Table Of ContentIn Search of Julián Carrillo and Sonido 13
Currents in Latin American and Iberian Music
Walter Clark, Series Editor
Nor-tec Rifa!
Electronic Dance Music from Tijuana to the World
Alejandro L. Madrid
From Serra to Sancho:
Music and Pageantry in the California Missions
Craig H. Russell
Colonial Counterpoint:
Music in Early Modern Manila
D. R. M. Irving
Embodying Mexico:
Tourism, Nationalism, & Performance
Ruth Hellier-Tinoco
Silent Music:
Medieval Song and the Construction of History in Eighteenth-Century Spain
Susan Boynton
Whose Spain?
Negotiating “Spanish Music” in Paris, 1908–1929
Samuel Llano
Federico Moreno Torroba:
A Musical Life in Three Acts
Walter Aaron Clark and William Craig Krause
Representing the Good Neighbor:
Music, Difference, and the Pan American Dream
Carol A. Hess
Danzón:
Circum-Caribbean Dialogues in Music and Dance
Alejandro L. Madrid and Robin D. Moore
Agustín Lara:
A Cultural Biography
Andrew G. Wood
In Search of Julián Carrillo and Sonido 13
Alejandro L. Madrid
In Search of
Julián Carrillo
and Sonido 13
Alejandro L. Madrid
1
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Library of Congress Cataloging-in-Publication Data
Madrid, Alejandro L.
In search of Julián Carrillo and Sonido 13 / Alejandro L. Madrid.
pages cm
Includes bibliographical references.
ISBN 978–0–19–021578–1 (hardcover) — ISBN 978–0–19–021579–8
(companion website)— ISBN 978–0–19–021581–1 (ebook)
1. Carrillo, Julián, 1875–1965—Criticism and interpretation. 2. Microtonal
music—History and criticism. 3. Music—Mexico—20th century—History
and criticism. I. Title.
ML410.C329M33 2015
780.92—dc23
2014048057
9 8 7 6 5 4 3 2 1
Printed in the United States of America
on acid-free paper
Para Marina Alejandrovna, por llegar cuando llegas
In Memoriam Alejandro Madrid Solís.
Thanks for the example.
Thanks for the music.
Thanks for setting the bar so high.
In Memoriam Omar Hernández-Hidalgo.
Violist extraordinaire and irreplaceable ally
whose untimely death reminds us of
the madness Mexico has become.
CONTENTS
List of Figures ix
List of Music Examples xi
Acknowledgments xv
About the Companion Website xxi
1. Introduction: The Non-Linear Story of a Cultural Complex 1
2. Imitation, Ideology, Performativity,
and Carrillo’s Symphony No. 1 32
3. “… y hermosísima patria será”: National and Post-National
Transfigurations in Matilde 70
4. Modernism, Teleology, and Identity: Toward a Cultural
Understanding of Early Sonido 13 103
5. Reading Carrillo: The Future That Never Was 136
6. Continuities and Discontinuities in an Imaginary Cycle: The
Thirteen String Quartets 166
7. Experimentalism, Mythology, the Intermundane, and Sonido 13
after Julián Carrillo 213
8. Estrangement, Performance, and Performativity: Musicking
Sonido 13 255
Bibliography 287
Index 299
FIGURES
1.1 Julián Carrillo in the early 1960s. 15
1.2 Stamp of Julián Carrillo. The back includes a brief
biographical sketch. Ediciones RAF. 22
1.3 Plate of Mexican composers. Julián Carrillo appears
in the second row of the second column. Ediciones Sun
Rise. 23
1.4 Cover of Biografías para niños. Julián Carrillo. 24
2.1 Composers included during the 1899–1902 seasons of the
Gewandhausorchester. 43
2.2 Musical examples in Julián Carrillo’s Tratado sintético de
harmonía. 45
2.3 Comparative chart. Form in the manuscript and
printed version of Carrillo’s Symphony No. 1, first
movement. 56
2.4 Form in the piano reduction of Carrillo’s Symphony
No. 1, first movement. 62
3.1 Program of the 2010 premiere of Julián Carrillo’s
Matilde. 72
3.2 José Luis Ordóñez and Zaira Soria as León and Matilde
during the premiere of Matilde in 2010. Copyright by
Fernando López/SCGSLP, 2010. Used by permission. 83
3.3 José Luis Ordóñez and Zaira Soria as León and Matilde
acting the suicide scene during the premiere of Matilde
in 2010. Copyright by Marina Cruz Martínez, 2010.
Used by permission. 86
4.1 Microtonal notation used in Julián Carrillo, Preludio a Colón
(1924). 113
4.2 Carrillo, Preludio a Colón. Formal design. 113