARINE, Pictorial Implicature
The Journal of Aesthetics and Art Criticism 63:4 Fall 2005
410 The Journal of Aesthetics and Art Criticism
ADAJIAN, THOMAS, On the Prototype Theory of Concepts and the Definitions of Art
ADAJIAN, THOMAS, review of Gary Iseminger, The Aesthetic Function of Art
ALTERMAN, ANTON, review of Peter B. Lewis, ed., Wittgenstein,
Aesthetics and Philosophy
BACHARACH, SONDRA, Toward a Metaphysical Historicism
BAXLEY, ANNE MARGARET, The Practical Significance of Taste in
Kant’s Critique of Judgment: Love of Natural Beauty as a Mark of Moral Character
BELSHAW, MICHAEL, review of Alan Paskow, The Paradoxes ofA rt:
A Phenomenological Investigation
BICKNELL, JEANETTE, Just a Song? Exploring the Aesthetics of
Popular Song Performance
CAME, DANIEL, review of R. Kevin Hill, Nietzsche’s Critiques:
The Kantian Foundations of His Thought
CARTER, CURTIS L., review of AleS Erjavec, ed., Postmodernism and
the Postsocialistic Condition: Politicized Art Under Late Socialism
CHOI, JINHEE, Leaving It Up to the Imagination: POV Shots and Imagining from the Inside
CHOI, JINHEE, review of Patrick Colm Hogan, The Mind and Its Stories:
Narrative Universals and Human Emotion, and Greg M. Smith,
Film Structure and the Emotion System
DADLEZ, E. M., Spectacularly Bad: Hume and Aristotle on Tragic Spectacle
DAVIES, STEPHEN, Beardsley and the Autonomy of the Work of Art
DE CLERCQ, RAFAEL, Aesthetic Terms, Metaphor, and the Nature of Aesthetic Properties
DICKIE, GEORGE, The Origins of Beardsley’s Aesthetics
DICKIE, GEORGE, Richards on Evaluation
DIL WORTH, JOHN, A Double Content Theory of Artistic Representation
DIL WORTH, JOHN, Resemblance, Restriction, and Content-Bearing Features
DONOUGHO, MARTIN, review of Michael Kelly, Jconoclasm in Aesthetics
FLORY, DAN, Race, Rationality, and Melodrama: Aesthetic Response and
the Case of Oscar Micheaux
FORD, RUSSELL, review of Gilles Deleuze, Francis Bacon: The Logic of Sensation
FRIDAY, JONATHAN, André Bazin’s Ontology of Photographic and Film Imagery
FRIEND, STACIE, review of Gary D. Fireman, Ted E. McVay, Jr., and
Owen J. Flanagan, eds., Narrative and Consciousness: Literature,
Psychology, and the Brain
FUDGE, ROBERT, review of Ananta Ch. Sukla, ed., Art and Experience
FUDGE, ROBERT, review of James O. Young, Art and Knowledge
GIBSON, JOHN, review of Michael Krausz, /s There a Single Right Interpretation?
GIBSON, JOHN, review of Andreea Deciu Ritivoi, ed., /nterpretation and Its Objects: Studies in
the Philosophy of Michael Krausz
GOLDBLATT, DAVID, review of Peter F. Smith, The Dynamics of Delight:
Architecture and Aesthetics
GOLDMAN, ALAN, Beardsley’s Legacy: The Theory of Aesthetic Value
GOLDMAN, ALAN, review of George Dickie, Art and Value
GOULD, CAROL S., Glamour as an Aesthetic Property of Persons
GRACYK, TED, review of Jonathan Sterne, The Audible Past: Cultural
Origins of Sound Reproduction
HAROLD, JAMES, review of Matthew Kieran and Dominic Mclver Lopes, eds.,
Imagination, Philosophy, and the Arts
HEIN, HILDE, review of Bettina Messias Carbonell, ed., Museum Studies:
An Anthology of Contexts
HEIN, HILDE, review of James Cuno, ed., Whose Muse?: Art Museums
and the Public Trust
HEIN, HILDE, review of Andrew McClellan, ed., Art and Its Publics:
Museum Studies at the Millennium
HIGHLAND, JAMES, Transformative Katharsis: The Significance of
Theophrastus’s Botanical Works for Interpretations of Dramatic Catharsis
HOPKINS, ROBERT, Aesthetics, Experience, and Discrimination
Index
IRVIN, SHERRI, The Artist’s Sanction in Contemporary Art
KANIA, ANDREW, Against the Ubiquity of Fictional Narrators
KIEFER, ALEX, The Intentional Model in Interpretation
KNIGHT, DEBORAH, review of José Luis Bermtidez and Sebastian
Gardner, eds., Art and Morality
KOED, ERIK, Sculpture and the Sculptural
KRAUT, ROBERT, Why Does Jazz Matter to Aesthetic Theory?
