Stop and Smell the Romans: Odor in Roman Literature by Kate Allen

201 Pages·2015·1.26 MB·English

by  Kate Allen

Stop and Smell the Romans:
Odor in Roman Literature

by

Kate Allen

A dissertation submitted in partial fulfillment
of the requirements for the degree of
Doctor of Philosophy
(Classical Studies)
in the University of Michigan
2015

Doctoral Committee:
Associate Professor Ruth R. Caston, Chair
Professor Victor Caston
Professor David S. Potter
Professor Celia E. Schultz
CALVIN AND HOBBES © 1995 Watterson. Reprinted with permission of UNIVERSAL UCLICK. All rights reserved.

CALVIN AND HOBBES © 1995 Watterson. Reprinted with permission of UNIVERSAL UCLICK. All rights reserved.
ad maiorem Dei gloriam

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Acknowledgements

This project would not have happened without the support and encouragement of many
people, both within the Department of Classics and beyond:
Thanks first and foremost to my advisor, Ruth Caston, whose insightful comments and
ability to unearth my main arguments from the chaos of early drafts were matched only by her
patience and insistence that I believe in myself. Thanks also to Celia Schultz for coming on at the
last minute but with no less enthusiasm for the project, to Victor Caston for helping me untangle
the Greek philosophy of the senses, and to David Potter for providing historical perspective on
my literary study.
Michelle Biggs and the office staff answered all of my questions (even the ones I asked
more than once), fed me Twix bars, and prevented my dissertation, and the department, from
spontaneously combusting. Without them we would all be hopelessly lost.
Comet Coffee provided the best lattes in Ann Arbor, and Zingerman’s Delicatessen
contributed the unrivaled Dirty Sheed and the world’s best pretzel sticks. Thank you both for
fueling this project.
My friends and family members kept my sanity in check with words of encouragement,
cards and packages, and much-needed distractions. To my parents and siblings, who endured my
grad-school-induced panic attacks and pretended not to notice when I brought too many books
home over breaks, I can only say: thank you so much, and I apologize! Special thanks to my
grandma, who asked how “the paper” was going every time I called. The Dissertators Gchat
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Group (Ellen Cole Lee, Amy Pistone, Tiggy McLaughlin, and Tim Hart) offered the perfect
balance of emotional support, accountability, and silly GIFs—“fulsome yays” to you all! I could
not have kept at it without a host of fellow graduate students who made the department a friendly
and welcoming place during an increasingly isolating process: shout-outs to Clara Bosak-
Schroeder, Erika Valdivieso, Cassandra Borges, Elizabeth Platte, Rebecca Sears, Harriet Fertik,
Evelyn Adkins, Bram ten Berge, Nicholas Rupert, Evan Lee, Jacqueline Pincus, Jessica
Stephens, and Nicholas Geller. Lastly, to my non-department friends (Renee Mayes, Lauren
Janicki, Elizabeth Miller, Kathleen Polk, Kristy Eason, and Kristie Good), for movie nights, wig
days, prayers, and nodding and smiling when I rambled on about Latin: may the Force be with
you all.

Finally, to my undergraduate advisor, Peter Anderson, who first guided me through
Martial’s world of odors and planted the seeds which grew into this project. This is all your fault.
And thank you.

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Contents
Dedication ....................................................................................................................................... ii
Acknowledgements ........................................................................................................................ iii
Introduction ..................................................................................................................................... 1
Why smell? ................................................................................................................................. 1
Smell in the humanities and classics ........................................................................................... 7
Project overview ....................................................................................................................... 11
Smell in Greek and Roman thought .......................................................................................... 17
Chapter outline .......................................................................................................................... 25
Chapter 1: Sniffing out Stereotypes: Identity in Plautine Comedy............................................... 29
Introduction ............................................................................................................................... 29
1. Identity and self-image ......................................................................................................... 33
2. Transformation and self-improvement ................................................................................. 39
Conclusion ................................................................................................................................ 60
Chapter 2: Smelling Strife: Death and Decay in Latin Epic ......................................................... 63
Introduction ............................................................................................................................... 63
1. Nature and the supernatural .................................................................................................. 68
2. Plague and war ...................................................................................................................... 82
Conclusion .............................................................................................................................. 102
Chapter 3: Scent of a Roman: The Poet and his Readers in Martial’s Epigrammata ................. 105
Introduction ............................................................................................................................. 105
1. Martial’s world of odors ..................................................................................................... 111
2. Noses, criticism, and literary sophistication ....................................................................... 128
3. The poet as victim ............................................................................................................... 137
Conclusion .............................................................................................................................. 149
Conclusion .................................................................................................................................. 152
Bibliography ............................................................................................................................... 159

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Introduction

“…the first condition of understanding a foreign country is to smell it.”

