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About Osmin’s Rage: Philosophical Reflections on Opera, Drama, and Text
In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical-as opposed to a dramatic-necessity for opera during this period and that Mozart’s Idomeneo is properly enjoyed and judged only when listeners are attuned to its seventeenth and eighteenth-century forebears.
Detailed Information
| Author: | Peter Kivy |
|---|---|
| Publication Year: | 1988 |
| ISBN: | 9780801485893 |
| Pages: | 329 |
| Language: | English |
| File Size: | 16 |
| Format: | |
| Price: | FREE |
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