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About Opera at the Bandstand
In Opera at the Bandstand Then and Now George W Martin surveys the role of concert bands during the nineteenth and early twentieth centuries in making contemporary opera popular He also chronicles how in part they lost their audience in the second half of the twentieth century by abandoning operatic repertory Martin begins with the Dodworth bands in New York City from the 1850s and moves to the American tour of French conductor and composer Louis Antoine Jullien bandmaster Patrick S Gilmore s jubilee festivals the era of John Philip Sousa from 1892 to 1932 performances of the Goldman Band of New York City from 1920 to 2005 and finally the wind ensembles sparked by Frederick Fennell He illustrates the degree to which operatic material comprised these bands overall repertory and provides detailed programs in the appendixes Opera at the Bandstand describes how the technological advancements sweeping the country such as radio automobiles recordings television and air conditioning along with changes in demographics affected the country s musical life It will appeal to bandmasters and their players as well as those with an interest in American history music popular culture and opera
Detailed Information
| Author: | George W. Martin |
|---|---|
| Publication Year: | 2013 |
| ISBN: | 9780810888548 |
| Pages: | 291 |
| Language: | English |
| File Size: | 5.1 |
| Format: | |
| Price: | FREE |
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