Table Of ContentLatMea rxism
LatMea rxism
Adornoor,,
TheP ersistence
oft hDei alectic
•
FREDRIJCA MESON
VERSO
Londo· nN ewYork
Firpsutb libsyVh eerd1s 9o9 0
©FredrJiacm es1o9n9 0
Alrli ghrtess erved
Verso
UK:6 M earSdt reLeotn,d oWn1 V3 HR
USA:2 9W est3 5tSht reNeetw, Y orkN,Y 10001-2291
Versiost hiem prionfNt e wL eftB ooks
BritiLsihb raCrayt alogiuniP nugb licaDtaitoan
JamesoFnr,e dric
LatMea rxismA:d ornoor,t, h pee rsistoeftn hcdeei alectic.
r.G ermapnh ilosoApdhoyr.n Toh,e odoWr.( Theodor
Wiesengru1n9d0)3,- 1969
I.T itle
193
ISBNo- 86c9I-270-1
ISBNo -86091-p9b8k1 -1
USL ibraorfCy o ngreCsast aloging-in-PDuabtlai cation
JamesoFnr,e dric.
LatMea rxisAmd:o rnoor,t, h pee rsistoeft nhcdeei alectic/
FredrJiacm eson.
p. em.
Inclubdiebsl iograrpehfiecraeln ces.
Incluidnedse x.
ISBNo -86c91--27IoS-BrNo. -86091-p9b8k.1 )- 1
r.A dornoT,h eodWo.r, 1 903-19I6.9Ti de.
BV4 526.2.1]93950
19J-dC20
TypesienGt a ramonbdyB PI ntegrapBhaitchAs,v, o n
Printientd h eU .S.bAy.T heA lpiPnre eIsnsc .
For
PeArnryd erson
Contnets
A Noteo nE ditiaonndTs r anslations lX
INTRODUCTION Adorniont hSet reoafmT ime I
PART I BaleEfnuclh antmoefnt thCseo ncept
I IdentaintdAy n ti-Identity I5 •
2 Dialecatnidtc hsEe x trinsic 25
3 Sociolaongdty h Peh ilosopChoinccaelp t 35
4 TheU seasn dM isusoefCs u lture Critique 43
5 BenjamainndC onstellations 49
6 Models 59
7 SentenacnedMs i mesis 63
8 Kanatn dN egatDiivael ectics 73
9 TheF reedMoomd el 77
IoT heH istoMroyd el 88
IIN aturHails tory 94
I2T heM etaphyMs0idcesl III
Vlil CONI'ENTS
PART II Parable Ooarfs mtehne
r Biatso wartdhsOe b jective 123
2T heG uiolftA rt 172
3V icissiotfCu udletsuo rnte h Lee ft 139
145
4 MasCsu ltuarsBe i Bgu siness
5 TheC ultuIrned usatsNr ya rrative 151
PART IIIP roductiovfi ttihees Monad
r Nominalism 175
2 TheC risoifSs c hein 165
177
3R eification
r82
4 TheM onaads a nO penC losure
5 ForcoefPs r oduction !89
6R elatioofPn rso duction 179
7 TheS ubject, Language 202
8N ature 212
9T ruth-ConatnedPn otl itAircta l 220
C 0 N C ULS I 0 NS Adorniont hPeo stmodern 272
Notes
Index
A Noteo nE ditions
and Tranlsations
Ih avhee roef treent ransqluaottfeerdso Amd ornsow orkasf re(swhi thout
•
speciinfidci caTthieoa nv)a.i lable tarrauenn selvaettnois, oa nys l tehaes t;
E.F.NJ.e phcotMtins'ism Mao raliaan,dm orer ecentRloyd,n ey
LivingstIonnS eea'rcsh o fWag ner,a ree legaAnntg lo-EngJloihsnh ;
CummingD'sia leocEftn ilci ghhtas aen smtrenotnGg eerr maanc cent,
whicIhf oro nem uswte lcosmei nIcb eel iewviet,Ph a nnwitthzat,th e
translsahtooural ldl o'wh ilsa ngutaogb ee p owerfualffleyc tbeydt he
foretiognng .u.e.[ ansdh ouelxdpa]an ndd d eepheinls a ngubaygm eean s
oft hfeo reliagnng uaIgnpe an'i.c'u lAadro,r nos'esn tentcrteyos r ecover
thei ntribcoautnsedpl ayft rieaeldo ofLm a tindaetcel enosbijoentc,h tast
grandplrye cseudb<.ej..e ""atnsda, p iya o fg enderneodu ntsh atth mein d
scanbsym eanosf t hea prpopriatelym odifireedl atCihvieas.m uhse re
becomtheess t ructeurcalhb oy o nep ano ft hes enteoncfae n other,
distiannt ti maen ds pacaen;dt her esuolftt h esien teronpaelr ations
ist hec losuorfte h ea phoriistms edleffi;n ityievtaef ,or thriagchttth at
passoens,n oti ntsoi lenbcueti, n toot hearc tasn dg estuArdeosr.n o
shoutlhde bnet hoec casoiffo onr gaip nog werfunleGw e rmanisce ntence
structiunEr neg liasnhdt; h iissw hyI m ust find altogemtihguseird ed
thes tratoefgC yh ristLieannh artdhteE, ngtlriansshlo afAt oesrth etic
Theory wbrheakos u ps entenancdep sara grapanhds produac leist erate
andr espectBarbiltteie sxhwt h ich caIn n o longeevren r ecogn(ibzuer
seeo nt hish iesx chawnigteBh o bH ulm-Kentor}.
