Shakespeare Quarterly 1997: Vol 48 Index

5 Pages·1997·0.63 MB·English

HAKESPEARE
UARTERLY
Published by the Folger Shakespeare Library
VOLUME 48 NUMBERS 1-4
From the Editor BARBARA A. MOWAT L:iii, 4:iii
Editor
ARTICLES
Dismember Me: Shakespeare, Paranoia,
and the Logic of Mass Culture LINDA CHARNES
“*You speak a language that I understand
not’’: The Rhetoric of Animation in
The Winter's Tale LYNN ENTERLINE
Conquering Islands: Contextualizing
The Tempest
BARBARA FUCHS
“‘If sight and shape be true’’: The
Epistemology of Crossdressing on
the London Stage TRACY SEDINGER
Iago’s Alter Ego: Race as Projection in
Othello JANET ADELMAN
Turning Turk in Othello: The Conversion
and Damnation of the Moor DANIEL J. VITKUS
Glass Slippers and Seven-League Boots:
C-Prompted Doubts About Ascribing A
Funeral Elegy and A Lover’s Complaint to WARD E. Y. ELLIOTT
Shakespeare and ROBERT J. VALENZA
**Standing to the wall’’: The Pressures of
Masculinity in Romeo and Juliet ROBERT APPELBAUM
Civilizing Subordination: Domestic
Violence and The Taming of the Shrew EMILY DETMER
The Gastric Epic: Troilus and Cressida DAVID HILLMAN
Slaves and Subjects in Othello CAMILLE WELLS SLIGHTS
The Comic Close of Twelfth Night and
Viola’s Noli me tangere
**Look, her lips’’: Softness of Voice,
Construction of Character in King Lear MICHAEL HOLAHAN
**By the choise and inuitation of al the
realme’’: Richard II and Elizabethan
Press Censorship CYNDIA SUSAN CLEGG
IssUES
Paradigm Lost? The Fate of Literature
in the Age of Theory GERALDO U. DE SOUSA
Teaching the Resonances BRUCE R. SMITH
Shakespeare: Reading/Text/Theory COPPELIA KAHN
Teaching Practices DAVID M. BERGERON
The Practice of Theory ELIZABETH PITTENGER
NoTEs
John Kynaston (1728-83), A
Neglected Shakespearean ARTHUR SHERBO
SHAKESPEARE PERFORMED
‘*An Enterprise of Great Pitch and
Moment’’: Julius Caesar and
Antony and Cleopatra at the
Alley Theatre, 1996 MICHAEL L. GREENWALD
Shakespeare in Stratford-upon-Avon:
The Royal Shakespeare Company’s
**Half-Season,”’ April-September
1996 RUSSELL JACKSON
What kind of future for the theatrical
past: Or, What will count as theater
history in the next millennium? WILLIAM INGRAM
The Two Noble Kinsmen Onstage:
A Postscript LOIS POTTER
Fiona Shaw’s Richard II: The Girl as
Player-King as Comic CAROL CHILLINGTON RUTTER
Positing Pillars at the Globe PAUL NELSEN
Book REVIEws
James Shapiro. Shakespeare and the Jews. M. LINDSAY KAPLAN
Paola Pugliatti. Shakespeare the Historian. REBECCA W. BUSHNELL
Peter J. Smith. Social Shakespeare: Aspects
of Renaissance Dramaturgy and
Contemporary Society. MARIO DI GANGi
Geoffrey Miles. Shakespeare and the
Constant Romans.
Clifford Ronan. ‘‘Antike Roman’’: Power
Symbology and the Roman Play in Early
Modern England, 1585-1635. GORDON BRADEN
Jay L. Halio, ed. Shakespeare’s Romeo
and Juliet: Texts, Contexts,
and Interpretation. DEBORAH CURREN-AQUINO
Mary Z. Maher. Modern Hamlets &
Their Soliloquies. RICHARD PAUL KNOWLES
Michael Neill, ed. The Oxford
Shakespeare The Tragedy of Anthony
and Cleopatra.
SUSAN SNYDER
Maynard Mack. Everybody's Shakespeare:
Reflections chiefly on the Tragedies. JAY L. HALIO
Marianne Novy, ed. Women’s Re-Visions
of Shakespeare: On the Responses of
Dickinson, Woolf, Rich, H.D., George
Eliot, and Others.
Marianne Novy. Engaging with
Shakespeare: Responses of George Eliot
and Other Women Novelists. FRANCESCA T. ROYSTER
Frances Teague, ed. Acting Funny: Comic
Theory and Practice in Shakespeare's
Plays.
Frances Teague. Shakespeare’
Speaking Properties.
Michael Mangan. A Preface to
Shakespeare’s Comedies: 1594-1603. PAUL YACHNIN
Leah Scragg. Shakespeare's
Alternative Tales. JODI MIKALACHKI
Kate Chedgzoy. Shakespeare’s Queer
Children: Sexual politics and
contemporary culture. VALERIE TRAUB
Frances E. Dolan. Dangerous Familiars:
Representations of Domestic Crime
in England, 1550-1700. ANTHONY B. DAWSON
Michael McGiffert, ed. ‘‘Constructing
Race: Differentiating Peoples in the
Early Modem World.”’
