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Modelling Monthly
AFTER THE Barrie
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AFTER THE
EL TALLER-HOBBY ART 5+ 1M
PY Taller- Hobby An
2 FIGURE: From the prestigious Spanish firm El Taller-Hobby-Art, in
B mm, with careful metal casting by José Hidalgo and a sculpture of the
usual quality by Antonio Zapatero,
The two katanas, a broken katana sheath, 2 broken spears, the hat, an
‘arrow in the water and two protections, are from the Japanese brand
Tamiya. The dove is from MiniAr, he dog and the two vases are from my
Crate and | have no idea what brand they are,
{In Jopon's early his
tory, samurai were members of
the court guard. in the 8th cen-
tury, with the development of feu-
dal relations, they became
vassals ofthe great feudal lords,
the barons -daymo- and served
<3 their armed escort, or directly
served the emperor.
This is the root of his name,
samurai, which means to serve.
{The figure shows the evolution that samurai armor had undergone over time, The
warrior carries the daisho (a pair of white weapons, one short and one long); one
cuts both through the obi (cloth sash) and another long tachi (sword somewhat
longer and curved than the katana) hanging from it. He carries a yari "lance"
which had definitively replaced the long bow in horse troops. Likewise, the flag
1 with the dan's coat of arms is observed, and its way of carrying it fastened to the x
1 back. The high saddle, characteristic of Japan, made the rider ride higher than -
Western warriors.
Fei ee wall vassal oy
allty to the daimyd, were extremely
tere erties ieee’ Factors
that governed the structure of a
samurai army. Anyone bom into a
house of warriors was trained
on lca incetert beans |
ior vitsetesenkctive: ofthe. |
een Cas hechind, |
Rese at elon choca topresenied |
Rear ch shrovshout |
history there were repected {
episodes where a clan betrayed its |
“ally” in the same bate H
| have the habit of re-
moving the straps from
the stirrups and putting
in tin, which are
less thick,
| use different material
fo reinforce the spear.
| replace the bolt that
comes in the kit with o
metal one, to do this the
irst thing is to make a
hole ia the hond thot
holds the spear.
linserta long bolt so the
lance doesn't collap:
I glue the wo par of
oll
I use many
tools to make
terrain,
To prepare the ground, |
spread Scale 75 paste
on the floor.
Little by little the main
idea and composition
that I had in mind for the
terrain is taking shape,
Until the middle of the 16th
century, the common orga-
nization of samurai
army was almost the same:
‘at the end of the cam-
paigns, the army was dis-
solved and the vast
majority of the ashigaru
and some samurai re-
turned to their work in the
fields. It was not until the
Sengoku period that some
well-resourced doimyd
maintained a stable army
‘and sought a degree of
specialization in the
military, induding infantry,
The hierarchical structure
depended on factors such
asin, life vassalage ond
social ond military aspects.
To make the water, the
most important thing is
to make a fence with
Plostic plates, ensuring
that there is no crack
through which the
resin can leak.
Very corefully and
itle by little, we pour
the two-component
Feroca resin, letit dry
for at least 24 hours.
Once the Feroca resin
is dry, we add a litle
Green Stuff Ultraviolet
resin, also on the sides
to reinforce.
Then to dry it with an
ultraviolet flashlight,
we put if on top of
the resin for a few
seconds.
At the apex of the pyramid were the doimyé
cond at their side their close relatives and
family; followed by the lifelong servants ofthe
ly, whe served their lord for many years;
the next echelon was made up of vassals,
whether they had joined his service or were
forced after the defeat oftheir former lords. The
cshigary of the Sengoku period were at the
{ bottom echelon and were divided into three
The two-component resin of the Feroca brand.
In the bottles it comes as you have to use
s very simple.
Branches, bushes etc., that we will use in the field.
We cut several bamboo branches of di
With a mini drill, | make several holes for the bamboo
branches.
sections depending on the weapon they
wielded, be it arquebuses, spears, or bows.
There were alo ashigary dedicated to serving
the various samurai, others were standard
bearers ond some others were assigned to
drumming. During much of the Sengoky
period, all samurai were expected tobe ready
to appear on the battlefield with their respec-
five weapons, armor and horse atthe time of
conflict, In addition, it was desired that each
one provide troops at the service of his lord
‘according to the wealth of the fiefdom to which
they belonged. In this way the recruitment of
the necessary troops fell to the samurai.
‘The latter brought with them other samurai or
laborers who left their lands to become
oshigoru.
WE ARE GOING TO PAINT THE FIGURE
(OF THE SAMURAI.
Base: Red brown 982 V + Black with air-
brush. LicHTs: base + Red Brown 982 V
airbrushed. 2nd light, we add Scarlet 817
V airbrushed.
With the brush we take a few drops of
Scale 75 retarder. We blur the edges with
the brush. Also with a few drops of re-
tarder on the brush | give shadows with
Red Black 859 V. In the defenses of the
‘arms and the helmet | follow the same
procedure
Scale 75's retorder facilitates the blurring
between light and shadow.
| brush all over the armor with AK Satin
varnish. These hermetically sealed wells,
are very useful.
You put a little varnish, paint etc. And it is
perfectly preserved. Plus, they're ak
fached to the base so they don't move
when you open them.
I bought it at a Fine Arts store in Madrid,
it's called Baco, on street Lanuza. Now |
profile in Satin black NAC 03 Andrea.
| _LET'S PAINT THE HORSE.
Base cowor. Toasted Leather
SART 12 by Scale with
airbrush.
Ucurs, Base + Orange SART
22 by Scale with airbrush
2nd light: Orange SART 22 by
Scale with airbrush. 3ed light:
Scale SART 22 Orange + Scale
SART 04 primary yellow with
oirbrush,
| paint the decorations of the
horse to better see the tones of
light and shadow.
‘SHADES. Base + Toasted Shade
SART 38 soil from Scale.
| paint the middle area of the
legs with ABT 110 Black oil,
from AK.
| paint the bottom of the legs
with ABT 135 Light Flesh Tone
oll from AK.
With a flat brush | blur the
bottom of the legs,
I do the some with
the black of the
legs and said
brush, being st
ned with an almost
white color, when
rubbing the brush
‘against the black
color, they melt
cand the result is o
grayish tone.
