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About The Great Black Spider on Its Knock-Kneed Tripod: Reflections of Cinema in Early Twentieth-Century Italy (Toronto Italian Studies)
The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy’s writers with cinema, and in doing so offers vibrant new perspectives on the country’s early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision – Filippo Tommaso Marinetti, founder of Futurism; Gabriele D’Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author’s outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.
Detailed Information
| Author: | Michael Syrimis |
|---|---|
| Publication Year: | 2012 |
| ISBN: | 9781442644014 |
| Pages: | 373 |
| Language: | English |
| File Size: | 1.4 |
| Format: | |
| Price: | FREE |
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