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Performing Femininity: Woman as Performer in Early Russian Cinema (KINO – The Russian and Soviet Cinema) PDF

306 Pages·2016·21 MB·English
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by Rachel Morley| 2016| 306 pages| 21| English

About Performing Femininity: Woman as Performer in Early Russian Cinema (KINO – The Russian and Soviet Cinema)

Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov’s Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky’s The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language. and “

Detailed Information

Author:Rachel Morley
Publication Year:2016
ISBN:9781784531591
Pages:306
Language:English
File Size:21
Format:PDF
Price:FREE
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