Table Of ContentStudy Guide prepared by  
Catherine Bush 
Barter Playwright-in-Residence 
 
Antigone 
Adapted from Sophocles’ play by Catherine Bush 
*Especially for Grades 8 and up 
 
By the Barter Players, touring January-March 2016 
 
(NOTE: standards listed below are for reading Antigone and seeing a performance as well 
as completing the study guide.) 
 
Virginia SOLs  
English – 8.2, 8.4, 8.5, 8.7, 8.9, 9.1, 9.3, 9.4, 9.6, 9.8, 10.1, 10.3, 10.4, 10.6, 10.8, 12.1, 12.3, 
12.4, 12.6 
World History & Geography to 1500 – WHI.5 
Theatre Arts – 8.4, 8.5, 8.10, 8.12, 8.16, 8.17, 8.18, 8.20, 8.22, 8.25, TI.4, TI.8, TI.9, TI.10, 
TI.11, TI.12, TI.13, TI.17, TII.6, TII.9, TII.11, TII.12, TII.15, TII.16, TII.21, T3III.7, TIII.8, 
TIII. 9, TIII.12, TIII.17, TIV.12, TIV.13 
 
Tennessee /North Carolina Common Core State Standards  
English/Language Arts - Reading Literature: 8.1, 8.2, 8.3, 8.7, 9-10.1, 9-10.2, 9-10.3, 9-10.6, 
11-12.1, 11-12.3, 11-12.4, 11-12.7 
English Language Arts – Writing: 8.1, 8.2, 8.4, 8.7, 8.9, 9-10.1, 9-10.2, 9-10.4, 9-10.6, 9-10.9, 
9-10.10, 11-12.1, 11-12.2, 11-12.4, 11-12.6, 11-12.10 
 
Tennessee Fine Arts Curriculum Standards 
Theatre 6-8: 1.1, 1.2, 1.3, 1.6, 3.2, 5.1, 5.2, 6.2, 7.1, 7.2, 8.2 
Theatre 9-12 – 3.2, 5.1, 5.2, 5.3, 6.2, 7.1, 7.2 
 
North Carolina Essential Standards 
Theatre Arts – 8.A.1, 8.AE.1, 8.CU.2, B.C.2, B.A.1, B.AE.1, B.CU.1, B.CU.2, I.C.2, I.A.1, 
I.CU.1, I.CU.2, P.C.1, P.A.1, P.CU.2, A.C.2, A.A.1, A.CU.1, A.CU.2 
 
Setting 
Ancient Greece. Various locations in and around the Royal House of Thebes.
Characters  
 
Antigone – daughter of Oedipus the late King 
Ismene – Antigone’s sister 
Eteocles – Antigone’s brother 
Polynices – Antigone’s brother 
Creon – Antigone’s uncle, now King of Thebes 
Haemon – Creon’s son, Antigone’s fiancé 
Euridyce – Creon’s wife 
Tiresias – a blind prophet 
Hades – god of the underworld 
Citizens of Thebes 
 
Note: Cast Size and Doubling of Actors 
In this production of Antigone we will be using only six actors, with some actors 
playing more than one role. Doubling of actors requires distinction between 
characters. In this production, characters will be distinguished by costume, voice 
and other physical character traits. 
 
 
 
 
 
 
 
 
Vocabulary Words 
banished  carrion  insolent  plunder 
supremacy  obscenity  adversity  Aphrodite 
vanquished  culprit  reprisal  Dionysus 
doom  instigator  viper  reverence 
proclamation  decree  begrudge  intervene 
rite  immorality  anarchy  unsanctified 
ignoble  dominion  eloquence  prophecy 
contend  breakers  degenerate  tyrant 
quest  furrows  accomplice  resolve 
havoc  succumb  blatant  flourish 
maw  interrogate  incite  afflict 
glut  impudence  appease  futile 
grapple  supersede  defilement  nymph
Biography of the Playwright – Sophocles 
 
Sophocles (495-405 B.C) was one of the great playwrights 
of the golden age of Greek Drama. The son of a wealthy 
merchant, he was able to study all of the arts. In 468 B.C. he 
competed in the City Dionysia – a festival held every year at 
the Theatre of Dionysus in which new plays were presented. 
Sophocles took first prize, defeating none other than 
Aeschylus himself. More than 120 plays were to follow. He 
would go on to win eighteen first prizes. One of the great 
innovators of the theatre, Sophocles was the first to add a 
third actor. Prior to this, the Greek theatre consisted of a 
Chorus and two Actors. One actor played the lead and the 
second actor played all the other roles. Sophocles also 
abolished the trilogic form in which Aeschylus, for example, 
had used three tragedies to tell a single story. Sophocles chose to make each tragedy a 
complete entity unto itself. Of Sophocles’ more than 120 plays, only seven have survived 
in their entirety, including Oedipus Rex, Oedipus at Colonus, The Women of Trachis, and 
Electra. Sophocles passed away shortly after the production of Oedipus at Colonus in 
405 B.C. 
 