—T.S. Eliot1

Why smell?

The Ongee of the Andaman Islands greet one another by asking Konyune? Onorange-
tanka?, that is, “How is your nose?” “If the person feels 'heavy' with odour, the enquirer politely
sniffs some of it away. If, on the other hand, the person feels she or he is low on odour-energy,
the enquirer will provide an infusion of extra scent by blowing on her or him.”2 This scent-based
greeting stems from the Ongee belief that odor is the source of a person’s identifying
characteristics and life force. Understanding one’s own odor and the odors of the community and
environment thus leads to self-awareness and a sense of identity among the members of a
specific group.
Odor can be used to divide people as well as unite them.3 Among the Dassanetch tribe of
southwestern Ethiopia, odors related to cattle, such as that of manure, are considered fragrant.
Because cattle are central to Dassanetch society, smelling of them suggests wealth and high
social standing, a connection no modern Westerner would be likely to make. On the other hand,

1 “In Praise of Kipling’s Verse,” Harper’s Magazine, July 1, 1942, p. 156.
2 Classen et al. (1994) 114.
3 Cf. Manalansan (2006) 44: “I submit that the sense of smell is the basis for recognition and
misrecognition and that it provides an opportunity to affiliate, to belong as well as to disidentify and to ostracize.”
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the Dassanetch abhor the odor of fish, for fishermen are considered the lowest members of
society and their odor is therefore classified as disagreeable. Far from being inherently “good” or
“bad,” therefore, the status of these odors is culturally determined, based on an association with
two different classes of people within a specific society.4
Anthropological work suggests that there are no universally “bad” odors. Some people
actually like the smell of skunk (among them prominent smell psychologist Dr. Rachel Herz),
while others dislike typically "pleasant" scents such as rose.5 Studies also suggest that our
interpretation of, and consequent liking for, odors can be easily manipulated. Dr. Herz and her
research team found that they could produce vastly different responses to a decontextualized
odor just by giving it a new name: subjects refused to believe that the smell called ‘vomit’ and
the one called ‘Parmesan cheese’ were actually the same odor, with only the label changed.6
Without the proper context—a bakery storefront, for example—we may not even recognize our
favorite odors, such as baking bread or freshly brewed coffee. Additionally, while scents are
extolled as among our strongest memory triggers,7 when asked to recall a scent, most people
cannot do so.8 The resulting paradox is that preference for odors is indicative of a certain cultural

4 Classen 1992.
5 Herz (2007) 39 cites the example of a woman who first encountered the odor of roses at her mother’s
funeral, and has disliked it scent ever since due to its associations with sadness and loss. For the record, I personally
found the smell of skunk awful as a child, likely because I was terrified that I myself was going to be sprayed. Since
I have gotten over this rather irrational fear of overbold attack-skunks, I have found the smell far less objectionable.
6 See Herz and J. von Clef 2001 and Herz (2007) 56-7. Cf. Galeano’s 1991 “Celebración de la
desconfianza,” in which a professor’s suggestion that a massive flask is full of perfume, when it is actually full of
water, causes the entire class to react strongly against what they perceive as an overwhelming odor.
7 The most frequently cited instance is Marcel Proust’s story in À la recherche du temps perdu of how
eating a madeleine dipped in lime-flower tea sparked a host of childhood memories. For modern work on scent and
memory, see Engen 1991, Schab and Crowder 1995, and Herz 2000 and (2007) 61-89. Interestingly, very little
interest in this connection can be found in the ancient sources, although see Phaedo 96b for the relationship between
memory and the senses.
8 For the powerful connection between odor and emotion, both processed in the amygdala, see Herz (2007)
3-4, 11-18.
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like-mindedness,9 but on the other hand remarkably specific to the individual and also
susceptible to deliberate manipulation.
A source of curiosity for millennia, the human olfactory system has remained an enigma
far longer than our other sensory systems, though certainly not for a lack of trying—ancient
scientists and philosophers, as I will discuss below, were already attempting to explain the
workings of the human senses in the sixth and fifth centuries BC. It is only very recently,
however, that our understanding of smell and odors has enjoyed an exponential increase. The
2004 Nobel Prize in Physiology or Medicine was awarded to Dr. Richard Axel and Dr. Linda B.
Buck for their 1991 discovery of “odorant receptors and the organization of the olfactory
system.”10 In 2008, Jennifer L. Pluznick and her colleagues discovered that olfactory receptors
are present not just in the olfactory epithelium in the nose, but also in the kidneys of their test-
subjects,11 where they help regulate blood pressure and control metabolism.12 And in 2014, a
research team at Ruhr University Bochum in Germany discovered olfactory receptors in human
skin cells as well.13 In addition, “exposing one of these receptors…to a synthetic sandalwood
odor known as Sandalore sets off a cascade of molecular signals that appears to induce healing in
injured tissue.”14 Even information as fundamental as the location and function of odorant
receptors is thus still waiting to be fully clarified.

