Table Of ContentContemporary Art
The Margo Leavin Gallery Library
7302 titles in circa 7375 volumes
Contemporary Art
The Margo Leavin Gallery Library
The Margo Leavin Gallery, which closed its doors in 2012 after 42 years, was, for decades, one of the
leading galleries on the West Coast, and an influential force in the Los Angeles art world, showing John
Baldessari, John Chamberlain, Lynda Benglis, Claes Oldenburg, Ellsworth Kelly, Donald Judd, Jannis
Kounellis, Martin Puryear, Joseph Kosuth, and many other distinguished artists in a program of regular
exhibitions.
This extraordinarily extensive library, built by Margo Leavin over the years for the gallery, comprises some
7,300 volumes on contemporary and modern art. Its focus is primarily on work from the 1960s to the
present day, with additional coverage of earlier modern art. It has remarkable depth, particularly in
exhibition catalogues, representing a great range of contemporary artists with exceptionally complete,
internationally focused collections of publications.
For Margo Leavin Gallery, changing
tastes mean it's time to close
A shift in the art market away from the gallery show
experience prompts Los Angeles art doyenne Margo
Leavin to draw up an exit plan for her venerable shop.
August 15, 2012|By David Ng, Los Angeles Times
Wendy Brandow, left, and Margo Leavin are planning to close the Margo Leavin Gallery
When John Baldessari was looking for an L.A. gallery to show his work 20 years ago, he
narrowed his choice to three and ultimately chose Margo Leavin.
"I thought she would be around for a long time," he said. "And it turned out to be true."
For more than four decades, Leavin has occupied a prominent perch in the Los Angeles
contemporary art scene. Her gallery, which opened in 1970, is one of the most enduring
and recognizable in the city, with a roster of top-tier artists that includes Jeffrey Vallance,
Alexis Smith and William Leavitt as well as Baldessari.
With hardly a flourish, the sun has begun to set on the gallery. The art doyenne said
Tuesday that she will be closing it, though she will continue to operate as a dealer for a
period after that.
"It feels like the right moment for change," said Leavin in an interview at the Robertson
Boulevard gallery with her longtime business associate Wendy Brandow, who joined in
1976 and became a partner in 1989.
The gallery will remain open through Sept. 30, and then will be open by appointment
only through next year. Leavin and Brandow said the decision to close was motivated in
large part by shifts in the art market.
More collectors and consumers of art are moving away from the gallery show experience,
they said, and toward alternative art spaces and the Internet.
"People are approaching art differently today. They're not seeking out the thoughtful,
complete statement that artists make when they create gallery exhibitions," said Brandow.
"The exhibitions have been such an important part of what we do, and they are no longer
valued as much by the public."
Leavin said she feels that the increasing importance of international art fairs — with their
emphasis on flash and publicity — is a particularly unwelcome development. "It's not the
way we like to do business. To produce works for an art fair is just not what our artists
do."
Leavin and Brandow said their decision wasn't due to financial reasons. They said they
will continue to work together as business partners, but they are still deciding what
projects they will take on after the gallery closes.
The Margo Leavin Gallery opened in December 1970 at what was then the studio of
designer Tony Duquette. Leavin later expanded to adjacent buildings along the block,
including a former post office, which has served as an exhibition space in the past.
The gallery's main building is a two-story renovated structure that features exhibition
space, offices and art storage. Some of the other buildings Leavin owns on the block are
rented out.
Artists who have worked with Leavin described her as a blend of serious professionalism
and personal warmth.
"Margo is very serious and a very good businesswoman, but you could also go over there
and have lunch and just talk," said Smith, who has been represented by the gallery since
1980.
Leavin said she doesn't like talking about her private life. A New York native, she
currently lives in Hollywood.
Over four decades, she has accumulated many memories in the art business.
She recalled a time in 1975 when Andy Warhol visited the gallery for a show of his
portraits titled "Mao, My Mother, and Other Friends." At one point, the collector Marcia
Weisman went across the street to Safeway — which is now a Pavilions — to buy cans of
tomato soup for the artist to autograph.
