Table Of ContentNDEX TO VOLUME 42
Perry, Katrina. “C’était une femme”: Body
ARTICLES
Poetics in La Duchesse de Langeais. 82-
Belmonte-Serrano, José. Una aproxima- 93.
cién a la joven narrativa espafiola. 105-
¥7. Pickering. R.S.E. Colette’s Two Claudines:
Problems in Writing the Divided Self.
Bermudez, Silvia. That Was Then, This Is 133-42.
Now: Peruvian Poets of the 1980s. 169-
Scott III, Daniel M. Dreaming the Other:
Ze
Breton, Césaire, and the Problematics of
Christiansen, Hope. Two Simple Hearts: Influence. 28-38.
Balzac’s Eugénie and Flaubert’s Félicité.
Swanson, Philip. Clarice Lispector and A
195-202.
hora da estrela. “Fémininité” or “Réal-
Déchery, Laurent. Réflexions sur l’apho- ité”? 143-53.
risme et la maxime 4 l’4ge classique. 3-
Thiher, Allen. A Skeptical Critique of
17.
Lacanian Poststructural Approach to
Diez de Revenga, Francisco J. La poesia Literary Theory. 94-104.
satirico-moral de Pedro Salinas. 221-34.
Walsh, Jonathan D. Jealousy, Envy, and
Ellis, Robert Richmond. The Queer Birds Hermeneutics in Prévost’s L histoire
of Juan Goytisolo and Reinaldo Arenas. d'une Grecque moderne and Proust's A la
47-57. recherche du temps perdu. 67-81.
Gabriel, André. Simenon: le hasard et la
nécessité. 203-19.
Hart, Stephen M. Introduction: Women BOOK REVIEWS
Writing the Romance Languages. 131-
Berg, William J. The Visual Novel. Emile
32.
Zola and the Art of His Times. [Michael
Kuhnheim, Jill. Redefining Marginality: G. Lerner] 238-39.
Dis-identification in Hasta no verte Jesus
Bohn, Willard. Apollinaire, Visual Poetry,
mio. 163-68.
and Art Criticism. {Adrianna M.
Marti-Olivella, Jaume. Death and Spring: Paliyenko] 242-43.
Rodoreda’s Semiotic Chora. 154-62.
Cano Calderén, Amelia, ed. Lengua y Lit-
Moore, Roger. Erase un hombre a una eratura: su didactica. (Homenaje a la
nariz pegado: The Enigma of the Sec- Profesora Carmen Bautista Martin).
ond Tercet. 39-46. [Mariano Moreno Requena] 246-47.
Paliyenko, Adrianna M. Rereading Bre- Captain-Hidalgo, Yvonne. The Culture of
ton’s Debt to Apollinaire: Surrealism Fiction in the Works of Manuel Zapata
and Aesthetics of Creative Imaging. 18- Olivella. [Thomas E. Kooreman] 127-
27. 28.
Pastor, Brigida. Cuba’s Covert Cultural Charnon-Deutsch, Lou. Narratives of
Critic: The Feminist Writings of Desire: Nineteenth-Century Spanish Fic-
Gertrudis Gémez de Avellaneda 178- tion by Women. {Linda M. Willem] 191-
89. 92.
FALL 1995, VOL. 42, NO. 4
Clark, A.H., and E.J. Rodgers, eds. Galdés’ Journal of the Institute of Romance Studies
House of Fiction: Papers Given at the [Stephen M. Hart] 121-22.
Birmingham Galdés Colloquium.
Kingcaid, Renee A. Neurosis and Narrative:
[Catherine Jagoe] 62-63.
The Decadent Short Fiction of Proust,
Davies, Catherine, ed. Women Writers in Lorrain, Rachilde. [Will L. McLendon]
Twentieth-Century Spain and Spanish 240-42.
America. [Ruth K. Crispin] 249-50.
Krueger, Robert L. Women Readers and the
de Baecque, Antoine. Le Corps de 'Histoire: Ideology of Gender in Old French Verse
Meétaphores et politique. (1770-1800) Romance. {Joan Brumlik] 236-37.
[Jeremy D. Popkin] 119-20.
Leakey, EW. Baudelaire: Les Fleurs du Mal.
Desan, Philippe, ed. Humanism in Crisis: (James S. Patty) 122-23.
The Decline of the French Renaissance.
MacKenzie, Ann Lfogan]. La escuela de
[JoAnn DellaNeva] 61-62.
Calderén: estudio e investigacién. (John J.
DiAntonio, Robert, and Nora Glickman, Allen] 126-27.
eds. Tradition and Innovation: Reflections
Parker, Deborah. Commentary and Ideology:
on Latin American Jewish Writing.
Dante in the Renaissance. {Isabella Berto-
{Linda J. Craft] 247-48.
letti] 125-26.
Evans, Margery A. Baudelaire and Intertex-
Pickens, Rupert T., ed. Studies in Honor of
tuality: Poetry at the Crossroads. [Richard
Hans-Erich Keller: Medieval French and
D.E. Burton] 120-21.
Occitan Literature and Romance Linguis-
Fraker, Charles F. The Libro de Alexandre. tics. [Paul Beekman Taylor] 235-36.
Medieval Epic and Silver Latin. (John E.
Plunka, Gene A. The Rites of Passage ofJ ean
Keller] 122-23.
Genet. [Robert Sandarg] 63-64.
Gold, Hazel. The Reframing of Realism: Shaw, Mary Lewis Performance in the Texts
Galdés and the Discourses of the Nine- ofM allarmé. {Laurent Déchery] 239-40.
teenth-Century Spanish Novel. (Stephen
Miller] 123-25. Stamelman, Richard. Lost beyond Telling:
Representations of Death and Absence in
Hafter, Monroe Z., ed. Pen and Peruke: Modern French Poetry. (Gretchen
Spanish Literature of the Eighteenth Cen- Schultz] 251-52.
tury. (Jennifer Rae Krato] 245-46.
van der Poel, Ieme. Une Révolution de la
Harney, Michael. Kingship and Policy in the pensée: maoisme et feminisme a travers ‘Tel
Poema de Mio Cid. [Steven D. Kirby] Quel,’ ‘Les Temps modernes,’ et ‘Esprit. .
244-45. {Catherine Slawy-Sutton] 190-91.
Hemmings, EW.J. The Theatre Industry in Weldt-Basson, Helene Carol. Augusto Roa
Nineteenth-Century France (Hope Chris- Bastoss I the Supreme: A Dialogic Perspec-
tiansen] 237-38. tive. [Rafael Ocasio! 248-49.
Jagoe, Catherine. Ambiguous Angels. Gen- White, Edmund. Genet: AB iography. [Rob-
der in the Novels of Galdés. (Lou Char- ert Sandarg] 243-44.
non-Deutsch] 250-51.
Zavala, Iris M. La musa funambulesca poéti-
Joulovsky, Francoise. Le Bel objet: les par- ca de la carnivalizacién en Valle-Inclan.
adis artificiels de la Pléiade. (Roberto E. [Ana L. Baquero Escudero], 41 (1994):
Campo] 118-19. 53-55.
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