Thusu,n ofrtunattehliwysh, o lmeo numentuanld ertawkiilnhlga ve
tob ed onea gaisno,m ethtihnagmt u sta lsboe s aifdo Er. BA.s hton's
evemno reu nofrtunvaetres ioofNn eg atiDiavel ectwicsh,e rteh emo st
bastiecr masr mei srendered,w hmoaplkaseisn agegs( whaircael hr eady
difficuelnto ugatht hbee sotft imeaslo)gte theri ncompreheRnesaibdleer.s
IX
X A NOTE ONE DITIONSA ND TRANSLATIONS
obligteodg oo n usignt hivse rsisohno ulmda kea notoef t he most
urgent hToawulsecrlrversh:d.'is il ntp naniicsu lnaort' banerb'u rs imply
'exchasnygSteem ' (vermyu cha si n' exchanvgaleu e'V)erm:i ttluinsg
scarcely 'transmibsusitwo inbl'el a garienc oganst ihewz eallb-lkneo wn
'mediat(ioann'n do tthea tm ittelabnardu nmitt-enlobramarl ly
'mediaatnedd' 'i mmedi-aartee h'e rfere quently 'indiraencd't d'i rect'
fosrom e reaso);nA nsc hauung isfi,n allnyo,r' visuabluitit ysc'o nven
tionarlenldyer ed,s incteh ev ery firsKtant translasa 'tiinotnuist,i on'.
Thefi rsgtr ouopft heesrreor (sa lownigt thh esig nificantb utin compre
hensiebxlcei soifot nh en ameo fK arlK orsactoh n ep oinmti)g hlte ad
ap aranotiobd e litehvaett h itsr anslaatiimoepnd r eciastep lryo ducing
ap osatn-dn on-MarAxdiostr n'of ooru rt imet'h;te h irhdo,w evecro,u ld
onliym play c ompletien noceofnt th eph ilosophical tradiSttiiaUlo ln,.
thter anslasttiroinoksce c asisopnaarlk asn,dI a m fortunianht aev ing
hadt heam ltlor eloyn .
Page refetrote hnemc oessft r equeqnutoltyew do rkasr gei vewni thin
thet exfitr,s tto t heG ermana,n dt hetno t heE nglivsehr,s i(oenvse n
wherteh el atthearsn otb eeuns eda)n,dd esignbaytt ehde following
abbreviations:
AT AesthetThieco rGiesea,m meSlcther iftveonl7,.( FrankfSuurhtr:
kamp1,9 70)
AestheThteiocryt r,a nCshlr.i stLieannh ar(dLto ndoRKnP:, 1984)
DA Diatliederk kA ufklar(uFnrgan kfFuirstc:h1 e9r8,o6 r,i gi1n9a4l4 )
DialoefcE ntliicmg ehntten,
tranJsolh.nC ummin(gN ewY ork:
Herde&r H erde1r9,7 2)
MM MiniMmoraal(Fiar ankfSuurhtr:k a1m9p8,o6 r,i gi1n9a5l1 )
MiniMmoarlaia,
tranEs.lF.. JNe.p hc(oLtotn doVne:r s1o9,7 4)
NegtaiDviea lektik
ND (FrankfSuurhtr:k am1p9,7 5o,r igi1n9a6l6 )
NegtaiDviea lectics,
tranEs.lB.. As(hNteowYn o rkC:o ntinuum,
1973)
NotzeunLr i teratur
NL (FrankfSuurhtr:k am1p9,8 1)
Phisloopdheinree uMeuns ik
PNM (FrankfEuurrto:p aiVsecrhlea gsan
I958)
stta,l
Philohys ooMfpo dernM usitcra,n Asnln.e G .M itchaelnlWd e slye
Seab1u9ry7,3 )
V.B lomst(Neerw York:
W Versucuhber Wagn(erF ranSkufhurrtk1:a9 m5p2,)
InS eaorWfca hgn terran,Rs old.n yeL iving(sLtoonnVede rosno,:
1981)
INTRODUCTION
Adornoi nt heS teram
ofT ime