9 Cf. Drobnick (2006) 1: “…the manners and reasons people engage with the sense of smell are influenced
by numerous cultural factors relating to the constructs a society creates integrating the environment, the bodies of its
citizens and its symbolic worldview.”
10 “Press Release: The Nobel Prize in Physiology or Medicine 2004.” The Nobel Assembly at Karolinska
Institutet, October 4, 2004. http://www.nobelprize.org/nobel_prizes/medicine/laureates/2004/press.html (Accessed
October 17, 2014).
11 The experiment was performed on mice.
12 Pluznick et al. 2009.
13 Busse et al. 2014.
14 Stone, Alex. “Smell Turns Up in Unexpected Places.” New York Times, Oct. 13, 2014. Accessed
November 12, 2014. http://www.nytimes.com/2014/10/14/science/smell-turns-up-in-unexpected-places.html
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Scents are, as I hope this brief survey has suggested, both fascinating and mysterious.
They speak to a culture’s sense of its own identity and values, give us insight into the human
psyche, and are powerful enough to evoke memories. Yet at the same time they are so nebulous
that they are often unidentifiable without context. And when compared to other sensory
phenomena, they have until recent decades also been relatively understudied and often passed
over as frivolous.15 Buck and Axel’s discovery, made in 1991, was hailed by scientists as a
“landmark finding.”16 But after their 2004 Nobel win, the press reporting on the achievement
wrote articles with bemused-sounding titles such as “Nothing fishy about sweet smell of Nobel
success”17 and drew parallels between the Nobel win and an Ig Nobel Prize awarded just days
earlier to a team of scientists who had demonstrated that herrings apparently communicate by
“farting.”18
The tagline of the Ig Nobel Prizes, “Research that makes people LAUGH and then
THINK”,19 in fact hits upon something fundamental about odors, at least in the modern West:
they quite often make people laugh, sometimes uncomfortably at their lack of refinement,

15 In an internet quiz on the website Quibblo, for example, 56% of the 4495 respondents chose smell as the
sense they would give up; the next lowest choice was taste, at 21%. (http://www.quibblo.com/quiz/1JoM1SK/If-
you-HAD-to-give-up-a-sense-which-would-it-be) (Accessed Dec. 9th, 2014). Interestingly, a 2011 study on
technology and young people showed that 53% would rather give up their sense of smell than give up technology.
(McCann Worldgroup, “Today's Global Youth Would Give Up Their Sense of Smell to Keep Their Technology.”
PR Newswire, May 25, 2011. Accessed Dec 12, 2014. http://www.prnewswire.com/news-releases/todays-global-
youth-would-give-up-their-sense-of-smell-to-keep-their-technology-122605643.html)
16 Peter Mombaerts. 2004. “Love at First Smell – The 2004 Nobel Prize in Physiology or Medicine.” New
England Journal of Medicine 351.25: 2579. Mombaerts notes that Buck and Axel’s 1991 paper, which announced
the findings for which they were awarded the 2004 Nobel Prize, had been cited 1177 times between the time of its
publication and the time his own remarks were published (December 16, 2004). My search on Web of Science on
December 2, 2014 turned up 2380 citations.
17 Ed Frauenheim, CNET News. http://news.cnet.com/Nothing-fishy-about-sweet-smell-of-Nobel-
success/2100-1008_3-5399896.html (Accessed October 29, 2014). As indicated by the previous footnote, even
people who took the finding seriously could not seem to resist the urge to pun on scents and at the same time call
attention to the sight-centered nature of many English phrases. Plays on “scents” versus “sense” and “nose” versus
“knows” are common, as is replacing sight-related words with scent-related ones: Holly Dugan (2011) speaks, for
example, of “a nose witness” (104).
18 http://www.improbable.com/ig/winners/#ig2004 (Accessed October 29, 2014).
19 http://www.improbable.com/ (Accessed October 29, 2014)
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