Six tragedies

277 Pages·2010·0.79 MB·English

by  Lucius Annaeus Seneca

oxford world’s classics
SIX TRAGEDIES
Lucius Annaeus Seneca was born some time between 1 bce
and 4 ce, in Corduba, in southern Spain, to a Roman equestrian
family. Seneca’s father (‘Seneca the Elder’) had a successful rhet-
orical career, and educated his sons in Rome, in rhetoric and phil-
osophy. Seneca was a life-long adherent to Stoic philosophy.
In the year 41ce Caligula was murdered, and Claudius took over
as emperor. Soon after the new ruler’s accession Caligula’s sister,
Julia, was accused of committing adultery with Seneca. They were
tried before the Senate and sentenced to death, but Claudius altered
the sentence to exile. Seneca was sent to Corsica, where he spent the
next eight years, and where several of his prose works were probably
written. Perhaps many or most of the tragedies were written on
Corsica. Seneca was brought back to Rome in 49 ce through the
intercession of Agrippina, who wanted a tutor for her son Nero.
On Nero’s accession in 54 ce Seneca became a very powerful
man. He was Nero’s speechwriter, and perhaps political adviser.
Along with the praetorian prefect Burrus, he may have been respon-
sible for the relative restraint of Nero’s early years as emperor. Their
power diminished after 59 ce when they refused to help Nero
kill his mother, Agrippina. In the early 60s ce Seneca officially
retired from pu blic life. In 65ce there was a plan to assassinate the
emperor the (‘Pisonian Conspiracy’). Nero accused Seneca of
involvement in the plot and forced him to commit suicide; he died
in a hot steam-bath.
Emily Wilson is Associate Professor in Classical studies at the
University of Pennsylvania. She is the author of Mocked with Death:
Tragic Overliving from Sophocles to Milton (2004) and The Death of
Socrates: Hero, Villain, Chatterbox, Saint (2007).
oxford world’s classics
For over 100 years Oxford World’s Classics have brought
readers closer to the world’s great literature. Now with over 700
titles — from the 4,000-year-old myths of Mesopotamia to the
twentieth century’s greatest novels — the series makes available
lesser-known as well as celebrated writing.
The pocket-sized hardbacks of the early years contained
introductions by Virginia Woolf, T. S. Eliot, Graham Greene,
and other literary figures which enriched the experience of reading.
Today the series is recognized for its fine scholarship and
reliability in texts that span world literature, drama and poetry,
religion, philosophy, and politics. Each edition includes perceptive
commentary and essential background information to meet the
changing needs of readers.
OXFORD WORLD’S CLASSICS
SENECA
Six Tragedies
Translated with an Introduction and Notes by
EMILY WILSON
1
1
Great Clarendon Street, Oxford ox26dp
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide in
Oxford New York
Auckland Cape Town Dar es Salaam Hong Kong Karachi
Kuala Lumpur Madrid Melbourne Mexico City Nairobi
New Delhi Shanghai Taipei Toronto
With offices in
Argentina Austria Brazil Chile Czech Republic France Greece
Guatemala Hungary Italy Japan Poland Portugal Singapore
South Korea Switzerland Thailand Turkey Ukraine Vietnam
Oxford is a registered trade mark of Oxford University Press
in the UK and in certain other countries
Published in the United States
by Oxford University Press Inc., New York
© Emily Wilson 2010
The moral rights of the author have been asserted
Database right Oxford University Press (maker)
First published as an Oxford World’s Classics paperback 2010
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the prior permission in writing of Oxford University Press,
or as expressly permitted by law, or under terms agreed with the appropriate
reprographics rights organization. Enquiries concerning reproduction
outside the scope of the above should be sent to the Rights Department,
Oxford University Press, at the address above
You must not circulate this book in any other binding or cover
and you must impose the same condition on any acquirer
British Library Cataloguing in Publication Data
Data available
Library of Congress Cataloging-in-Publication Data
Data available
T ypeset by Cepha Imaging Private Ltd., Bangalore, India
Printed in Great Britain
on acid-free paper by
Clays Ltd., St Ives plc
ISBN 978 – 0 – 19 – 280716–9
1 3 5 7 9 10 8 6 4 2
CONTENTS
Introduction vii
Note on the Text and Translation xxvii
Select Bibliography xxix
Chronology xxxiii
Mythological Family Trees xxxiv
PHAEDRA 1
OEDIPUS 39
MEDEA 71
TROJAN WOMEN 103
HERCULES FURENS 139
THYESTES 179
Explanatory Notes 213
This page intentionally left blank
INTRODUCTION
Biography and History
Seneca’s tragedies are intense. They show us people who push
themselves too far, beyond the limits of ordinary behaviour and emo-
tion. Passion is constantly set against reason, and passion wins out:
as Seneca’s Phaedra asks: ‘What can reason do? Passion, passion
rules’ (184). Seneca’s characters are obsessed and destroyed by their
emotions: they are dominated by rage, ambition, lust, jealousy,
desire, anger, grief, madness, and fear. The literary style of these
plays, too, is intense: they use dense, witty, hyperbolic language and
imagery to evoke an endless struggle for more and more absolute
power.
Seneca’s tragedies reflect the emotional and political intensity of
the time in which they were written. Lucius Annaeus Seneca was a
contemporary of Jesus, born some time between 1bce and 4ce.1 He
lived in one of the most interesting and dangerous periods of Roman
history, under the emperors Tiberius, Gaius (Caligula), Claudius,
and Nero. The Roman Republic was long dead. Over the course of
Seneca’s lifetime the empire expanded, while Rome’s rulers grew
ever more corrupt.
Seneca was born in Corduba, in southern Spain, at a distance from
Rome, the centre of imperial power, and both his parents had also