Recent exhibitions at the gallery include solo shows by Baldessari and Leavitt, which ran
earlier this year. The current group exhibition, "Arctic Summer," has extended its run
through Sept. 30 and will be the gallery's final show.
Leavin said she is not planning to sell the gallery and the other buildings. "We may rent
out part of it," she said. "But we will maintain offices here."
Leavin said when she first opened the gallery, "there was a feeling that L.A. was a
pioneer territory" for artists. These days, she is concerned about the effect of problems at
the Museum of Contemporary Art — which has seen a shake-up in leadership — on the
larger art scene.
"Museums need knowledgeable people and it's not happening at MOCA," she said.
ARS LIBRI
CONTEMPORARY ART
THE LIBRARY OF THE MARGO LEAVIN GALLERY
Monographs on Artists p. 1-330
General Works p. 330-454
MONOGRAPHS ON ARTISTS
1 New York. The Museum of Modern Art. ALVAR AALTO: Between Humanism and Modernism. Feb.-May 1998. Text by
Peter Ress. (8)pp. (=one folding sheet). 3 color plates. Sm. sq. 8vo. Self-wraps.
New York, 1998.
2 Chicago. Richard Gray Gallery. MAGDALENA ABAKANOWICZ. Oct.-Dec. 1980. Essay by Mary Jane Jacob. Foreword by
Barbara Rose. 32pp. Prof. illus. (partly in color). 4to. Dec. wraps.
Chicago, 1980.
3 Chicago. Museum of Contemporary Art. MAGDALENA ABAKANOWICZ. Nov. 1982-Jan. 1983. Texts by Mary Jane Jacob,
Jasia Reichardt, and the artist. 188pp. 152 illus. Lrg. 4to. Wraps.
Chicago, 1982.
4 New York. Xavier Fourcade, Inc. MAGDALENA ABAKANOWICZ: About Men. Sculpture 1974-1985. Sept.-Oct.1985.
(16)pp. Prof. illus. Oblong 4to. Dec. wraps.
New York, 1985.
5 Bartman, William & Barnes, Lucinda (editors). KIM ABELES. Interview by Michael McMillen. Essay by Patterson Sims.
32pp. Prof. illus. 4to. Wraps. TLs from the artist to Margo Leavin loosely inserted.
Beverly Hills (A.R.T. Press), 1988.
6 London. The Mayor Gallery. IVOR ABRAHAMS. An exhibition of sculpture. Models for projects 1986. Oct.-Nov. 1986. Text
by Bryan Robertson. (28)pp. Prof. illus. Sm. oblong 4to. Wraps.
London, 1986.
7 Chicago. Rhona Hoffman Gallery. VITO ACCONCI: Photographic Works 1969-1970. Jan.-Feb. 1988. Texts by Kate Linker
and the artist. (36)pp. Prof. illus. in color. Sq. 4to. Wraps. Shown February-March 1988 at the Brooke Alexander Gallery,
New York.
Chicago/New York, 1988.
8 La Jolla. La Jolla Museum of Contemporary Art. VITO ACCONCI: Domestic Trappings. June-Aug. 1987. [By] Ronald J.
Onorato. 92pp. Prof. illus. (partly color). Lrg. 4to. Wraps.
La Jolla, 1987.
9 New York. The Museum of Modern Art. VITO ACCONCI: Public Places. Feb.-May 1988. Catalogue by Linda Shearer. 31,
(1)pp. Prof. illus. Oblong 4to. Flocked dec. wraps.
New York, 1988.
10 VITO ACCONCI: Stones for a Wall. (14)pp. with 10 tipped-in original color photographs of prints in the suite. Sm. sq. 4to.
Self-wraps. Contents loose, as issued. Portfolio prospectus for the suite of 10 lithographs, printed and published by Landfall
Press Inc. and Multiples Inc.
[Chicago/New York] (Landfall Press/Multiples, Inc.), n.d. (197-?].