Biography of the Adapter– Catherine Bush 
 
Catherine Bush has been Barter Theatre’s playwright-
in-residence since 2007. Her produced plays include: 
The Other Side of the Mountain, The Quiltmaker, 
Comin’ Up A Storm, Wooden Snowflakes, Tradin’ 
Paint, Where Trouble Sleeps, Walking Across Egypt, 
I’ll Never Be Hungry Again (book & lyrics), The 
Frankenstein Summer, unhINGEd, The Executioner’s 
Sons, The Controversial Rescue of Fatty the Pig, and 
Just a Kiss, which was a finalist for the 2007 Steinberg 
Award presented by the American Theatre Critics 
Association. Plays for Young Audiences: Cry Wolf!, 
Sleeping Beauty, Rapunzel, The Scarlet Letter, The 
Adventures of Tom Sawyer, The Legend of Sleepy 
Hollow, All I Want for Christmas is My Two Front Teeth, My Imaginary Pirate, The Call 
of the Wild, The Princess and the Pea, Aesop’s Fables, The Red Badge of Courage. 
Frosty, Rudolph, Santa Claus is Coming to Town, Mother Goose: The Musical, ‘Twas the 
Night Before Christmas, Jingle All the Way, and Old Turtle and the Broken Truth. 
www.catherinebushplays.com
Synopsis 
 
The play opens after King Oedipus has been banished from Thebes. His two sons, 
Polynices and Eteocles, fight for the right to his throne, with Eteocles eventually 
taking control. Polynices flees to Argos and raises an army there, attacking Thebes 
in order to regain the crown. Thebes withstands the attack, but Polynices and 
Eteocles are both killed, each by the other’s hand, fulfilling the curse placed on 
them by their father, Oedipus. 
 
That night, Antigone tells Ismene that their uncle, Creon, has claimed the throne 
for himself. Moreover, Creon has ordered that Eteocles, who died defending the 
city, is to be buried with full honors, while the body of Polynices, the invader, is 
left to rot. Creon has also declared that anyone attempting to bury Polynices shall 
be publicly stoned to death. Outraged, Antigone reveals to Ismene a plan to bury 
Polynices in secret, despite Creon’s order. When Ismene refuses to defy the king, 
Antigone angrily rejects her and goes off alone to bury her brother. 
 
The next morning, Creon learns that someone 
has attempted to bury Polynices and demands 
that the guilty one be found. When he discovers 
that Antigone, his niece, has defied his order, 
Creon is furious. Antigone argues that Creon’s 
order goes against against the laws of the gods. 
Enraged, Creon declares that she will be put to 
death. 
 
Haemon, Creon’s son who was to marry 
Antigone, advises his father to reconsider his decision. The father and son argue, 
Haemon accusing Creon of arrogance, and Creon accusing Haemon of unmanly 
weakness in siding with a woman. Haemon leaves in anger, swearing never to 
return. Creon orders Antigone to be sealed in a tomb to die of starvation. 
 
The blind prophet Tiresias warns Creon that the gods disapprove of his leaving 
Polynices unburied and will punish the king with the death of his own son. After 
rejecting Tiresias, Creon reconsiders and decides to bury Polynices and free 
Antigone. 
 
But Creon’s change of heart comes too late. Antigone has hanged herself and 
Haemon, in desperate agony, kills himself as well. On hearing the news of her 
son’s death, Eurydice, the queen, also kills herself, cursing Creon. 
 
Alone, in despair, Creon accepts responsibility for all the tragedy and prays for a 
quick death. The play ends with a somber warning from the chorus that pride will 
be punished by the blows of fate.
A Brief History 
Barter Theatre was founded during the Great Depression by Robert Porterfield, an enterprising 
young actor. He and his fellow actors found themselves out of work and hungry in New York 
City. Porterfield contrasted that to the abundance of food, but lack of live theatre, around his 
home region in Southwest Virginia. He returned to Washington County with an extraordinary 
proposition: bartering produce from the farms and gardens of the area to gain admission to see a 
play. 
 
