Table Of ContentCopyright © 2019 by Jeffrey Rich.
All rights reserved.
All photographs by the author unless otherwise noted.
Published by:
Amherst Media, Inc.
PO BOX 538
Buffalo, NY 14213
www.AmherstMedia.com
Publisher: Craig Alesse
Senior Editor/Production Manager: Michelle Perkins
Editors: Barbara A. Lynch-Johnt, Beth Alesse
Acquisitions Editor: Harvey Goldstein
Associate Publisher: Katie Kiss
Editorial Assistance from: Carey A. Miller, Roy Bakos, Jen Sexton-Riley, Rebecca Rudell
Business Manager: Sarah Loder
Marketing Associate: Tonya Flickinger
ISBN-13: 978-1-68203-359-3
Library of Congress Control Number: 2018939204
10 9 8 7 6 5 4 3 2 1
No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic,
mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher.
Notice of Disclaimer: The information contained in this book is based on the author’s experience and opinions.
The author and publisher will not be held liable for the use or misuse of the information in this book.
www.facebook.com/AmherstMediaInc
www.youtube.com/AmherstMedia
www.twitter.com/AmherstMedia
AUTHOR A BOOK WITH AMHERST MEDIA!
Are you an accomplished photographer with devoted fans? Consider authoring
a book with us and share your quality images and wisdom with your fans. It’s a
great way to build your business and brand through a high-quality, full-color
printed book sold worldwide. Our experienced team makes it easy and
rewarding for each book sold—no cost to you. E-mail
[email protected] today!
CONTENTS
Introduction: Why Birds?
1. The Tools of the Trade
2. Basic Techniques
3. Lighting
4. Composition
5. Beyond the Basics
6. Finding Birds
7. Ethics
8. Attracting Cooperative Subjects
9. Computer Time Is a Must
10. Hot Spots
11. What to Do with Your Photos
About the Author
Jeffrey Rich graduated from Humboldt State University with a B.S. in Life
Science Biology and a B.S. in Wildlife Biology, with an ornithology
emphasis. He earned a master’s degree in Science Education from the
University of Texas and holds a California teaching credential in Life
Science. He is currently a science and photography teacher at Stellar Charter
School in Redding, California.
Jeff’s photos and articles have been published in major magazines,
including Ranger Rick, Birder’s World, Audubon, National Wildlife,
WildBird, Sunset, Ducks Unlimited, Outdoor Photographer, and hundreds of
others. He has written a bimonthly column for Northwest Travel Magazine
called “Watchable Wildlife,” which accompanied one of his photos. He is
also the author of Bald Eagles in the Wild (Amherst Media, 2018) and Baby
Birds (Rio Nuevo, 2005).
Jeff has been leading photo tours and teaching workshops since 1991.
These tours blend his background as a naturalist, teacher, and nature
photographer to combine adventure with outstanding photo opportunities.
You can visit Jeff’s website at www.jeffrichphoto.com and contact him at
[email protected].
INTRODUCTION: WHY BIRDS?
irds are beautiful, fascinating, and action packed. Bird photography can be done
anywhere, from the edge of Antarctica to the remote depths of Borneo, from the big
city to your own backyard. The fact that birds can be photographed anytime,
B anywhere, is one of the main attractions for me. There are many reasons to
photograph birds, from simply identifying them to creating gorgeous
artwork. Capturing the behaviors and actions of wildlife is one of the most
challenging aspects of nature photography. Honing your skills to capture a
beautiful image of birds in action is what this book is all about. When you
master this level of bird photography, capturing all of the other, more static pictures
will be much easier.
Barn Swallow taking flight. Wouldn’t it be amazing to be able to fly?
The Majesty of Nature
An added benefit of bird photography is time spent in nature, surrounded by the
majesty of it all. This is the main reason I photograph nature. I enjoy the peace and
harmony of being in the wild. I love wildlife of all types, and birds are my favorite.
Immersing oneself in the natural world can be healing, and I believe it is necessary
for one’s well-being. More people should learn the value of being outdoors. It is vital
for the human race to stay connected to the natural world. There is nothing like the
peace and tranquility I experience while sitting in my floating blind, looking through
the viewfinder, and focusing on nothing but making a great photo. I am “in the zone”
when I am able to find something to share and show the world how beautiful Mother
Nature is. It enhances my life. I believe it is necessary for my happiness and health. I
am living a National Geographic special when I’m in the field. There is great
privilege in sharing what I’ve learned and captured in-camera of the lives of my
subjects. With this privilege comes the responsibility of putting the subjects’ well-
being ahead of any photographic situation. Respecting Mother Nature is critical to
one’s success as a nature photographer. Do everything you can to limit disturbance of
the birds and other natural resources while in nature.
Here I am in the flowers, loving life. I lay down in a small impression where there were no flowers. No flowers
were harmed in the process.
The thrill, excitement, and enjoyment of capturing a great image is the reward.
Deciding what to do with your images afterward is a personal decision. For some
photographers, the photography, being outdoors, and being focused on the beauty of
nature is enough reward; others may want to see their images in print in National
Geographic; some may want to write this book. Whatever your goals, working toward
this high level of birding is a fulfilling adventure.
Wildlife is just one piece of nature photography, and birds are just one specialty
within the scope of wildlife photography. A lot of overlap occurs in all forms of
nature photography, and how you use any technique is limited only by your creativity.
Technology has changed in my thirty years of photographing birds, but our feathered
friends and the light that streams through a lens remain the same. I will share all I’ve
learned over the years in this comprehensive guide. With the techniques in this book,
you will learn to focus on capturing the best-possible image in-camera.
Birding is one of the fastest-growing endeavors in the outdoors, and
photographing birds is one of the highest skill levels within the birding world. I hope
this book will help all of those bird enthusiasts who are interested in making better
bird pictures.
About This Book
This book is for anyone who wants to make professional-quality images of birds. In
these pages, there are plenty of tips for photographers, from beginners to pros.
My goal in writing this book is to help you capture the best-possible image in-
camera. Although creating exquisite photographs at the capture stage is the goal, it is
true that many digital images can be enhanced with postproduction work. Tips for
achieving that goal will be shared as well.
Here is a Least Bittern catching breakfast. This bird is rarely seen, so capturing it with food was gratifying—
especially since I’ve seen only one in my lifetime.