11 London. Annely Juda Fine Art. ROGER ACKLING: Sun Days. Oct.-Dec. 2008. 13, (5)pp. 12 color plates. 4to. Wraps.
London, 2008.
12 London. Annely Juda Fine Art. ROGER ACKLING: Works from Norfolk. Feb.-March 1990. (24)pp. 9 color plates. Wraps.
Prefatory text by Hamish Fulton.
London, 1990.
13 (ACRES, ETHAN). The Sermons of Reverend ETHAN ACRES. (Art issues. Press.) 108, (6)pp., 7 color plates. Sm. 8vo.
Boards.
Los Angeles (Art issues.Press), 2001.
14 Buenos Aires. Museo Nacional de Bellas Artes. VALERIO ADAMI en el Museo Nacional de Bellas Artes. Texts by Jorge
Glusberg, Octavio Paz, and Francesca Romana Trinca De Lorenzi. 79, (1)pp. Prof. illus. in color. Lrg. 4to. Stiff wraps. D.j.
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CONTEMPORARY ART
THE LIBRARY OF THE MARGO LEAVIN GALLERY
Buenos Aires, 1998.
15 Antwerpen. Museum voor Hedendaagse Kunst. DENNIS ADAMS: Transactions. March-May 1994. Texts by Jan Foncé
and Yves Michaud. (124)pp. Prof. illus. (mostly in color). 4to. Wraps. Essays in parallel English, Dutch and French.
Antwerp, 1994.
16 Barcelona. Fundació “La Caixa.” El Pavelló de l’Est: Maqueta i Dibuxos: DENNIS ADAMS. June-Aug.1992. 47, (1)pp.
Prof. illus. (numerous color). Sm. sq. 4to. Dec. wraps. Texts by Jorge Luis Marzo, Susan Buck-Morss and the artist.
Barcelona, 1992.
17 New York. Kent Fine Art Inc. DENNIS ADAMS: The Architecture of Amnesia. Essay by Mary Anne Staniszewski. April-
May 1990. 94, (2)pp. Prof. illus. 4to. Wraps. D.j.
New York, 1990.
18 Glenside, Pennsylvania. Beaver College. Art Gallery. PHOEBE ADAMS. Text by Paula Marincola. (6)pp. (=one folding
sheet). 5 illus. 4to. Self-wraps.
Glenside, [1990?].
19 Berlin. Reinhard Onnasch. HANS PETER ADAMSKI. Stilleben & Kranke Kinder: Bilder 1985. Dec. 1985--Jan. 1986. 23,
(1)pp. 9 plates (6 color) Sq. 4to. Dec. wraps.
Berlin, 1985.
20 Buenos Aires. Museo Nacional de Bellas Artes. OLGA ADELANTADO: Fetch-Up (ir, buscar, encontrar algo). Jan.-Feb.
1998. Curator: Fernando Castro Florez. 103, (1)pp. Prof. illus.(partly color). 4to. Boards, linen backstrip.
Buenos Aires, 1998.
21 ADER, BAS JAN. The Boy Who Fell Over Niagara Falls. (34)pp. 29 plates. Sm. 4to. Wraps. Edition limited to 500 copies.
Amsterdam (Paul Andriesse), 1992.
22 Andriesse, Paul. BAS JAN ADER. Kunstenaar/artist. 96pp. Prof. illus. (partly in color). 4to. Cloth. D.j.
Amsterdam (Stichting Openbaar Kunstbezit), 1988.
23 Grenoble. Magasin, Centre National d’Art Contemporain. BAS JAN ADER (and Gravity). Works by Bas Jan Ader, Guy de
Cointet & Wolfgang Stoerchle. Oct. 1996--Jan. 1997. Exhibition curated by Paul McCarthy. (16)pp. 7 illus. Wraps. Parallel
texts in English and French.
Grenoble, 1996.
24 Los Angeles. Museum of Contemporary Art. AMY ADLER. [By] Cornelia H. Butler. Nov. 1998-Feb. 1999. 64pp. Prof. illus.
Sm. 4to. Wraps.
Los Angeles, [1998].
