Table Of ContentPERSPECTIVES ON TRAVEL WRITING
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Perspectives on Travel Writing
Edited by
Glenn Hooper and Tim Youngs
Studies in European Cultural Transition
Volume 19
General Editors: Martin Stannard and Greg Walker
First published 2004 b y    A  s  h  g a  t e   P ublishing
Published 2016 byRoutledge
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Copyright © Glenn Hooper and Tim Youngs, 2004
Glenn Hooper and Tim Youngs have asserted their moral right under the Copyright, 
Designs and Patents Act, 1988, to be identified as the editors of this work.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any
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British Library Cataloguing in Publication Data
Perspectives on Travel Writing. – (Studies in European Cultural Transition)
  1. Travel writing. 2. Traveler’s writings – History and criticism. I. Hooper, 
  Glenn, 1959– .
  II. Youngs, Tim.
  809.9’3355
US Library of Congress Cataloging in Publication Data
Perspectives on Travel Writing / edited by Glenn Hooper and Tim Youngs.
    p. cm. – (Studies in European Cultural Transition)
  Includes bibliographical references and index.
  1. Travel writing. 2. Travel in literature. 3. Travelers’ writings, European. I. 
  Hooper, Glenn 1959– . II. Youngs, Tim. III. Series.
  G151.P485 2003
  208’.06691–dc21    2003056044
ISBN 9780754603665(hbk)
Contents
Notes on Contributors  vii
List of Illustrations  ix
General Editors’ Preface  x
1  Introduction  1
  Glenn Hooper and Tim Youngs
2  Defining Travel: On the Travel Book, Travel Writing and Terminology  13
  Jan Borm
3  ‘As mannerly and civill as any of Europe’: Early Modern Travel 
  Writing and the Exploration of the English Self  27
  Helga Quadflieg
4  ‘Not absolutely a native, nor entirely a stranger’: The Journeys of 
  Anne Grant  41
  Betty Hagglund
5  The Saxon in Ireland: John Hervey Ashworth on the Emigrant Trail  55
  Glenn Hooper
6  Animals as Figures of Otherness in Travel Narratives of Brittany, 
  1840–1895  71
  Jean-Yves Le Disez 
7  ‘The Silent Language of the Face’: The Perception of Indigenous 
  Difference in Travel Writing about the Caribbean  85
  Peter Hulme 
8  Night Train to Belo Horizonte: South American Travels  99
  Erdmute Wenzel White
9  Between Gender and Genre: The Travels of Estella Canziani  121
  Loredana Polezzi 
10  Varieties of Nostalgia in Contemporary Travel Writing  139
  Patrick Holland and Graham Huggan
11  Mediaeval Travel in Postcolonial Times: Amitav Ghosh’s 
  In an Antique Land  153
  Padmini Mongia
12  Where Are We Going? Cross-border Approaches to Travel Writing  167
  Tim Youngs
vi  CONTENTS
Select Bibliography  181
Index     193
Notes on Contributors
Jan Borm teaches English at the University of Versailles Saint-Quentin-en-
Yvelines. He is co-editor (with Matthew Graves) of Bruce Chatwin’s posthumous 
collection, Anatomy of Restlessness (London: Picador, 1997), and (with Jean-Yves 
Le Disez) of Seuils et Traverses: Enjeux de l’écriture du voyage, 2 vols (Brest 
and Versailles: Université de Bretagne Occidentale and Université de Versailles-
Saint-Quentin-en-Yvelines, 2002). He has published numerous essays on British 
travel writing.
Helga Quadflieg has taught English Literature at the universities of Passau, Berlin, 
and Würzburg, and is presently acting Professor at the Pädagogische Hochschule 
Weingarten. She has published extensively on the short story, modern tourism, film, 
and multi-culturalism, and is currently completing two projects: a study of Tudor 
travel writing, and an introduction to the analysis of poetry. 
Betty Hagglund is a Lecturer at the University of Birmingham. She has published 
essays on generic aspects of travel writing, imaginary voyages, travel writing and the 
eighteenth-century periodical press and on a variety of eighteenth- and nineteenth-
century women travellers. She is currently editing the diaries of Mary and Martha 
Russell, two young British women who were captured by the French Navy during 
the Revolutionary Wars. She is Vice-President of the International Society for Travel 
Writing and co-edits the Society’s newsletter, Snapshot Traveller.
Glenn Hooper is a Lecturer in the Department of English, Mary Immaculate 
College, University of Limerick. He is editor of The Tourist’s Gaze: Travellers to 
Ireland, 1800–2000 (Cork: Cork University Press, 2001), and Harriet Martineau’s 
Letters from Ireland (Dublin: Irish Academic Press, 2001), and co-editor of Irish and 
Postcolonial Writing (Basingstoke: Palgrave, 2002), and Ireland in the Nineteenth 
Century: Regional Identity (Dublin: Four Courts, 2000). 