Joyce Green MacDonald, ed. Race,
Ethnicity, and Power in the Renaissance. PETER ERICKSON
John A. Alford, ed. From Page to
Performance: Essays in Early
English Drama. MILLA C. RIGGIO
Albert H. Tricomi. Reading Tudor-Stuart
Texts Through Cultural Historicism. WILLIAM W. E. SLIGHTS
Stephen Greenblatt, Walter Cohen,
Jean E. Howard, Katharine Eisaman
Maus, eds. The Norton Shakespeare,
Based on the Oxford Edition.
G. Blakemore Evans, ed., with J.J.M.
Tobin. The Riverside Shakespeare.
Second Edition.
David Bevington, ed. The Complete Works
of Shakespeare. Updated Fourth Edition. MARTHA TUCK ROZETT
Patricia Parker. Shakespeare from the
Margins: Language, Culture, Context. MICHAEL NEILL
Linda Charnes. Notorious Identity:
Materializing the Subject in Shakespeare. DYMPNA C. CALLAGHAN
Kathleen O. Irace. Reforming the ‘‘Bad”’
Quartos: Performance and Provenance of
Six Shakespearean First Editions. G. B. SHAND
Robert S. Miola. Shakespeare and
Classical Tragedy: The Influence
of Seneca. LOUISE SCHLEINER
Christa Jansohn, ed. A Lover’s
Complaint: Deutsche Ubersetzungen von
1787 bis 1894. Festgabe fiir Dieter Mehl
zum 60. Geburtstag. WERNER HABICHT
Bert O. States. The Pleasure of the Play. W. B. WORTHEN
Peter C. Herman, ed. Rethinking the
Henrician Era: Essays on Early Tudor
Texts and Contexts. KAREN NEWMAN
David G. Allen and Robert A. White,
eds. Subjects on the World’s Stage: Essays
on British Literature of the Middle Ages
and the Renaissance. PATRICK J. COOK
Richard Burt and John Michael Archer,
eds. Enclosure Acts: Sexuality, Property,
and Culture in Early Modern England. GAIL KERN PASTER
S. P. Cerasanc and Marion Wynne-
Davies, eds. Renaissance Drama by
Women: Texts and Documents.
Josephine A. Roberts, ed. The First Part
of The Countess of Montgomery’s Urania.
By Lady Mary Wroth.
Patrick Colbom Cullen, ed. A
Continuation of Sir Philip
Sidney's Arcadia. By Anna Weamys. PAMELA JOSEPH BENSON
Eric S. Mallin. Inscribing the Time:
Shakespeare and the End of
Elizabethan England. JOEL B. ALTMAN
Kim F. Hall. Things of Darkness:
Economies of Race and Gender in Early
Modern England. CRYSTAL BARTOLOVICH
Shirley Nelson Gamer and Madelon
Sprengnether, eds. Shakespearean
Tragedy and Gender. DYMPNA CALLAGHAN
Harriett Hawkins. Strange Attractors:
Literature, culture and chaos theory. MICHAEL D. BRISTOL
Gail Kern Paster. The Body Embarrassed:
Drama and the Disciplines of Shame in
Early Modem England. STEVEN MULLANEY
G. Blakemore Evans, ed. The New
Cambridge Shakespeare Sonnets. HEATHER DUBROW
Peter Holland, ed. The Oxford
Shakespeare A Midsummer
Night’s Dream.
Jay L. Halio. Shakespeare in
Performance: A Midsummer
Night’s Dream.
SUZANNE GOSSETT
Michael Mullin. Design by Motley. PETER HOLLAND
Pauline Kiernan. Shakespeare’s Theory
of Drama.
ALEXANDER LEGGATT
Maurice Charney. All of Shakespeare.
JEANNE ADDISON ROBERTS
Brian Gibbons. Shakespeare
and Multiplicity.
JILL L. LEVENSON
Anthony Graham-White. Punctuation
and Its Dramatic Value in
Shakespearean Drama. GEORGE T. WRIGHT
Larry S. Champion, comp. The Essential
Shakespeare: An Annotated Bibliography
of Major Modern Studies. Second
Edition. BRIAN VICKERS
Russ McDonald. The Bedford Companion
to Shakespeare: An Introduction
with Documents. JOHN D. COX
Yoshiko Uéno, ed. Hamlet and Japan. R. W. DESAI
Katharine Eisaman Maus. Inwardness
and Theater in the English Renaissance. FRANCES E. DOLAN
William M. Hamlin. The Image of
America in Montaigne, Spenser, and
Shakespeare: Renaissance Ethnography
and Literary Reflection. VIRGINIA MASON VAUGHAN
Marliss C. Desens. The Bed-Trick in
English Renaissance Drama: Explorations
in Gender, Sexuality, and Power. VICTORIA HAYNE
Susan Frye. Elizabeth I: The Competition
for Representation. LINDA WOODBRIDGE
Rosemary Kegl. The Rhetoric of
Concealment: Figuring Gender and Class
in Renaissance Literature. MIHOKO SUZUKI
John Kerrigan. Revenge Tragedy:
Aeschylus to Armageddon. LINDA CHARNES
Gordon Williams. A Dictionary of Sexual
Language and Imagery in Shakespearean
and Stuart Literature. GAIL KERN PASTER 505
CONTRIBUTORS 118, 247, 372, 509