Barter Theatre opened its doors on June 10, 1933 proclaiming, “With vegetables you cannot sell, 
you can buy a good laugh.” The price of admission was 40 cents or the equivalent in produce, the 
concept of trading “ham for Hamlet” caught on quickly. At the end of the first season, the Barter 
Company cleared $4.35 in cash, two barrels of jelly and enjoyed a collective weight gain of over 
300 pounds. 
 
Playwrights including Noel Coward, Tennessee Williams and Thornton Wilder accepted 
Virginia ham as payment for royalties. An exception was George Bernard Shaw, a vegetarian, 
who bartered the rights to his plays for spinach. 
 
Today, Barter Theatre has a reputation as a theatre where many actors performed before going on 
to achieve fame and fortune. The most recognized of these alumni include Gregory Peck, Patricia 
Neal, Ernest Borgnine, Hume Cronyn, Ned Beatty, Gary Collins, Larry Linville and Frances 
Fisher. The list also included James Burrows, creator of Cheers, Barry Corbin, and the late Jim 
Varney 
 
Robert Porterfield passed away in 1971. His successor, Rex Partington, had been at Barter in the 
1950s as an actor and in the 1970s as stage manager. Rex returned as chief administrator from 
1972 until his retirement in 1992. In March 2006, he passed away.  
 
Richard Rose was named the producing artistic director in October 1992. In that time, attendance 
has grown from 42,000 annual patrons to more than 163,000 annual patrons. Significant capital 
improvements have also been made. Including maintenance to both theatres, and in 2006, the 
addition of The Barter Café at Stage II and dramatic improvements to Porterfield Square. 
 
Barter represents three distinct venues of live theatre: Barter Theatre Main Stage, Barter Theatre 
Stage II and The Barter Players. Barter Theatre, with over 500 seats, features traditional theatre 
in a luxurious setting. Barter Stage II, across the street from Barter Main Stage and beyond 
Porterfield Square, offers seating for 167 around a thrust stage in an intimate setting and is 
perfect for more adventurous productions. The Barter Players is a talented ensemble of actors, 
producing plays for young audiences throughout the year. 
 
History is always in the making at Barter Theatre, building on legends of the past; Barter looks 
forward to the challenge of growth in the future.
WORD SEARCH 
 
Find the following words below: Antigone, Thebes, Ismene, burial rites, Creon, 
curse, Polynices, Eteocles, Oedipus, underworld, Chorus, Euridyce, Tiresias, 
prophesy, Hades, Argos, Haemon, Ancient Greece, Sophocles, Barter Theatre 
 
 
E P J B Z Y R W O H S S N E N  
C O S O G R A E A O U W R C P  
E L Z M A F D D P R Q T C Y R  
E Y U W H I E H O O A E U D O  
R N I N P S O H R E E E R I P  
G I F U D C C S H W K N S R H  
T C S K L E S T E W H Q E U E  
N E N E B U R I A L R I T E S  
E S S J C E E W M P C P Z J Y  
I N C S T N E N O X C O D A S  
C R A R B Q W V E R W R E V Z  
N T A S E B E H T M L K E T N  
A B E N O G I T N A S D H O E  
H A E M O N T I R E S I A S N  
Z S W L D L K V D I E O F J O
True and False 
 
Write T if the statement is True and F if the statement is False. 
 
1. ____ Antigone is the daughter of Euridyce. 
 
2. ____ Creon ordered the burial of Eteocles. 
 
3. ____ Ismene and Haemon are engaged to be married. 
 
4. ____ Ismene asked Antigone to help her bury Polynices. 
 
5. ____ Tiresias is a blind prophet. 
 
6. ____ Sophocles only wrote 7 plays. 
 
7. ____ Dionysus led the army of Argos against the city of Thebes. 
 
8. ____ Polynices and Eteocles were each killed by the others’ hand. 
 
9. ____ Antigone knowingly violated Creon’s decree forbidding Polynices’ burial. 
 
10. ___ Tiresias prophesied the death of Euridyce. 
 
11. ___ Upon the death of Antigone, Haemon killed Creon. 
 
12. ___ Euridyce committed suicide by hanging. 
 
13. ___ Sophocles was the first playwright to add the third actor. 
 
14. ___ Barter Theatre used to accept farm produce as payment to see a show. 
 
 
Matching 
 
Draw a line connecting the person in the first column with the corresponding description in the 
second. 
 
