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About Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (Approaches to Semiotics [As])
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to and “naturalize and ” style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character’s vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
Detailed Information
| Author: | Edward Branigan |
|---|---|
| Publication Year: | 1984 |
| ISBN: | 9783111770048 |
| Pages: | 288 |
| Language: | English |
| File Size: | 17 |
| Format: | |
| Price: | FREE |
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