25 New York. SY/NY. The Swiss Institute. AMY ADLER: Where is your rupture? Sept.-Nov. 1998. Curated by Liz Kotz and
Annette Schindler. (16)pp. 5 plates (1 double-page). Lrg. 8vo. Wraps.
New York, 1998.
26 New York. Holly Solomon Gallery. NICHOLAS AFRICANO. April-May 1991. (24)pp. 11 color plates. Sq. 8vo. Wraps.
New York, 1991.
27 Seattle. Meyerson & Nowinski Art Associates. NICOLAS AFRICANO: Two Sisters. Text by Lisa Lyons. 49, (1)pp. Prof.
illus. in color. 4to. Dec. wraps.
Seattle, 1997.
28 Los Angeles. University of Southern California. Fisher Gallery. AFRIKA. Louis Grachos, guest curator. Jan.-Feb. 1992. 76,
(4)pp. Prof. illus. Oblong 4to. Wraps.
Los Angeles, 1992.
29 New York. Marlborough-Gerson Gallery Inc. YAACOV AGAM. May-June 1966. Prefatory text by Haim Gamzu. (Cat. No.
190.) 51, (1)pp. Prof. illus. (partly color). 4to. Wraps.
New York, 1966.
30 Laguna Beach. Engman Limited. Imagenes del Alma: An Exhibition of Multi-Media Works on Paper and Canvas by
Colombian Artist ORLANDO AGUDELO-BOTERO. (60)pp. Prof. illus. in color. 4to. Dec. wraps. Leaves loosening from
binding.
Laguna Beach, 1989.
31 San Antonio. ArtPace, A Foundation for Contemporary Art. LAURA AGUILAR 99.2 Text by Laura Cottingham. June-July
1999. (The International Artist-in-Residence Program.) (8)pp. (=one folding sheet). 5 illus. Sm. 4to. Self-wraps.
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THE LIBRARY OF THE MARGO LEAVIN GALLERY
San Antonio, Texas, 1999.
32 Juarez. Galeria de Arte Mexicano. Newton en el D.F.: CARLOS AGUIRRE. Feb.-March 1992. (32)pp. Prof. illus. (partly in
color). Oblong 4to. Dec. wraps. Text by Armando Torres Michúa, in parallel Spanish and English.
Juarez, 1992.
33 Houston. Contemporary Arts Museum. South Bronx Hall of Fame: Sculpture by JOHN AHEARN and RIGOBERTO
TORRES. Essays by Richard Goldstein, Michael Ventura. Marilyn A. Zeitlin, guest curator. Sept.-Nov. 1991. 111pp. 133
illus. 4to. Wraps.
Houston, 1991.
34 Tokyo. Kamakura Gallery. AKATSUKA YUJI. Oct.-Nov. 1996. (6)pp. 6 illus. (2 color). 4to. Wraps.
Tokyo, 1996.
35 ALBERS, JOSEF. Poems and Drawings/ Gedichte und Zeichnungen. (64)pp. 22 plates. Japanese-bound. Oblong 4to.
Wraps. Acetate d.j. Second edition, expanded. First published by the Readymade Press, 1958. Design and sequence by
Norman Ives.
New York (George Wittenborn, Inc.), 1961.
Spalek 1455
36 Bedford Village. Tyler Graphics Ltd. JOSEF ALBERS: Gray Instrumentation II. 1f., 1 tipped-in color plate. Sm. sq. 4to.
Self-wraps.
Bedford Village, 1976.
37 Bedford Village. Tyler Graphics Ltd. JOSEF ALBERS: Metered Square. 1f., 1 tipped-in color plate. Sm. sq. 4to. Self-wraps.
Bedford Village, 1976.
38 Bedford Village. Tyler Graphics Ltd. JOSEF ALBERS: Never Before. 1f., 1 tipped-in color plate. Sm. sq. 4to. Wraps.
Bedford Village, [1976].
