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About Od seljastva do covjecanstva
This book examines the gradual processes of recontextualizing folklorizing heritagizing and choreographing dance inMacedonia Serbia and Croatia and in the Former Yugoslaviain more general terms In order to demonstrate how dancebecomes intangible cultural heritage the author combinesUNESCO archival materials with ethnographic research andinterviews with dancers choreographers and heritage experts While he traces how the discourses around folklore and intangiblecultural heritage were used in the construction of theYugoslav and later in the post Yugoslav nation states he alsowrites about the hegemonic relationship between dance andinstitutions Dance is emphasized as a vehicle for mediating ideasaround authenticity distinctiveness and national identity whilealso acknowledging how the UNESCO process of safeguardingand listing culture allows countries such as Macedonia Serbia and Croatia to achieve international recognition By studyingthe relationship between dance archives and UNESCO conventions we can understand the intersection between institutionsand issues around nationalism but also how discourses of danceshifted dance production and reception in various historical andpolitical contexts during and after the existence of the Yugoslav state In the first chapter the author explores the creation of thefolkloric discourse and the processes of constructing nationalarchives based on fears of disappearing culture amidst of modernization He also elaborates on the institutionalization of dancethrough folklore research and the emergence of specific methodsof study that conceptualized social dances as of nationalimportance In the second chapter he discusses the transformationof the archive into a choreographed repertoire that depictsissues around authenticity exoticism and stylization He showsthe development of amateur and professional dance ensemblesthat were responsible for popularizing dance as heritage andfurther demonstrates how heritage is safeguarded through performance Finally in the third chapter the author uncovers thebureaucratic process through which dance becomes intangiblecultural heritage He demonstrates how through the process ofheritagization dance becomes both a commodity and a mediumthrough which post Yugoslav nation states can market their culturesin a global arena and affirm their national identities
Detailed Information
| Author: | Filip Petkovski |
|---|---|
| Publication Year: | 2023 |
| ISBN: | 9789538518027 |
| Pages: | 262 |
| Language: | Croatian |
| File Size: | 9.4 |
| Format: | |
| Price: | FREE |
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