been born in Spain. Seneca’s tragedies have many passages that
evoke the vast size of the Roman empire: lists of the most far-flung
regions lying at or beyond the borders of Roman power. The fact
that Seneca came from an outlying part of the empire may have made
him particularly aware of the scale of Roman dominance in the west-
ern world of his time.
But Corduba was not a provincial backwater; it was an important
centre of Roman culture. Moreover, Seneca came from a privileged,
educated, and wealthy background. His family was upper class,
belonging to the equestrian order. Equestrians (or ‘knights’ — the
word literally suggests horse-rider or cavalryman) were traditionally
1 The best overview of Seneca’s life, and his interactions with the political circum-
stances of his times, is Miriam Griffin’sSeneca: A Philosopher in Politics (Clarendon
Press,1976).
viii introduction
focused on business rather than politics — in contrast to senatorial
families, but Seneca was to rise to enormous political prominence.
According to Tacitus, one of our main sources for this period,
Seneca expressed to Nero, towards the end of his life, his amazement
at his own social rise: ‘Am I, born of an equestrian father in the prov-
inces, actually numbered among the leaders of the state? Has my
newcomer presence achieved distinction amongst noblemen who can
put on display a long series of glittering decorations?’2 But there is
some rhetorical disingenuousness in the implication that Seneca’s
rise to prominence from humble family origins was due entirely to
the benevolence of the emperor Nero. In fact his success owed a great
deal both to his own literary talent and to the influence of his family.
Seneca did not come from nowhere.
Seneca’s father (‘Seneca the Elder’) had a successful rhetorical
career. He spent most of his life in Rome, studying oratory. He wrote
a history of Rome (which has not survived), and also two sets of
textbook examples of rhetorical exercises, called the Suasoriae
(Persuasions) and Controversiae (Controversial Issues), sections of
which are extant. These were written at the request of his sons,
towards the end of his life.
Seneca the Elder had three sons; Lucius Annaeus was the middle
child. Their father brought all three to Rome to be educated. All the
brothers became intimately involved, in very different ways, with the
workings of Roman imperial power. The elder brother, Annaeus
Novatus, became the governor of southern Greece. He is mentioned
in Acts (18:12 – 16), since it was under his rule that the Jews brought
an accusation against Paul for persuading people to ‘worship God
contrary to the law’. Annaeus Novatus, referred to in Acts under the
name Gallio, dismissed the case, arguing that the issue was a matter
of religious law, outside the realm of Roman legislation.
The youngest brother, Annaeus Mela, did not undertake an official
political career. He became a successful businessman, and eventually
helped to manage Nero’s finances. He was the father of the poet
Lucan — author of the Civil War, a great Republican epic poem
about the war between Julius Caesar and Pompey.
We do not know much detail about the life of Lucius Annaeus
Seneca, the middle brother, as a teenager and young man. These
must have been the years in which he was educated in rhetoric.
2 Tacitus, Annals 14. 53: trans. J. C. Yardley, Oxford World’s Classics (Oxford
University Press, 2008),330.
introduction ix
The influence of Roman rhetorical training is evident in all of his
work. He also trained with several different tutors in philosophy. A
Stoic named Attalus emphasized the importance of ascetic habits: he
recommended always sleeping on a hard bed, and avoiding luxurious
foods such as oysters and mushrooms. Seneca became a life-long
adherent to Stoic philosophy.3 He also studied at the school of
Quintus Sextus, another primarily Stoic philosopher. From Sextus
he seems to have learnt the moral practice of daily self-examination.
He also became a vegetarian, but was talked out of it after only a year
by his father, who thought the meatless diet was weakening his son’s
health.
Seneca’s health was certainly bad. He was a lifelong sufferer from
chest problems, which may have been caused by cardiac asthma or
angina. In his Epistle 78 to Lucilius, Seneca tells the story of how, in
his early years, he was able to ‘adopt a defiant attitude to sickness’:
But eventually I succumbed to it altogether. Reduced to a state of complete
emaciation, I had arrived at a point where the catarrhal discharges were
virtually carrying me away with them altogether. On many an occasion
I felt an urge to cut my life short there and then, and was only held back
by the thought of my father, who had been the kindest of fathers to me
and was then in his old age. Having in mind not how bravely I was capable
of dying but how far from bravely he was capable of bearing the loss,
I commanded myself to live. There are times when even to live is an act
of bravery.4
After this episode, which perhaps took place when he was in his
twenties, Seneca seems to have recuperated in Egypt. His aunt —
his mother’s stepsister — was the wife of the prefect of Egypt at this
time, and probably cared for him in his illness.
Seneca returned to Rome in 31ce. His father wanted him to begin
a political career, and his aunt’s connections were also useful in
achieving this aim. At some point after his return to Rome — but per-
haps as late as 37ce, after several more years devoted to study — he
took his first step on to the ladder of the traditional Roman political
career (the cursus). He was appointed as a ‘quaestor’ (a financial
officer), and enrolled in the Senate. It was a comparatively late start
for a political career: Seneca’s peers would have already begun to
3 For more on Stoicism, see ‘Stoicism and Seneca’s Tragedies’, below.
4 Epistle 78.1 – 2:Letters from a Stoic, trans. Robin Campbell (Penguin Books, 2004),
131.