1.  Antigone          a.  refused to help Antigone 
 
2.  Creon          b.  took first prize in the City Dionysia 
 
3.  Ismene          c.  father of Polynices and Eteocles 
 
4.  Tiresias          d.  engaged to Haemon 
 
5.  Sophocles          e.  son of Creon 
 
6.  Polynices          f.  the Queen 
 
7.  Haemon          g.  newly crowned King of Thebes 
 
8.  Oedipus          h.  a blind prophet 
 
9.  Euridyce          i.  led the army of Argos
Questions/Activities 
 
 
“It’s all Greek to me…” 
 
 
 
  Individually or in groups, research one of the 
 
following Greek topics: 
 
   
  Temple Architecture   Ancient Olympics 
 
 
  Philosophies of Aristotle, Socrates & Plato 
   
The Classical Period 
 
   
The Acropolis   The Parthenon 
 
 
 
Alexander the Great  Homer  Archimedes 
 
 
  Athens  Sparta  Corinth  Thebes  
 
 
  Greek Mythology 
 
 
   
 
 
 
 
 
 
 
 
 
 
   
 
 
  Present your findings to the class! 
 
 
 
“No man alive is free from error…”
tragedy:
 A drama or literary work in which the main character is 
brought to ruin or suffers extreme sorrow, especially as a consequence 
of a tragic flaw, moral weakness, or inability to cope with unfavorable 
circumstances. 
 
1. Using the definition above, explain why Antigone is a tragedy. Cite passages 
from the play to support your reasoning. Which character has a tragic flaw? 
Antigone? Creon? Haemon? What is this tragic flaw? Discuss. 
 
2 How would you describe the character of Creon? What sort of a person is he? 
How does he define leadership? Make a list of the character traits that are 
dominant in his personality. 
 
 
Compare and Contrast!   
 
   
Pick one of the current world leaders below:  
 
   
 
 
 
 
 
 
 
 
   
   
   
         
 
    Vladimir Putin             David Cameron              King Abdullah 
 
 
Write a paper comparing and contrasting his dominant   
 
character traits with those of Creon’s. Be sure to include 
 
how time and place might affect their differences. 
 
   
 
3. Antigone is Creon’s niece and is engaged to Creon’s son, yet Creon is 
determined to put her to death for the good of Thebes Do you think Creon is 
justified in his desire to end Antigone’s life? Discuss. Now imagine you are 
Euridyce, Creon’s wife; write a paper persuading Creon to spare Antigone’s 
life.
4. Polynices was killed leading an enemy Argos against Thebes. Do you think 
Creon was just in declaring Polynices a traitor? If so, was Creon justified in his 
actions (denying him burial, etc.)? How would the United States government treat 
an American who led an enemy attack against the country? Was Polynices, as the 
elder brother, entitled to his father’s crown? If so, wasn’t he justified in trying to 
regain it? Antigone felt she was obeying a “higher law” by rebelling against 
Creon’s decree and burying Polynices. Are people in modern day America allowed 
to break a civil law because it goes against their religion? What happens to those 
who bomb abortion clinics or refuse to serve gays? Do you think this is just? 
Discuss separation of Church and State in this country. Did the Ancient 
Greeks live by this same dictum? Discuss. 
 
5. Antigone lived in Thebes, located in 
ancient Greece. Study a map of ancient 
Greece. Locate the cities of Thebes, Athens, 
Argos, Sparta, and Corinth. Compare a map 
of ancient Greece with a map of Greece 
today. Are these ancient cities still there? 
Polynices led an army out of Argos – how 
far is Argos from Thebes? What was their 
method of transportation in those days? How 
has Greece changed in 2500 years? Discuss. 
Research pictures of what Antigone might 
see today if she went back to Thebes. Make 
a collage of these pictures entitled 
“Antigone Today.” 
 
6. How would knowing the geography and history of Ancient Greece better help 
you understand this play? How does knowledge of Greek mythology make the play 
more accessible? Discuss how the various subjects studied in school often 
overlap. 
 
7. Characters in a play or a book always have a reason for doing what they do. This 
is referred to as their “motivation.” What motivates Ismene to refuse to help 
Antigone? What motivates Creon to change his mind?  
 
Make a list of the characters in Antigone. Next to each name write that 
character’s primary action in the play and their motivation. Cite passages 
from the play to support your reasoning. Did interactions with the other 
characters change or alter their motivations? If so, how did this affect the plot?
Description:Study Guide prepared by Catherine Bush Barter Playwright-in-Residence Antigone Adapted from Sophocles’ play by Catherine Bush *Especially for Grades 8 and up