Table Of Content

Artefacts Studies in the History of Science and Technology Band 8 Frode Weium, Tim Boon (Hrsg.) Material Culture and Electronic Sound Inhaltsverzeichnis Series Preface by Martin Collins Foreword by Brian Eno Introduction by Tim Boon and Frode Weium Chapter 1: Aleksander Kolkowski and Alison Rabinovici Bellowphones and Blowed Strings: The Auxeto-Instruments of Horace Short and Charles Algernon Parsons Chapter 2: Katy Price Artifacts in Performance Chapter 3: Frode Weium Technology and Authenticity: The Reception of the Hammond Organ in Norway Chapter 4: Sarah Angliss Mimics, Menaces, or New Musical Horizons? Musicians’ Attitudes toward the First Commercial Drum Machines and Samplers Chapter 5: Ragnhild Brøvig-Hanssen The Magnetic Tape Recorder. Recording Aesthetics in the New Era of Schizophonia Chapter 6: Sean Williams Stockhausen Meets King Tubby's: The Transformation of the Stepped Filter into a Musical Instrument Chapter 7: Mick Grierson, Tim Boon The Oramics Machine and the Origins of British Electronic and Computer Music Chapter 8: Telley Kvifte Musical Instruments and User Interfaces in Two Centuries Chapter 9: Peter Donhauser Austrian Pioneers of Electronic Musical Instruments Chapter 10: David Toop New and Rediscovered Musical Instruments Rediscovered Artefacts Music Reading List Index About the Contributors

Material Culture and Electronic Sound PDF

307 Pages·2014·30.207 MB·English

by Frode Weium, Tim Boon, Martin Collins

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by Frode Weium, Tim Boon, Martin Collins| 2014| 307 pages| 30.207| English

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Author:	Frode Weium, Tim Boon, Martin Collins
Publication Year:	2014
Pages:	307
Language:	English
File Size:	30.207
Format:	PDF
Price:	FREE

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