LEDDY, THOMAS, review of Donald Kuspit, The End of Art
MAYNARD, PATRICK, review of David Rosand, Drawing Acts: Studies in
Graphic Expression and Representation
MCCRACKEN, JANET, review of Radu Stern, Against Fashion: Clothing as Art,
1850-1930, and Nancy J. Tory, Couture Culture: A Study in Modern Art and Fashion
NEHER ALLISTER, How Perspective Could be a Symbolic Form
NEWALL, MICHAEL, Picturing Pictures: Reply to Dilworth
PLANTINGA, CARL, What a Documentary Is, After All
RAVEN, FRANCIS, review of Sondra Fraleigh, Dancing Identity:
Metaphysics in Motion, and Felicia McCarren, Dancing Machines:
Choreographies of the Age of Mechanical Reproduction
RICHARDS, RICHARD A., Reply to Dickie
SANDRISSER, BARBARA, review of Francois Jullien, /n Praise of
Blandness: Proceeding from Chinese Thought and Aesthetics
SEAMON, ROGER, review of Joseph Carroll, Literary Darwinism:
Evolution, Human Nature, and Literature
SHAW, DAN, review of Caroline Joan S. Picart, Remaking the Frankenstein
Myth on Film: Between Laughter and Horror
SHINER, LARRY, review of John Onians, Atlas of World Art
SHINER, LARRY, review of Scott J. Tilden, ed., Architecture for Art:
American Art Museums 1938-2008
STECKER, ROBERT and JOHN DILWORTH, dual review of David Davies,
Art as Performance
STERN, LAURENT, review of Stanley Cavell, Cities of Words: Pedagogical
Letters on a Register of the Moral Life
THOMASSON, AMIE L., The Ontology of Art and Knowledge in Aesthetics
THOMSON-JONES, KATHERINE, Inseparable Insight: Reconciling
Cognitivism and Formalism in Aesthetics
WARD, CYNTHIA, review of Roger Benjamin, Orientalist Aesthetics:
Art, Colonialism, and French North Africa 1880-1930, and Jill
Beaulieu and Mary Roberts, eds., Orientalism’s Interlocutors:
Painting, Architecture, Photography
WICKS, ROBERT, review of Steve Odin, Artistic Detachment in Japan
and the West: Psychic Distance in Comparative Aesthetics
WILLIAMS, CHRISTOPHER, review of Peter Kivy, The Seventh Sense:
Francis Hutcheson and Eighteenth-Century Aesthetics
WOLTERSTORFF, NICHOLAS, Beardsley’s Approach
YOUNG, JAMES O., Profound Offense and Cultural Appropriation
YOUNG, JAMES O., review of Michael Spitzer, Metaphor and Musical Thought
Book Reviews
BEAULIEU, JILL and MARY ROBERTS, eds., Orientalism’s Interlocutors:
Painting, Architecture, Photography (Cynthia Ward)
BENJAMIN, ROGER, Orientalist Aesthetics: Art, Colonialism, and French
North Africa 1880-1930 (Cynthia Ward)
BERMUDEZ, JOSE LUIS and SEBASTIAN GARDNER, eds., Art and Morality
(Deborah Knight)
CARBONELL, BETTINA MESSIAS, ed., Museum Studies: An Anthology of
Contexts (Hilde Hein)
412 The Journal of Aesthetics and Art Criticism
CARROLL, JOSEPH, Literary Darwinism: Evolution, Human Nature,
and Literature (Roger Seamon)
CAVELL, STANLEY, Cities of Words: Pedagogical Letters on a Register
of the Moral Life (Laurent Stern)
