Table Of ContentCopyright	©	2000	by	Diana	Kennedy
All	rights	reserved.
Published	in	the	United	States	by	Clarkson	Potter/Publishers,	an	imprint	of	the
Crown	Publishing	Group,	a	division	of	Random	House,	Inc.	New	York.
www.crownpublishing.com
www.clarksonpotter.com
Originally	published	in	hardcover	in	the	United	States	by	Clarkson
Potter/Publishers,	an	imprint	of	the	Crown	Publishing	Group,	a	division	of
Random	House,	Inc.,	New	York,	in	2000.
CLARKSON	POTTER	is	a	trademark	and	POTTER	with	colophon	is	a	registered
trademark	of	Random	House,	Inc.
Library	of	Congress	Cataloging-in-Publication	Data
Kennedy,	Diana.
			The	essential	cuisines	of	Mexico	/	by	Diana	Kennedy.—1st	ed.
			Includes	bibliographical	references	and	index.
			1.	Cookery,	Mexican.		I.	Title.
TX716.M4	K473				2000
641.5972—dc21
ISBN:	978-0-307-58772-5
eBook	ISBN:	978-0-55341911-5
DESIGN	BY	JANE	TREUHAFT
v3.1
TO	MY	BELOVED	PAUL,
who	was	my	reason	for	being	in
Mexico	in	the	first	place	
TO	MY	MOTHER,
who	just	expected	me	to	cook	everything	she	did	
TO	ELIZABETH	DAVID,
who	inspired	me	to	write	about	what	I	was	cooking	
AND	TO	CRAIG	CLAIBORNE,	who	launched	me	and	so	many	others
In	humble	dishes,
the	Most	Holy	Mary	served
to	her	beloved	son	and	husband
well-seasoned	food.
En	pobres	trastos,	servía
A	su	Hijo	y	Esposo	amados,
Manjares	bien	sazonados
La	Purísima	María.
—WORDS	WRITTEN	BY	THE	CURATE	ON	THE	WALL	INSIDE	AN	EIGHTEENTH-CENTURY	COUNTRY	CHURCH	IN
GUANAJUATO
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
FOREWORD	BY	CRAIG	CLAIBORNE
PREFACE
APPETIZERS
MASA	FANTASIES
TORTILLAS	AND	TORTILLA	DISHES
TAMALES
SOUPS
SOUP	STEWS
BEANS,	RICE,	AND	PASTA
EGG	DISHES
LIGHT	MEALS
SALADS
VEGETABLES
SAUCES	AND	RELISHES
MEATS
PORK
BEEF
ASSORTED	MEATS
POULTRY
SEAFOOD
SWEET	YEAST	BREADS
DESSERTS	AND	COOKIES
DRINKS
GENERAL	INFORMATION
INDEX
ACKNOWLEDGMENTS
	My	sincere	thanks	to	my	editor	at	Clarkson	Potter,	Roy
Finamore,	who	recognized	the	value	of	putting	my	first	three	books	together	in	one	volume.	He	has
been	a	joy	to	work	with.	And	for	Lauren	Shakely,	who	supported	him	so	enthusiastically.
My	deep	appreciation	and	thanks	to	Frances	McCullough,	my	editor	and	friend	of	now	thirty
years,	who	has	guided	me	through	the	labyrinth	of	publishing,	calmed	my	idiosyncrasies	(or	tried
to),	and	given	shape	to	my	manuscripts.
It	is	impossible	to	thank	adequately	all	those	who	have	contributed	one	way	or	another	to	my
traveling	and	writing	life	in	Mexico	for	so	many	years.	I	have	tried	to	attribute	wherever	possible	the
names	of	the	persons	who	gave	me	each	recipe	and	would	like	them	to	know	how	much	pleasure
their	recipes	have	given	to	so	many	people	all	over	the	world.
Copyediting	is	always	an	unenviable	task,	but	I	would	like	to	thank	Carole	Berglie	for	her
painstaking	and	sympathetic	approach	to	this	hefty	manuscript,	and	designer	Jane	Treuhaft	for
fitting	it	admirably	into	these	pages.
