Table Of Content

460 pages 6 Bagatelles Op. 3 3 Mazurkas Op. 21 Gavotte Op. 23 Etudes Op. 52 Menuet et Valse Op. 56 Allegro Appassionato Op. 70 Album Op. 72 Souvernir d'Italie Op. 80 Les Cloches du Soir Op. 85 Valse Canariote Op. 88 Suite Op. 90 Thême Varié Op. 97 Valse Mignonne Op. 104 Valse nonchalante Op. 110 6 Etudes Op. 111 Valse Langoreuse Op. 120 6 Etudes for the left hand Op. 135 Valse Gaie Op. 139 + two bonuses 6 Fugues Op. 161 Feuillet d'Album Op. 169 Bacchanale (Samsom and Delilah) Romance sans paroles Le Carnival des Animaux La mort de Thaïs SIX BAGATELLES C. Saint-Saëns Op. 3 Poco sostenuto                         pp                                      6                                                     11                                                 16                                              21                                                       © www.noten-klavier.de 2 26                       cresc.                          31                    p f f f p f p pp                                              36                    f f p cresc.                      41                          f f p pp                                   46                                                      3  51                        pp   f pp                            56                              pp                               ten. 60               pp                             II. Allegro animato quasi presto. f                     f    p                           9   dim. p f                                             dim. 16                                                            23                                                         30                         poco a poco rit. - - - - - - - - p poco a                                 © www.noten-klavier.de 2 37                           poco cresc.                           44                                                    51                          f                                  57                                                  63                                dim. poco a poco                           70                                                       3 76 sf                      dolce e legatissimo                       86                                             96                                   106                     pp                                  116                    dolce                             126                                           4 a tempo 136              cresc. e rit.                              Ped.     143                        cresc. poco a poco 3 3               leggiero  150        - - - - - - - - - - - - - - - - - - -                                155        - - - - - - - - - - - - - - f                                    160              stringendo        166                                            5 Presto 171 leggiero e con fuoco                        ff p                             Ped.  176                                           182                                                       188                  cres - - cen - - -          poco a    poco            194                           f do - - - - - - - - - - - - - - -                          200                             ritenuto - - -           più f                    6 a tempo 205                  - - - -  ff             Ped.             211                                                    216                                     221                         mf            226            cresc.                        231            f ff                     

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Camille Saint-Saëns (1835-1921). 22 Piano Pieces and two bonuses. 460 pages.The first bonus is a piano transcription (by Saint-Saëns) of the Bacchanale (Air de Ballet) from his opera Samson et Delilah. The second bonus is a piano arrangement (by Laurent Champlet) of the (complete) 14 movements of
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Selected Piano Pieces + 2 piano transcriptions PDF

461 Pages·2016·15.79 MB·English
by  Saint-Saëns Camille.
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by Saint-Saëns Camille.| 2016| 461 pages| 15.79| English

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Camille Saint-Saëns (1835-1921). 22 Piano Pieces and two bonuses. 460 pages.The first bonus is a piano transcription (by Saint-Saëns) of the Bacchanale (Air de Ballet) from his opera Samson et Delilah. The second bonus is a piano arrangement (by Laurent Champlet) of the (complete) 14 movements of

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Author:Saint-Saëns Camille.
Publication Year:2016
Pages:461
Language:English
File Size:15.79
Format:PDF
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