Table Of Content

It seems that we need a basis transformation... for piano (2010) op.18 Xavier Shuang Xu (*1988) It seems that we need a basis transformation... 2 Xavier Shuang Xu (*1988)  Vivo                            ff                             3            p sf p sf                                  5                            ff                                7                                   Copyright © XavierSX (2010) 3 9                         ff                                  sempre  11            pp                               no pedal 15  3                      ff 3 3                                                         18                       ff                                   4  21  3 3 33 3          3 ff                                                             25       3 3 3  3  3 3        ff                                            29  3 3          3  3 3 3                                                  Più mosso 33             ff                        sf        36             ff                              sf     5 palm down all white/black keys between noted pitchess, arpeggios' directions indicated by arrows 39                                                                     42                                       45                                      cluster   Lento 49 mp         f pp                             52                                              6 55                                                                   58                                               61                                             leggiero 64              pp una corda                 press silently 67                         7 68                      tre corde   69                       ppp                                              70                         ppp                                          71                ppp        3 3                    8 72                               3 3                  73                               3 3 3                74                           p ff                                   p           75      ff                                              9 clusters   76 gliss.  gliss.                                                           77 glis s.  gliss.                                                                                 Vivo    79                 ff      pedal sempre             gliss.  3    3    82                       3 3  3 3    gliss.       gliss.           

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It Seems That We Need a Basis Transformation PDF

2010·0.09 MB·English
by  Xu, Xavier Shuang
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