Table Of Content

Alfredo Votta Meditações Meditations para piano for piano op.7 1999 (cid:1) (cid:2) MEDITAÇÕES para piano solo compostas em 1999 Estréia da integral: Ross Carey (piano), 14 de Fevereiro de 2008. Instituto Francês da Indonésia (Lembaga Indonesia Perancis), Yogyakarta, Java, Indonésia. Segundo concerto: Ross Carey, 20 de Fevereiro de 2008. Teatro Utan Kayu, Jakarta, Indonésia. Estréias parciais: nº2, pelo autor. 7 de Julho de 2001. Sala Glória Rocha, Jundiaí, SP. nº4, pelo autor. 30 de Abril de 2002. Instituto de Artes da Unicamp. nºs 1, 3 e 5, pelo autor. 2002. Instituto de Artes da Unicamp. (cid:2) MEDITAÇÕES [MEDITATIONS] for solo piano composed in 1999 Premiere: Ross Carey (piano), February 14th, 2008. French Institute of Indonesia (Lembaga Indonesia Perancis), Yogyakarta, Java, Indonesia. Second concert: Ross Carey, February 20th, 2008. Utan Kayu Theater, Jakarta, Indonesia. Partial premieres: #2, by the composer. July 7th, 2001. Sala Glória Rocha, Jundiaí, Brazil. #4, by the composer. April 30th, 2002. State University of Campinas, Brazil. #1, #3 and #5, by the composer. 2002. State University of Campinas, Brazil. (cid:2) As MEDITAÇÕES são compostas de cinco peças. Podem ser tocadas juntas ou separadamente. Ao se tocar mais de uma observe-se a ordem. Esta edição foi feita pelo compositor em Janeiro de 2008. As únicas diferenças em relação à primeira edição são alguns detalhes de dinâmica e novas indicações de tempo na Meditação nº2. (cid:2) The MEDITATIONS comprise five piano pieces. They can be played separately or as a suite. When more than one is played, let the order be followed. This edition was prepared by the composer in January 2008. It’s different from the first edition in that a few dynamic marks have been changed and new tempo marks have been provided for the second meditation. Alfredo Votta www.alvotta.net [email protected] ilustração: fromoldbooks.org illustration: fromoldbooks.org I e = ca.104             mf cresc. f mf sf                        9   ritard.                            mf mp f cresc. ff mp pp dim.                         2 Alfredo Votta Meditações op.7 www.alvotta.net II h = ca.66                mp legato                ped. simile     6           mp              pedal em cada acorde pedal on each chord um pouco mais devagar, máximo q = 66 14  a bit slower, maximum q = 66                  mf dim. ppp                            Tempo I  23              mf mp              ped. simile     28       mp mf             pedal em cada acorde pedal on each chord Alfredo Votta Meditações op.7 www.alvotta.net 3 um pouco mais devagar 34 a bit slower         mf dim.                   41  Tempo I                mp ppp                       ped. simile    49            mf                55          mp              61              mp              4 Alfredo Votta Meditações op.7 www.alvotta.net  67                             73           mf                 79                       85               poco rit.  a tempo mf              duas vezes mais devagar twice as slow 90                  f dim. ppp                          Alfredo Votta Meditações op.7 www.alvotta.net 5 III h = ca.80                                            mp poco a poco dim.     a tempo 6   h = ca.72                              ritardando ppp p       10 dim. rit.                           13 Muito lento (very slow)                     pp pp a tempo pp                         pedal em cada acorde pedal on each chord  não ralentar 16 don't slow down                                                    p dim. ppp 6 Alfredo Votta Meditações op.7 www.alvotta.net IV q = ca.80                  p p                                ped. simile    ped. simile   10                      p p  p cresc.                               ped. simile       19                                              mp mp                         sem pedal sem pedal without pedal   without pedal   29                                        mp                        ped. ad libitum    Alfredo Votta Meditações op.7 www.alvotta.net 7 38                              p                          ped. simile  iluminar as apojaturas 46 accel. rit. highlight the appoggiature                               mp                                ped. simile     55 accel. rit. accel. rit.                          mp                                       63 accel. rit.                     p       p                           ped. simile 72                              mp    mp                  8 Alfredo Votta Meditações op.7 www.alvotta.net   80                                                     87                       mp mp                                96                          p                      pedal em cada acorde   pedal on each chord 104 rall.                    pp pp pppp                    V h = ca.50                mp legato              ped. simile  

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