39 Bottrop. Josef Albers Museum. JOSEF ALBERS Museum Bottrop. Eröffnung 25. Juni 1983. 83, (1)pp. Prof. illus.
(numerous color). Oblong 4to. Dec. boards. Texts by Ulrich Schumacher, Bernhard Küppers, Werner Spies, Jürgen
Wissmann and Eugen Gomringer.
Bottrop, 1983.
40 Los Angeles. Gemini G.E.L. JOSEF ALBERS: Embossed Linear Constructions. Texts by Sheldon Nodelman and
Kenneth E. Tyler. (8)pp., 8 blind intaglio plates. Oblong lrg. 8vo. Dec. portfolio (wraps.). Contents loose, as issued.
Los Angeles, 1969.
41 Los Angeles. Gemini G.E.L. JOSEF ALBERS: White Embossings on Gray. Text by Gerald Nordland and Kenneth Tyler.
(20)pp. Prof. illus. Lrg. 8vo. Wraps.
Los Angeles, 1971.
42 Los Angeles. Gemini G.E.L. JOSEF ALBERS: White Line Squares. (2)pp., 16 color plates, loose in portfolio, as issued. Sq.
8vo. Wraps.
Los Angeles, 1967.
43 Los Angeles. Los Angeles County Museum of Art. JOSEF ALBERS: White Line Squares. Foreword by Kenneth E. Tyler;
text by Henry T. Hopkins. (48)pp. 7 color plates. Lrg. sq. 8vo. Wraps. Parallel texts in English, German, and French. Front
cover slightly stained.
Los Angeles, 1966.
Spalek 1489
44 Montclair, N.J. Montclair Art Museum. JOSEF ALBERS: His Art and His Influence. Text by Nicholas Fox Weber. 56pp.
Prof. illus. Sq. 4to. Wraps.
Montclair, 1981.
45 New York. The Solomon R. Guggenheim Museum. JOSEF ALBERS: A Retrospective. Texts by Diane Waldman, Nicholas
Fox Weber, Mary Emma Harris, Charles E. Rickart, Neal Benezra. 304pp. 247 illus., text illus. 4to. Cloth. D.j.
New York, 1988.
Freitag 77
46 New York. Sidney Janis Gallery. Exhibition of Works in All Media by ALBERS. Feb.-March 1986. Text by Kelly Feeney.
(8)pp. 3 plates (2 color). 4to. Wraps.
New York, 1986.
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THE LIBRARY OF THE MARGO LEAVIN GALLERY
47 New York. The Metropolitan Museum of Art. JOSEF ALBERS at The Metropolitan Museum of Art. An exhibition of his
paintings and prints. Introduction by Henry Geldzahler. 76pp. 46 plates (13 color). Sq. 4to. Wraps.
New York, 1971.
48 New York. Sidney Janis Gallery. Commemorative Exhibition of Paintings by ALBERS. Oct.-Nov.1984. Texts by Nicholas
Fox Weber. (12)pp. 3 plates (2 color). 4to. Self-wraps.
New York, 1984.
49 New York. The Museum of Modern Art. International Council. JOSEF ALBERS: Homage to the Square. Text by Kynaston
L. McShine. (36)pp. Prof. illus. (partly in color). Sq. 8vo. Wraps.
New York, 1964.
50 Spies, Werner. ALBERS. (Modern Artists.) 79, (1)pp. 68 illus. (13 color). Oblong 4to. Cloth. D.j.
New York (Harry N. Abrams), n.d.
51 Washington. Washington Gallery of Modern Art. JOSEF ALBERS: The American Years. Oct.-Dec.1965. Text by Gerald
Nordland. 47, (1)pp. Prof. illus. (partly tipped-in color pochoir). Oblong 4to. Wraps. Light wear.
Washington, 1965.
52 Weber, Nicholas Fox. The Drawings of JOSEF ALBERS. xiv, (2), 61, (3)pp., 131 plates. Lrg. sq. 4to. Cloth. D.j.
New Haven/London (Yale University Press), 1984.
53 Santa Monica, California. Santa Monica Museum of Art. LITA ALBUQUERQUE: Reflections. Curated by Henry Hopkins;
essay by Jan Butterfield. Jan.-April 1990. 75pp. 24 color plates. Sq. 4to. Wraps.
