Table Of Content01. Take it to the streets 02. Share your streets 03. Inspiration
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Photography
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LensCulture’s essential guide to making and sharing remarkable street photography o
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Introduction
What comes to mind
when you think of street
photography?
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For those who love the classics, Henri In this guide, we embrace this diversity with
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Cartier-Bresson’s romantic black and white open arms. Our aim is to highlight the many g
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photographs might flash before your eyes. possibilities of street photography while giving h
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For others, your favourite account or hashtag you the tools and inspiration to harness your own u
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on Instagram might be your first reference unique perspective from the streets, wherever
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point — a symbol of the genre’s explosive you are and however you define them. 9
popularity in recent years.
Inside these pages, you’ll find interviews and
In both aesthetic and approach, street recommendations from top street photographers,
photography has expanded and evolved so editors and curators. Get to know some of the
much that it can be difficult to find a singular greats of the genre alongside new voices using
definition for all of the street-based images street photography as a process. Thank you for
being made around the world today. downloading and enjoy!
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Introduction
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Consider this a companion for all r
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your future street meanderings. G
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but a thought-starter from
LensCulture to our community of
© Frank Multari
photographers and photography
lovers around the world.
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Table of Contents
01. 02. 03.
TAKE IT TO THE STREETS SHARE YOUR STREETS INSPIRATION
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8 Street photography as a process: 33 Submit your work: Competitions 61 Photographs from the lt
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Essay by Serge J-F. Levy and Festivals periphery: Thoughts on Vivian e
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Maier by curator Anne Morin e
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14 In search of poets and new masters: 35 Feedback, workshops and reviews:
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Interview with photo editor Olivier The key to growth and connections 66 Project Spotlight t
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40 Embrace the darkness: Interview 78 Book recommendations h
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20 Street manipulations: Interview with photographer Arko Datto u
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with photographer Esther Hovers 2
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48 Know your why: Interview with 19
83 Instagram Spotlight
27 Time, patience and repetition: publisher Dewi Lewis
Interview with photographer
53 Shining a light on absurd moments:
Matt Stuart
Interview with photographer Feng Li
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“
The secret to compelling
street photographs is
ethical acknowledgement
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of the social dynamics u
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of the spaces being it
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photographed.”
LEKGETHO MAKOLA
Director of Market Photo Workshop
2019 Street Awards Juror
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© Tatsuo Suzuki
01. Take it to the streets 02. Share your streets 03. Inspiration
Put on your walking
shoes, we’re hitting
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the streets! lt
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Street photography is varied in how it looks and how it’s a
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made, but there are still common elements that thread y
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through the work of all the greats, from well-known masters id
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love for the unexpected, candid moments of life, an ability to
find some order within the joyous chaos of the world, and an
unparalleled creative vision.
In this chapter, we explore different approaches to making
remarkable street photography. If you want to make images
that deftly combine composition, light and content to reflect
the world in a way we haven’t seen before, read on.
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01. Take it to the streets 02. Share your streets 03. Inspiration
AN ESSAY BY
PHOTOGRAPHER
AND EDUCATOR
SERGE J-F. LEVY
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Street r
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Photography
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As A Process A
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01. Take it to the streets 02. Share your streets 03. Inspiration
Street photography is both
Over the past 20 years, I have been creating, teaching and
looking at street photography. In that time, I have become
beloved and poorly defined—
increasingly interested in enriching the definitions and
this essay offers a considered language that we use around this tradition. My goal is to E
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extend the scope of the genre beyond its title (the streets, y
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look at what truly sets this y
most often urban) and beyond its traditional content —
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often people and sometimes domestic animals (dogs, g
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genre apart.
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and more rarely, cats). -
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Street photography is a way of walking through a space v
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while being constantly aware of how one can arrange and
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frame compositional elements in advance of a yet-to-be-
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seen sequence of events that may or may not happen. For lt
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example, when seeking images out, some photographers e
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prefer the shady side of the street, walking along a curb e
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to utilize the vanishing perspective lines of the sidewalk P
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as they merge with adjacent buildings. o
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Paris, France, 1967 © Joel Meyerowitz
01. Take it to the streets 02. Share your streets 03. Inspiration
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Street photography is about being open to the endless e
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possibility of what might make an interesting photograph: .
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arguing couples, balletic pedestrian movement, or uncanny v
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and witty juxtapositions of seemingly unrelated subject Loop Between Woman and Dog, 1976 © Mark Cohen
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matter. Street photography is also about spontaneity: the s
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choreography of synchronizing an impulsive emotional or lt
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cerebral response that may transpire over the course of the
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milliseconds it takes to make a photographic exposure. e
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Some argue that street photography can only happen in Street photographs often contain a narrative, and when h
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public spaces, but because street photography is a process, collected together, they can define cultures or places. Yet g
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it can happen anywhere: in the subway, at a political they aren’t beholden to a greater narrative structure. The h
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convention, at a private party, in the bedroom, and of street photograph has no duty to serve a larger whole. While u
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course, in the streets. a street photograph may resonate with other images within
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the context of a body of work, fundamentally it can exist 9
on its own. This is what sets street photography apart from
documentary photography.
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