CUNO, JAMES, ed., Whose Muse?: Art Museums and the Public Trust (Hilde Hein)
DAVIES, DAVID, Art as Performance (Robert Stecker and John Dilworth)
DELEUZE, GILES, Francis Bacon: The Logic of Sensation (Russell Ford)
DICKIE, GEORGE, Art and Value (Alan Goldman)
ERJAVEC, ALES, ed., Postmodernism and the Postsocialistic Condition:
Politicized Art Under Late Socialism (Curtis L. Carter)
FIREMAN, GARY D., TED E. MCVAY, JR., and OWEN J. FLANAGAN, eds.,
Narrative and Consciousness: Literature, Psychology, and the Brain (Stacie Friend)
FRALEIGH, SONDRA, Dancing Identity: Metaphysics in Motion (Francis Raven)
HILL, R. KEVIN, Nietzsche’s Critiques: The Kantian Foundations of
His Thought (Daniel Came)
HOGAN, PATRICK COLM, The Mind and Its Stories: Narrative Universals
and Human Emotion (Jinhee Choi)
ISEMINGER, GARY, The Aesthetic Function of Art (Thomas Adajian)
JULLIEN, FRANCOIS, /n Praise of Blandness: Proceeding from
Chinese Thought and Aesthetics (Barbara Sandrisser)
KELLY, MICHAEL, Jconoclasm in Aesthetics (Martin Donougho)
KIERAN, MATTHEW and DOMINIC MCIVER LOPES, eds., /magination,
Philosophy, and the Arts (James Harold)
KIVY, PETER, The Seventh Sense: Francis Hutcheson and
Eighteenth-Century Aesthetics (Christopher Williams)
KRAUSZ, MICHAEL, Is There a Single Right Interpretation? (John Gibson)
KUSPIT, DONALD, The End of Art (Thomas Leddy)
LEWIS, PETER B., ed., Wittgenstein, Aesthetics and Philosophy (Anton Alterman)
MCCARREN, FELICIA, Dancing Machines: Choreographies of the Age of
Mechanical Reproduction (Francis Raven)
MCCLELLAN, ANDREW, ed., Art and its Publics: Museum Studies at the
Millennium (Hilde Hein)
ODIN, STEVE, Artistic Detachment in Japan and the West: Psychic
Distance in Comparative Aesthetics (Robert Wicks)
ONIANS, JOHN, Atlas of World Art (Larry Shiner)
PASKOW, ALAN, The Paradoxes of Art: A Phenomenological Investigation
(Michael Belshaw)
PICART, CAROLINE JOAN S., Remaking the Frankenstein Myth on Film:
Between Laughter and Horror (Dan Shaw)
RITIVOL, ANDREEA DECIU, ed., Interpretation and Its Objects: Studies in the
Philosophy of Michael Krausz (John Gibson)
ROSAND, DAVID, Drawing Acts: Studies in Graphic Expression and
Representation (Patrick Maynard)
SMITH, GREG M., Film Structure and the Emotion System (Jinhee Choi)
SMITH, PETER F., The Dynamics of Delight: Architecture and Aesthetics
(David Goldblatt)
SPITZER, MICHAEL, Metaphor and Musical Thought (James O. Young)
STERN, RADU, Against Fashion: Clothing as Art, 1850-1930 (Janet McCracken)
STERNE, JONATHAN, The Audible Past: Cultural Origins of Sound Reproduction (Ted Gracyk)
SUKLA \, ANANTA CH., ed., Art and Experience (Robert Fudge)
lILDEN, SCOTT J., ed., Architecture for Art: American Art Museums 1938-2008 (Larry Shiner)
rROY, NANCY J., Couture Culture: A Study in Modern Art and Fashion (Janet McCracken)
YOUNG, JAMES O., Art and Knowledge (Robert Fudge)