Santa Monica, 1990.
54 Düsseldorf. Kunstverein für die Rheinlande und Westfalen. PIERRE ALECHINSKY. Werke 1958-1968. March-April 1969.
(24)pp., 28 plates, advts. 4to. Wraps.
Düsseldorf, 1969.
55 New York. André Emmerich Gallery. PIERRE ALECHINSKY. New work: Pains de terre émaillé, Flora Danica drawings,
Revalorisations. May 1991. (10)pp. 8 color plates. 4to. Wraps.
New York, 1991.
56 New York. André Emmerich Gallery. PIERRE ALECHINSKY: Trees and Water and Other Works. Essay by Pierre
Alechinsky. March-April 1993. (16)pp. 8 color plates. 4to. Wraps.
New York, 1993.
57 Paris. Galerie de France. ALECHINSKY. May 1962. (24)pp. 8 original color lithographs hors texte, printed on 4 double-sided
leaves. Prof. illus. (numerous color). Sm. folio. Dec. wraps. Numbered edition of 2,000 copies. Lithographs and cover printed
by Georges Giraud, Paris. Slightly bumped at one corner.
Paris, 1962.
58 Athens. Dracos Art Center. DIMITRI ALITHINOS ...the year 40 from the Nuclear Explosion. Texts by Efi Strousa and Jan
van Geest. (2), xxi, (3)pp., 14 color plates. Sq. 4to. Wraps. Parallel texts in Greek and English.
Athens, 1985.
59 Milano. Spazio Callaghan & Milano. Galleria Aam. CLYTIE ALEXANDER. Spazio Callagan: Narada I. Quadri astratti
selezionali. Dec. 1997./ Galleria Aam: Narada II. Quadri astratti selezionati. Jan. 1998. Text by Yehuda E. Safran. (3)ff., text,
color plates, loose in portfolio, as issued. Lrg. oblong 4to. Wraps.
Milano, 1997.
60 New York. Marlborough Gallery. JOHN ALEXANDER: Recent Paintings. March-April 1994. Interview by George Plimpton.
30, (6)pp. 15 color plates. Oblong 4to. Wraps.
New York, 1994.
61 Los Angeles. Los Angeles Municipal Art Gallery. PETER ALEXANDER: A Decade of Sunsets. Jan.-Feb. 1983. Text by
Christopher Knight. 32pp. Prof. illus. in color. Sq. 4to. Dec. wraps.
Los Angeles, 1983.
62 Santa Monica. James Corcoran Gallery. PETER ALEXANDER: Sculpture 1966-72. Feb.-March 1991. Texts by Henry T.
Hopkins and Sandra Starr. (36)pp. 10 color plates. Boards.
Santa Monica, 1991.
63 Santa Monica. James Corcoran Gallery. PETER ALEXANDER: L.A.X. Oct.-Nov. 1989. Introduction by Don Bachardy.
(34)pp. 14 color plates. 4to. Wraps.
Santa Monica, 1989.
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THE LIBRARY OF THE MARGO LEAVIN GALLERY
64 Los Angeles. Los Angeles Municipal Art Gallery. MARTHA ALF: Retrospective. March-April 1984. Text by Suzanne
Muchnic. 79pp. Prof. illus. Oblong 4to. Wraps.
Los Angeles, 1984.
65 Miami. Miami Art Museum. Triumph of the Spirit: CARLOS ALFONZO. A survey, 1975-1991. Olga M. Viso, guest curator.
With contributions by Giulio V. Blanc, Dan Cameron, Julia P. Herzberg, César Trasobares. Dec. 1997-March 1998. 169,
(1)pp. Prof. illus. (partly color). Lrg. 4to. Wraps. Parallel text in English and Spanish.
Miami, 1997.
66 Miami Beach. Bass Museum of Art. CARLOS ALFONZO: New Work. Sept.-Nov. 1990. Texts by Diane W. Camber and
Giulio V. Blanc. (8)pp. (=one folding sheet). 7 color illus. 4to. Self-wraps.
