Table Of Content

        BLANK  .  The Direct Cinema of David and Albert Maysles       w Copyright © 2005 by the Board of Trustees, Southern Illinois University Paperback edition 2010 All rights reserved Printed in the United States of America 13 12 11 10 4 3 2 1 The Library of Congress has cataloged the hardcover edition as follows: Vogels, Jonathan B., 15– The direct cinema of David and Albert Maysles / Jonathan B. Vogels. p. cm. Includes bibliographical references and index. I. Maysles, David—Criticism and interpretation. II. Maysles, Albert—Criticism and interpretation. III. Title. PN1.3.M35V4 2005 1.4302'33'0223—dc22 ISBN 0-03-243-4 (cloth : alk. paper) 20040214 ISBN -0-03-243-3 (cloth : alk. paper) ISBN -0-03-300- (paperback) ISBN 0-03-300-1 (paperback) ISBN -0-03-01- (ebook) ISBN 0-03-01-1 (ebook) The paper used in this publication meets the minimum requirements of American National Standard for In- formation Sciences—Permanence of Paper for Printed Library Materials, ANSI Z3.4-12. ∞ To my wife, Heidi Chesley BLANK Contents List of Illustrations ix Preface: Fate, Faith, and Reality xi Acknowledgments xv . Direct Cinema and the Maysles Brothers  . Celebrity and Authenticity: The Films of –  . Salesman and the Limits of Language  . Can We See How They Look?: Observing the Rolling Stones in Gimme Shelter  . Working Within the Limitation of Reality: The Christo Films  . Looking into Grey Gardens  . Taking Direct Cinema into the s  Filmography  Notes  Bibliography  Index  BLANK Illustrations Following page  Filmmakers David and Albert Maysles, circa  Albert Maysles working on his camera during the shooting of Jean-Luc Godard’s Paris vu Par () Paul Brennan wooing a prospective buyer in Salesman David Maysles, Charlotte Zwerin, and Albert Maysles in  during the making of Gimme Shelter Mick Jagger in performance in Gimme Shelter () Christo holding a sketch of his Running Fence at one of the many public hearings on the matter The constructed Running Fence () as it undulates toward the sea Little Edie Beale appearing in costume at a door in Grey Gardens () The Beale women in the bedroom where a large portion of Grey Gardens takes place Albert Maysles,  ix

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Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no r

The Direct Cinema of David and Albert Maysles PDF

246 Pages·2010·1.71 MB·English

by Jonathan B. Vogels

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Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no r

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Author:	Jonathan B. Vogels
Publication Year:	2010
Pages:	246
Language:	English
File Size:	1.71
Format:	PDF
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