Hybrid Renaissance : Culture, Language, Architecture

286 Pages·2016·10.116 MB·

by  Peter Burke

aT The Natalie Zemon Davis Annual Lectures
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Published in the same series: The movement we know as the Renaissance used to be regarded as the c ie
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come increasingly obvious that Gothic and Classical coexisted for a long
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time, and also that they interacted, producing hybrid forms not only of d Culture, Language, Architecture
Lynn Hunt: Measuring Time, Making History thought, art, literature and especially architecture, but also of language, av
literature, music, philosophy, law and religion. is
Miri Rubin: Emotions and Devotions.
The Meaning of Mary in Medieval Religious
As the Renaissance movement spread outside Italy, to other parts of
Cultures
Europe and also beyond, from Goa to Quito, different local traditions Peter Burke
made their contribution to the mix. Given the interest in cultural hy-
On the Cover:
Ute Frevert: Emotions in History—Lost and found
bridity long shown by Natalie Davis, this theme allows Burke to pay P
Courtyard, Casa de Pilatos, Seville.
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homage to the work of Davis as well as to explore what was for long a t
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Eva Österberg: Friendship and Love, Ethics and neglected theme in Renaissance studies. r

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Politics. Studies in Mediaeval and Early Modern u
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History k
ABOUT THE AUTHOR e
William A. Christian: Divine Presence in Spain
Peter Burke is Professor Emeritus of Cultural History at the University
and Western Europe, 1500–1960
of Cambridge and Life Fellow of Emmanuel College. His publications
include Popular Culture in Early Modern Europe (1978), New Perspec-
William Chester Jordan: Men at the Center.
tives on Historical Writing (Cambridge, 1991), History and Social T heory H
Redemptive Governance under Louis IX
(1992), What is Cultural History? (2004), Cultural Hybridity (2009) and y
A Social History of Knowledge Volume II: From the Encyclopedie to Wiki- b
Katherine Verdery: Secrets and Truths. Ethnography r
pedia (2012). i
in the Archive of Romania’s Secret Police d

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Averil Cameron: Arguing it Out. Discussion in C E U P e
entral uropean niversity ress n
Twelfth-Century Byzantium
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Budapest – New York i
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Sales and Information: a
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[email protected]
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Website: http://www.ceupress.com e
ISBN 9789633860878
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ISBN 978-963-386-087-8

9789633 860878
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Hybrid Renaissance
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The Natalie Zemon Davis Annual Lecture Series
at Central European University, Budapest
Series Editor: Gábor Klaniczay
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Hybrid Renaissance
Culture, Language,
Architecture
Peter Burke
Central European University Press
Budapest – N ew York
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© 2016 by Peter Burke
Published in 2016 by
Central European University Press
An imprint of the Central European University Limited Liability Company
Nádor utca 11, H-1051 Budapest, Hungary
Tel: [phone] or 327-3000 · Fax: [phone]
E-mail: [email protected] · Website: www.ceupress.com
224 West 57th Street, New York NY 10019, USA
Tel: [phone]
E-mail: [email protected]
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the permission of the Publisher.
ISBN 978-963-386-087-8
ISSN 1996-1197

Library of Congress Cataloging-in-Publication Data
Burke, Peter, 1937–
Hybrid Renaissance : culture, language, architecture / Peter Burke.
pages cm
“Revised and expanded version of the Natalie Davis lectures for 2013, delivered
at the Central European University in Budapest”—Introduction.
Includes bibliographical references and index.
ISBN 978-9633860878 (hardbound : alkaline paper)
1. Renaissance—Italy. 2. Cultural fusion—Italy--History. 3. Italy—Court and
courtiers—History. 4. Cities and towns—Italy—History. 5. Borderlands—
Italy—History. 6. Italy—Civilization—1268–1559. 7. Renaissance. 8. Cultural
fusion—History. I. Title.
DG533.B867 2015
945’.05—dc23
2014046042

Printed in Hungary
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For Maria Lúcia
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Table of Contents
List of Illustrations ix
Preface and Acknowledgements xi
Introduction: An Expanding Renaissance 1
Chapter 1. The Idea of Hybridity 11
Chapter 2. The Geography of Hybridity 43
Chapter 3. Translating Architecture 53
Chapter 4. Hybrid Arts 77
Chapter 5. Hybrid Languages 97
Chapter 6. Hybrid Literatures 113
Chapter 7. Music, Law and humanism 135
Chapter 8. Hybrid Philosophies 153
Chapter 9. Translating Gods 173
Coda. Counter-Hybridization 199
Notes 207
Bibliography 223
Index 253
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Illustrations
1. Hampton Court, Surrey. (Photo: Ashley Lauren Pho-
tography, CC BY-NC-ND 2.0)
2. Paris, St. Eustache (Photo: wikimedia.org/Wikipedia/
commons/9/9c/904090)
3. Valencia, cathedral, façade.
4. Cathedral, Pienza, façade. (Photo: Heleen Meijer, Flickr
http://www.flickr.com/photos/heleenmeijer/
5214385752 Creative Commons BY 2.0)
5. Cathedral, Pienza, interior. (Photo: Ho Visto Nina Volare,
http://www.flickr.com/photos/41099823@NOO/
652916222 Creative Commons BY-SA 2.0)
6. Church of St Étienne du Mont, Paris. (Photo: Mbzt,
http://upload.wikimedia.org/wikipedia/commons/d/d1/
P1020128_Paris Creative Commons BY 3.0)
7. Chapel façade, Peterhouse, Cambridge.
8. Courtyard, Casa de Pilatos, Seville.
9. Boimi Chapel, Lviv (Photo: Jennifer Boyer, http://
www.flickr.com/photos/jennifer boyer/ 5894776062
Creative Commons BY 2.0)
10. Church of La Compañia, Arequipa, Peru. (Photo: Ra-
fael Estrella, http://www.flickr.com/photos/rafaelestrel-
la/34060817483/ Creative Commons BY-SA 2.0)
11. Fountain, Chiapa de Corzo, Mexico.
ix
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