Table Of ContentUte Fendler, Katharina Fink,
Ute Fendler, Katharina Fink, Nadine Siegert, Ulf Vierke (eds.) Nadine Siegert, Ulf Vierke (eds.)
Revolution 3.0
From the visual politics of the FRELIMO-libera- Thomas Sankara and Samora Machel? What
tion script in Mozambique via the brooms and possibilities do images offer – and what is cut
spoons of Le Balai Citoyen in Burkina Faso, to and edited in the process of creating a ‘new’
the updating of images from past revolutions image? How do the visual tactics of analogue
on Twitter and Facebook, often in the dias- and digital protesters alike constitute, alter
pora – images play a key role in the envisioning and create visual and multi-media archives?
of futures and social utopia. And more than This book brings together a wide range of
that: Revolutions, understood as moments of papers by international researchers and artists
radical social and cultural change, are driven focusing on the relationship of images and
by images, as empirical investigations on- and revolution mostly in the African context.
offline show. But what actually constitutes the Images in various artistic media such as
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‘seismographic power’ of images, and the sus- photography, art in public space, performance, .
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tainability of icons from past ruptures in terms fashion are discussed, but also the relation
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of radicalism, such as the portraits of Burkina of visual culture and politics in Mozambique,
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Faso’s and Mozambique’s fi rst presidents‚ Angola and Burkina Faso among others. i
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Revolution 3.0
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Ute Fendler, Katharina Fink,
Nadine Siegert, Ulf Vierke (eds.)
Revolution 3.0
Iconographies of Radical Change
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A book made possible by
Bibliografische Information der Deutschen Nationalbibliothek
Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der
Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im
Internet über http://dnb.d-nb.de abrufbar.
AVM- – oAkraddeemriscihde V-e r2la9gs3ge4m4ei3ns9ch9af t- M türncahenns 2i0d19 - 29344399_1D -
© Thomas Martin Verlagsgesellschaft, München
Umschlagabbildung: © Petrus Amuthenu
Layout: Karl-Heinz Best, mind the gap! design
Proofreading: Emily McDermott, Bernhard Rübenthal
Alle Rechte vorbehalten. Dieses Werk einschließlich aller seiner Teile ist
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Alle Informationen in diesem Buch wurden mit größter Sorgfalt erarbeitet
und geprüft. Weder Herausgeber, Autoren noch Verlag können jedoch für
Schäden haftbar gemacht werden, die in Zusammenhang mit der Verwen-
dung dieses Buches stehen.
e-ISBN (ePDF) 978-3-96091-530-0
ISBN (Print) 978-3-95477-090-8
AVM – Akademische Verlagsgemeinschaft München
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D-80336 München
www.avm-verlag.de
Content
Introduction
Testimonies of the Coming.
Images of Revolution as Seismographs of Change ...........................12
Transcending Time: Powerful Images
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Ute Fendler:
Icons of Political Leaders – from Sacral to Popular Images .............34
Drew Thompson:
Visualizing Revolution Amid Photography’s Counter-Insurgency:
The Case Study of Samora Machel’s Funeral and Mozambique’s
Post-Independence War ..................................................................52
Nadine Siegert:
“Another World is Possible”: The Socialist Mural in Luanda
as Visual Anticipation of a New Socialist Society ............................74
Luís Carlos Patraquim:
Mozambique: Permanent Reinvention ...........................................104
Johan Thom:
A Luta ctd. . ...................................................................................120
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Constellations: Traveling Images
Katharina Fink:
Logbook Revolution: Iconic Images as Stylists
of Radical Change .........................................................................126
Marco Russo:
The World Destruction Machine (WDM 0.1) ....................................148
Onejoon Che:
The Monumental Gifts from North Korea.
On the art project Mansudae Master Class ....................................168
Ute Fendler, Nadine Siegert, Fabio Vanin:
Responding to Onejoon Che –
The monument “Renaissance d’Afrique” and
the Memorial Dr. Agostinho Neto ..................................................192
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Performing Archives: Radical Images
Ulf Vierke:
Unsettled Histories, Photography and the Anarchic Archive:
Cedric Nunn’s ‘Unsettled’ as a Post-colonial Reading of
Landscape, Architecture, Artifacts and Body .................................208
Goldendean:
The Queer Body as an Archive of Possibilities – A Script ...............228
Serubiri Moses:
On the Aesthetics of Protest ..........................................................244
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Content
Aestheticising Revolution: Flipping Images
Perpetual Protest –
in Conversation with Jelsen Lee Innocent ......................................272
Ana Balona de Oliveira:
Falling Radio Towers and Flying Mausoleums:
Iconographies of Revolution and Utopia in the Work of
Ângela Ferreira and Kiluanji Kia Henda .........................................284
Stefanie Alisch:
‘Switching’: Reflections on the Intersection of
Dance and Visual Media in Angolan Kuduro ...................................330
Concluding: On the Pleasures of Revolution 3.0
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Raí Gandra:
RILF – Revolutionaries I’d Like to Fuck ..........................................356
Bibliographic Notes .......................................................................362
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Anna
Petrus M. Amuthenu
Statement by Petrus M. Amuthenu:
“Anna ‘Kakurukaze’ Mungunda (1932–10. December 1959) was a Namibian
woman of Herero descent. She was the only woman among the casualties of
the Old Location uprising in Windhoek on 10 December 1959. Since Namibia's
independence on 21 March 1990, Mungunda is regarded as one of the heroes
and as important icon of the Namibian history. I chose this particular image
to add value to our national history, and to make sure she is remembered as a
Namibian heroine. This is the only pose of Anna that exists from the Keith Irwin
photo archives.”
Photo credit by: www.startartgallery.com
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