And	to	Marike	Janzen,	who	patiently	and	carefully	typed	the	final	manuscript.
INTRODUCTI N
	It	would	by	no	means	be	an	exaggeration	to	say	that	this	book—a
compilation	of	my	first	three	books,	The	Cuisines	of	Mexico,	The	Tortilla	Book,	and	Mexican	Regional	Cooking—
came	about	because	of	a	chance	meeting	in	1957.	After	spending	three	years	in	Canada,	I	was
traveling	home	to	England	via	the	Caribbean,	and	I	met	my	future	husband,	Paul	Kennedy,	a	foreign
correspondent	for	the	New	York	Times,	during	one	of	the	many	revolutions	in	Haiti.	We	fell	in	love	and
a	few	months	later	I	found	myself	disembarking	from	a	Dutch	freighter	in	the	port	of	Veracruz,
Mexico.	And	so	a	new	life	and	adventure	began.
My	first	vivid	impressions	of	Mexico	City,	engraved	forever	in	my	memory,	were	of	wide,	tree-
lined	avenues,	brilliant	blue	skies,	and	magnificent	snow-capped	volcanoes	that	seemed	to	be
standing	guard	over	the	lakes	and	city	beyond.	The	streets	were	calm	and	orderly,	especially	during
the	hours	of	the	afternoon	siesta,	but	the	neighborhood	marketplaces	dotted	throughout	the	city
were	a	hive	of	activity,	full	of	exotic	chiles,	herbs,	and	fruits	of	vibrant	colors	and	aromas.	I	was
instantly	captivated.	I	began	exploring,	talking	about	food	to	anyone	who	would	answer	my	endless
questions,	and,	of	course,	cooking	and	trying	all	those	strange,	exciting	new	tastes	and	textures.
A	few	years	later	Craig	Claiborne,	then	Food	Editor	of	the	New	York	Times,	and	his	colleague	Pierre
Franey	came	to	Mexico	to	research	an	article	about	restaurants	there.	Over	drinks	I	offered	to	give
Craig	a	Mexican	cookbook.	“No,”	he	said,	“I’ll	wait	until	the	day	you	write	one.”	That	came
somewhat	as	a	jolt—enough	to	leave	a	subconscious,	nagging	idea.
Several	years	later,	after	Paul’s	untimely	death	from	cancer,	it	was	Craig	again	who	jolted	me	into
giving	my	first	classes	in	Mexican	cooking	in	my	New	York	apartment.	It	was	the	beginning	of	a
golden	era	of	learning	about	different	cuisines,	with	their	exotic	ingredients,	and	how	to	prepare
them.	For	that	we	were,	and	still	are,	indebted	to	Craig,	for	bringing	a	new	sophistication	to	food
journalism,	and	to	the	infectious	enthusiasm	of	Julia	Child,	convincing	us	on	television	that	every
housewife	could	produce,	without	tears,	a	wonderful	French	meal.
Craig	announced	the	impending	classes	in	the	Times.	I	was	inundated	with	inquiries	and	soon	had
the	six	stools	in	my	small	Upper	West	Side	kitchen	occupied	for	a	series	of	four	classes.
One	of	those	callers	was	to	become	my	editor,	Frances	McCullough.	Although	at	the	time	she	was
the	poetry	editor	at	Harper	&	Row,	Fran	was	also	an	expatriate	Californian	desperate	for	some	good
Mexican	food;	she	wanted	to	know	if	I	would	write	a	Mexican	cookbook	for	Harper.
I	was	very	nervous.	I	warned	Fran	that	I	couldn’t	write.	She	persisted,	so	I	sent	in	some	drafts—
later	she	told	me	she	privately	agreed	about	the	writing	but	wisely	didn’t	tell	me	at	the	time.	I	went
off	to	Mexico	again	for	my	usual	research	trip,	came	back,	read	what	I	had	written,	tore	it	up,	and
started	again.	I	had	a	call	from	Fran	at	midnight.	She	had	just	finished	reading	the	new	material	and
couldn’t	wait	to	talk	to	me.	“What	happened	over	the	summer—you’ve	taught	yourself	how	to