Jean-Yves Le Disez lectures (in Literature in English and Translation Studies) 
at the University of Western Brittany, Brest, France. He is the author of Étrange 
Bretagne (Rennes: P.U.R, 2002). He is also a translator, notably of travel writing 
(Philip Glazebrook’s Journey to Kars, Lawrence Millman’s Last Places) and the 
founder and editor of hopala!—débats de bretagne et d’ailleurs, a Breton cultural 
magazine.
Peter Hulme is Professor in Literature at the University of Essex. His most recent 
books are Remnants of Conquest: The Island Caribs and their Visitors, 1877–1998 
(Oxford: Oxford University Press, 2000), the co-edited (with William Sherman) 
‘The Tempest’ and Its Travels (London: Reaktion Books, 2000), and the co-
edited (with Tim Youngs) Cambridge Companion to Travel Writing (Cambridge:
viii  NOTES ON CONTRIBUTORS
Cambridge University Press, 2002). His current research relates to questions of 
history and fiction in the Caribbean.
Erdmute Wenzel White has taught at the University of Hamburg, and is currently 
an Associate Professor of French and Comparative Literature at Purdue University. 
She has published widely on poetry, music and modern dance, and her recent book 
is entitled The Magic Bishop: Hugo Ball, Dada Poet (Camden: Camden House, 
1998).
Loredana Polezzi lectures in Italian Studies at the University of Warwick. Her 
research work concentrates on the genre and history of travel writing, and she has 
published on the subject in Italy and Britain. She is co-editor of Fuzzy Boundaries? 
Reflections on Modern Languages and the Humanities (London: CILT, 2001), and 
author of Translating Travel (Aldershot: Ashgate, 2001). 
Patrick Holland teaches theory, nineteenth-century studies, and travel writing at 
the University of Guelph. With Graham Huggan, he is writing a study of travel 
writing in the age of globalization, and is also working on a book about the cult 
of Caravaggio.
Graham Huggan has a Chair in Postcolonialism at the University of Leeds. 
Previous publications include Territorial Disputes (Toronto: University of Toronto 
Press, 1994), Peter Carey (Oxford: Oxford University Press, 1996), Tourists with 
Typewriters, with Patrick Holland (Ann Arbor: University of Michigan Press, 1998), 
and The Postcolonial Exotic (London: Routledge, 2001). He is currently working 
with Patrick Holland on a ‘sequel’ to Tourists with Typewriters, and with Helen 
Tiffin on a book about postcolonialism, animals and the environment. 
Padmini Mongia teaches literature in English at Franklin & Marshall College, 
USA. She has published on postcolonial and modern writing, and is editor of 
Contemporary Postcolonial Theory: A Reader (London: Arnold, 1996). She is 
currently working on a book entitled Indo Chic: Marketing English India. 
Tim Youngs is Professor in English and Travel Studies at The Nottingham Trent 
University. He is founding editor of the journal Studies in Travel Writing, the author 
of Travellers in Africa: British Travelogues, 1850–1900 (Manchester: Manchester 
University Press, 1994) and editor of Writing and Race (Harlow: Longman, 1997). 
He is co-editor with Peter Hulme of The Cambridge Companion to Travel Writing 
(Cambridge: Cambridge University Press, 2002).
List of Illustrations
1.  Protestant Missionary Settlement, Isle of Achill. Courtesy of the   62
  National Library of Ireland.
2.  Descendants of El Cobre Indians. From William S. Bryan, ed.,   88
  Our Islands and Their People as seen with Camera and Pencil, 
  2 vols (St Louis: N. D. Thompson Publishing Co., 1899), vol. 1, 
  p. 239.
3.  Lisbon in the Time of the Voyages of Discoveries. Engraving (1592).  101
4.  Brazil. Early maritime map. From Martin Waldseemüller   103
  (1470–1521), Cosmographiae introductio cum quibusdam 
  geometriae ac astronomiae principiis ad eam rem necessariis … 
  (Saint-Dié, 1507).
5.  Flying fish. Engraving, sixteenth century. From Carlos Malheiro Dias,   112
  ed., História da colonização portuguesa do Brasil. Vol. II (Porto: 
  Litografia Nacional, 1923), p. 120.
6.  Canindé (ara ararauna, Linnaeus, 1758). Albert Eckhout, Pássaros   119
  do Brasil (Rio de Janeiro, 1970). Original size: 90 × 90 cm. The 
  editors and author thank Agir Editôra Ltda, Rio de Janeiro, Brazil, 
  for permission to reproduce this image.
7.  Jubilee: Invitation card, 25th anniversary celebrations of the   120
  foundation of Pau Brasil. Private collection.
8.  Estella Canziani, Return from the Mountains, watercolour and   130
  gouache on paper laid down on board, 203 mm × 150 mm, 
  Birmingham Museums and Art Gallery (as published in Piedmont, 
  facing p. 6).
9.  Estella Canziani, Gold Jewellery, pencil, watercolour and gouache on   134
  blue paper, 126 mm × 177 mm, Birmingham Museums and Art 
  Gallery (as published in Through the Apennines and the Lands of the 
Abruzzi, facing p. 100).