Letteratura e Pittura dal Verismo alla Scuola Metafisica

291 Pages·2012·14.94 MB·Italian

by  Lodovica Guidarelli

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1 Mi riferisco soprattutto a Gabriele d’Annunzio e al suo interesse per la figura di
Leonardo da Vinci, così come ai Futuristi, e al loro progetto di “rinascita” delle arti.
2 La letteratura critica relativa al rapporto tra le arti e la letteratura italiana di fine
Ottocento e dei primi del Novecento si concentra, per lo più, sulle singole coppie di
scrittori e pittori qui presi complessivamente in considerazione. Cfr. Irene ;.+6.*(&-’?#
!"#$%&%&’(#")*"?#A’&%07%M#G.,.#N)’-&’*%#H%#H%--%&%?#KOOPQ#A&.0*(#R’#C’7’(?#+,-)).)*(/&"&
0(12"33(4&5%&6"#(37&8.(&5/#/&#%99/#3(?#G.,("’#SG>’%-’TM#=9#!.0’%&’?#LUULQ#B.(".#F(&8%?#
:/$)/&;(&.)%&8"#%&;,"83%3"4&;,-)).)*(/&"&(5&1")%1/5/&<(12"33(%)/?#@"-’0(#SG>’%-’TM#!.0’%&’#
N)’-(&%?#LUUPQ#E’.0*. #C.+.,,’.#=.77.&(--(? #="&%#3(&>($.#%3(6"&)"55,%#3"&;(&?%@#("5"&
;,-)).)*(/9#=’".0(M#A&.-%""’#E(**.#N)’-(&’?#KOPOQ #+,-)).)*(/&5%&<.8(1%&"&5"&%#3(&
>($.#%3(6"?#;.&)(0%#V’4’%&.M#A(0).7’(0%#)%"#<’--(&’."%#)%8"’#!-."’.0’?#W5.)%&0’#)%"#
<’--(&’."%?#XPYXZ?#KO[LQ#Maurizio Fagiolo dell’Arco, The Dioscuri: Giorgio de Chirico
and Alberto Savinio in Paris, 1924-1931, Milano: A. Mondadori: Edizioni P. Daverio,
1987; \%.".#].0%#]%^%""?#A2"&-#3&/>&B)($<%4&32"&+"&C2(#(1/&D#/32"#8&E&32"&F/5(3(18&/>&
2
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$,&,(#%"$,(#+"/)#$(0"0(/(7#L&#$(0"0(/(&#)#!4(1)0,(,G#1(#5.)$,(#1.)#,)*/(0(#-()0)#
%*"3*)$$(-&/)0,)#/)$$&#(0#1($+.$$("0)#0)!!&#$)+"01&#/),G#1)!!4J,,"+)0,"=#$"%*&,,.,,"#+"0#
!4)/)*3)*)#)#(!#1(22"01)*$(#1)!!&#2(!"$"2(&#%"$(,(-($,&#1(#>.3.$,)#E"/,)7M#8!#@"$(,(-($/"#
!"#$%&’()=#B0(-)*$(,N#@&*O=#@&7P#@)00$N!-&0(&#D,&,)#B0(-)*$(,N#@*)$$=#QRRMS#Gerd Roos,
Giorgio de Chirico e Alberto Savinio: ricordi e documenti: Monaco, Milano, Firenze
1906-1911, Bora/Bologna, 1999.
3 Il sistema di pensiero di Georg Wilhelm Friedrich Hegel, concentrato soprattutto, ma
non esclusivamente, nell’insieme degli scritti pubblicati tra il 1806 e il 1830
(Fenomenolgia dello spirito, Scienza della logica, e Enciclopedia delle scienze filosofiche
in compendio), ha profondamente influito sullo sviluppo delle arti dell'Ottocento. Per un
inquadramento dell’influenza di Hegel sullo sviluppo dell’estetica dell’Ottocento cfr.
almeno >01*)T#C"T()=#*$(+,$+’-(./&#.0123$-+’4’+5.6%").7/&+.+".8’$+9(-,$=#Q017#)17=#
;&0+<)$,)*P#;&0+<)$,)*#B0(-)*$(,N#@*)$$=#QRRKS#;"0*")#E7#C)&*1$!)N=#*$(+,$+’-(.6%").
:;/((’-/;.<%$$-$.+".+,$.=%$($&+>.U)T#V"*OP#A<)#;&+/(!!&0#E"/%&0NS#L"01"0P#E"!!()*W
;&+/(!!&0#L,17=#XYZZ7#Per un inquadramento storico della filosofia di Hegel cfr.#?*)1)*(+O#
E7#C)($)*=#&#+.*&#1(=#?,$.:/)2%’#@$.:")A/&’"&.+".B$@$;>.#E&/6*(13)P#E&/6*(13)#
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4 Auguste Comte, Cours de philosophie positive, Paris: Paris: Hermann, 2 vols., 1975. Per
3
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un inquadramento dell’influenza del Positivismo sull' arte cfr. cfr. Nicola Abbagnano,
Storia della filosofia. La filosofia moderna e contemporanea: dal Romanticismo
all’Esistenzialismo, cit., pp. 281-333; M#)4#-’D6’C-%4/!+-I&’!"#$%"$&’#()*+,(-./##&’/.(
0*""’"($+($%"(1*"#"2$3(1($6’
5 Alberto Abruzzese, Giorgio Tinazzi, e Marina Zancan, a cura di, Cinema e letteratura
4
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$1#*-*++01#$’(*"’.-!,,&’,*-’"0’+!0’7*-+0#$"$#8’1*"’20%,&’0-#$+#$2&3’"*##*-0-$&3’*’#*&-$2&9’@0’
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del neorealismo, Venezia: Marsilio Editori, 1983; Gian Piero Brunetta, Storia del cinema
italiano, Roma: Editori riuniti, 2001; E-012*+2&’P0""!55$3’%&+#-0’*’20#0"&.&’0’2!-0’($3’/!,
0)*"1#,$"),2)((+%)3,4",#%(),",)!,0)*"1#,)(#!)#*+,5678956:8;,:0+#$."$&12*""&3’:*1#-&’,*-’
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*($#&-*3’IKKJ9
6 Ettore Spalletti, Gli anni del Caffè Michelangelo (1848-1861), Firenze: De Luca
Edizioni d’Arte; Roma: Leonardo Editore, 1989; Da Courbet a Fattori. I princìpi del
vero, :0+#$."$&12*""&3’:*1#-&’,*-’"O0-#*’L$*.&’A0-#*""$’Q’:0+#*""&’<0+)!$1$3’FD’"!."$&’Q’F’
1&7*%N-*’IKKH3’A$"01&V’MW$-0’X($#&-*3’IKKH9
7 Alberto Maria Fortuna, a cura di, Gazzettino delle arti del disegno, Firenze: L. Gonnelli
& Figli Editore, 1968.
5
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