Mimai Beach, 1990.
67 New York. Gagosian Gallery. ALIGHIERO E BOETTI. Feb.-March 2001. 105, (1)pp. Prof. illus. (numerous color). Oblong
4to. Cloth. Text by Norman Rosenthal; interview with Francesco Clemente, by Louise Neri.
New York, 2001.
68 New York. Dia Center for the Arts. ALIGHIERO E BOETTI. FRÉDÉRIC BRULY BOUABRÉ. Oct. 1994-June 1995. (6)pp.
(=one folding sheet). 2 illus. Self-wraps.
New York, 1994.
69 Leeuw, Marianne van & Pontégnie, Anne (editors). Origin and Destination: ALIGHIERO e BOETTI. DOUGLAS
HUEBLER. 267, (3)pp. Prof. illus. Sm. 4to. Wraps.
Bruxelles (Société des Exposition du Palais de Beaux-Arts de Bruxelles), 1997.
70 New York. Whitney Museum of American Art. WILLIAM ALLAN. Jan.-Feb. 1974. Text by Marcia Tucker. (4)pp. (single
sheet of card stock, folding). 2 illus. Sm. sq. 4to. Self-wraps.
New York, 1973.
71 Lyon. Elac, Espace Lyonnais d’Art Contemporain. Sprawl/Prowl/Crowl. A geographical survey of works by TERRY
ALLEN. Oct.-Dec. 1984. Texts by Fernand Braudel, Marcia Tucker, Christine Breton and Patrick Vialle. (Octobre des Arts,
1984.) 70, (10)pp. Prof. illus. Tall 4to. Wraps. D.j.
Lyon, 1984.
72 ALLYN, JERRI. Role Confusion. (14)ff., printed on five folding panels, with reproductive manuscript text and photographs.
Sm. oblong 4to. Wraps. Second printing (1000 copies), following the first printing, also in offset, of 100 copies. Plates
detached from binding (originally glued to inside cover).
N.p. (J. Allyn), 1977.
73 Los Angeles. Jan Turner Gallery. CARLOS ALMARAZ. A survey of works on paper: 1967 through 1989. Aug.-Sept. 1990.
Texts by Max Benavidez and Peter Frank. (14)pp. Prof. illus. (partly in color). Lrg. 4to. Wraps.
Los Angeles, 1990.
74 Hope, Idaho. The Faith and Charity in Hope Gallery. JOHN ALTOON. Sept. 1982. Foreword by Edward Kienholz. (16)pp.
Prof. illus. 4to. Dec. wraps.
Hope, 1982.
75 New York. Edward Thorp Gallery. JOHN ALTOON: 12 Paintings. Dec. [1984]-Jan. 1985. Text by Jay Belloli. (20)pp. Prof.
illus. (3 color). 4to. Dec. self-wraps.
New York, [1984].
76 New York. Whitney Museum of American Art. JOHN ALTOON: Drawings and Prints. Nov.-Dec. 1971. Catalogue by Walter
Hopps and Elke Solomon. 23, (1)pp. 22 illus. (3 color). 4to. Wraps.
New York, 1971.
77 Pasadena. California Institute of Technology. Baxter Art Gallery. JOHN ALTOON: 25 Paintings, 1957-1969. April-Aug.
1984. Text by Jay Belloli. 32pp. Illus. 4to. Wraps.
Pasadena, 1984.
78 Parker, Fred R. MANUEL ALVAREZ BRAVO. (56)pp. 34 plates. 4to. Wraps. Published in conjunction with an exhibition at
the Pasadena Art Museum, May-June 1971.
Pasadena (Pasadena Art Museum), 1971.
79 New York. Cutler Gallery. JOSEPH AMAR. Oct.-Nov. 1987. Text by Christian Leigh. (14)pp. 8 color plates. Sq. 4to. Wraps.
Edition of 1000 copies. Photography: Adam Fuss, D. James Dee.
New York, 1987.
