Table Of Content

Patterns in Music: scales, arpeggios, & the like bass clef Instruments How to have great tone quality (wind players)      Posture: Breathing: - stand (or sit) 'tall' - Inhale Naturally & in time - chest high - Keep shoulders down - keep your shoulders - allow your gut to expand down & back - Expel air quickly using a "tu" articulation Embouchure: - Focus the direction of your - Keep corners of your mouth airstream firm, but not tight - Imagine air moving quickly - lips should be flexible & all the way through the controlled (not tight or loose) instrument & out the bell - Keep embouchure forward (as (or tone holes) though you were saying 'who') - Keep Chin 'flat' Range: - Generally, keep the inside of your - When playing higher notes, mouth open to create resonance move air much faster through the instrument Articulation: - Raise the back of the tongue - Use the tip of the tongue on to help increase air speed the tip of the reed (WW) - Every time you go an octave higher, - Use the tip of the tongue on your air speed must double the front gumline (brass) Volume: Tuning: - When playing louder, lower your - Listen to lowest instrument in tongue in your mouth to allow the group for tuning for greater airflow - When flat, push in - Imagine your air in relation to: - When sharp, pull out a garden hose vs. a fire hose - If you're not sure what to do, slowly (same speed, different volume) bend the pitch until the beads go away, then adjust your instrument Playing your instrument is more enjoyable when you have great tone quality. tuning issues tend to go away quickly too! Enjoy! Warm-up: Slurs                                                                                                                                                                                             Chromatic Scales Concert Bb                           Concert F                            Bass Instruments Warm-Up: Range Expansion Vincent Chicowitz - Keep embouchure FIRM, but not TIGHT. - There should be no tension in your body while playing. - Take a full breath for each exercise. - Move air FASTER to play higher. #1                   #2                       #3                         #4                         #5                             #6                                 #7                                     #8                             #9                                        Bass Instruments Warm-up: Articulation #1A: Single Tonguing                                             #1B: Triple Tonguing 3 3 3 3 3 3                                                         3 3 3 3 3 3 #1C: Double Tonguing                                                                     #2: Staccato                                                                                                                                                                                                                      #3: Legato                                                                                               #4: Fanfare                                                              Bass Instruments Major Scales Concert Bb                              Concert Eb                              Concert Ab                              Concert Db                              Concert gb                             Concert B                              Concert E                              Concert A                              Concert D                              Concert g                              Concert C                              Concert F                             Bass Instruments Natural Minor Scales Concert G                              Concert C                              Concert F                             Concert Bb                              Concert Eb                              Concert G#                              Concert C#                              Concert F#                             Concert B                              Concert E                              Concert A                              Concert D                              Bass Instruments Major Thirds Concert Bb                                Concert Eb                                Concert Ab                                Concert Db                                Concert Gb                               Concert B                                Concert E                                Concert A                                Concert D                                Concert G                                Concert C                                Concert F                               Bass Instruments minor thirds Concert G                                Concert C                                Concert F                               Concert Bb                                Concert Eb                                Concert G#                                Concert C#                                Concert F#                               Concert B                                Concert E                                Concert A                                Concert D                                Bass Instruments Clarke Studies: Major Herbert L. Clarke Concert Bb                                                                     Concert Eb                                                                        Concert Ab                                                                     Concert Db                                    Concert Gb                                    Concert B                                                                     Concert E                                    Concert A                                                                     Concert D                                                                     Concert G                                                                     Concert C                                                                     Concert F                                    Bass Instruments

Description:
Patterns in Music: scales, arpeggios, & the like bass clef. Instruments a garden hose vs. a fire hose. (same speed, different volume). Range:.
ebook img

Patterns in Music: bass clef PDF

16 Pages·2011·0.31 MB·English
by  
Save to my drive
Quick download
Download

Download Patterns in Music: bass clef PDF Free - Full Version

by Unknow| 2011| 16 pages| 0.31| English

Download Patterns in Music: bass clef by in PDF format completely FREE. No registration required, no payment needed. Get instant access to this valuable resource on PDFdrive.to!

Free Download PDF

About Patterns in Music: bass clef

Patterns in Music: scales, arpeggios, & the like bass clef. Instruments a garden hose vs. a fire hose. (same speed, different volume). Range:.

Detailed Information

Author:Unknown
Publication Year:2011
Pages:16
Language:English
File Size:0.31
Format:PDF
Price:FREE
Download Free PDF

Safe & Secure Download - No registration required

Why Choose PDFdrive for Your Free Patterns in Music: bass clef Download?

  • 100% Free: No hidden fees or subscriptions required for one book every day.
  • No Registration: Immediate access is available without creating accounts for one book every day.
  • Safe and Secure: Clean downloads without malware or viruses
  • Multiple Formats: PDF, MOBI, Mpub,... optimized for all devices
  • Educational Resource: Supporting knowledge sharing and learning

Free Books Similar to Patterns in Music: bass clef

Frequently Asked Questions

Is it really free to download Patterns in Music: bass clef PDF?

Yes, on https://PDFdrive.to you can download Patterns in Music: bass clef by completely free. We don't require any payment, subscription, or registration to access this PDF file. For 3 books every day.

How can I read Patterns in Music: bass clef on my mobile device?

After downloading Patterns in Music: bass clef PDF, you can open it with any PDF reader app on your phone or tablet. We recommend using Adobe Acrobat Reader, Apple Books, or Google Play Books for the best reading experience.

Is this the full version of Patterns in Music: bass clef?

Yes, this is the complete PDF version of Patterns in Music: bass clef by Unknow. You will be able to read the entire content as in the printed version without missing any pages.

Is it legal to download Patterns in Music: bass clef PDF for free?

https://PDFdrive.to provides links to free educational resources available online. We do not store any files on our servers. Please be aware of copyright laws in your country before downloading.

The materials shared are intended for research, educational, and personal use in accordance with fair use principles.

We use cookies

We use cookies to ensure you get the best browsing experience on our website. By clicking "Accept Cookies", you agree that we can store cookies on your device in accordance with our Terms and Privacy.