Handbook of Oriental studies = Handbuch der Orientalistik. Section 4 China Volume 29 Modern Chinese religion I: Song-Liao-Jin-Yuan (960-1368 AD) Volume 1

1714 Pages·2015·36.562 MB·English

by  Brook, Timothy;Kern, Martin;Lagerwey, John;Marsone, Pierre;Teiser, Stephen F

Modern Chinese Religion I
Handbook of Oriental Studies
Handbuch der Orientalistik
section FOUR
China
Edited by
Stephen F. Teiser
Martin Kern
Timothy Brook
VOLUME 29
The titles published in this series are listed at brill.com/ho4
Modern Chinese Religion I
Song-Liao-Jin-Yuan (960–1368 AD)
volume 1
Edited by
John Lagerwey and Pierre Marsone
LEIDEN | BOSTON
Cover illustration: Traditionally attributed to: Chen Zhitian, Chinese, second half of the 14th century.
Fourteen portraits of the Daoist Priest Wu Quanjie between the ages of forty-three and sixty-three (detail)
Chinese, Yuan dynasty, second half of the 14th century
Ink, color, and gold on silk
51.8 × 834.8 cm (20 3/8 × 328 11/16 in.)
Photograph copyright 2014: Museum of Fine Arts, Boston
Gift of Mrs. Richard E. Danielson, 46.252
Library of Congress Cataloging-in-Publication Data

Modern Chinese religion / Edited by John Lagerwey and Pierre Marsone.
  volumes ; cm. — (Handbook of Oriental studies. Section 4, China, ISSN 0169-9520 ; volume 29)
 Includes bibliographical references and index.
 Contents: I. Song-Liao-Jin-Yuan (962–1368 AD)
 ISBN 978-90-04-27181-4 (hardback : alk. paper) — ISBN 978-90-04-27182-1 (hardback : alk. paper) —
ISBN 978-90-04-20850-6 (hardback : alk. paper) — ISBN 978-90-04-27164-7 (e-book) 1. China—Religion—
History. I. Lagerwey, John, editor. II. Marsone, Pierre, editor.
 BL1803.M63 2014
 200.951—dc23
2014030589
This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering
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issn 0169-9520
isbn 978-90-04-27181-4 (hardback, vol. 1)
isbn 978-90-04-27182-1 (hardback, vol. 2)
isbn 978-90-04-20850-6 (hardback, set)
isbn 978-90-04-27164-7 (e-book, set)
Copyright 2015 by Koninklijke Brill nv, Leiden, The Netherlands.
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This book is printed on acid-free paper.
Contents
Acknowledgements  ix
List of Illustrations, Maps, and Tables  xi
List of Abbreviations  xxii
List of Contributors  xxiii
Chronology of Dynasties and Emperors  xxviii
Volume 1
Introduction  1
John Lagerwey
PART 1
The State
Song Government Policy  73
Patricia Ebrey
State Rituals  138
Chen Guanwei 陈冠伟 and Chen Shuguo 陈戍国
PART 2
Society
The Village Quartet  169
Joseph McDermott
“Old Customs and New Fashions”: An Examination of Features of
Shamanism in Song China  229
Fu-shih Lin 林富士
Section 1
Rituals
Daoism and Popular Religion in the Song  285
Matsumoto Kôichi 松本浩一
vi contents
Buddhist Ritual in the Song  328
Daniel B. Stevenson
Section 2
Archaeology
Religion in the Light of Archaeology and Burial Practices  451
Dieter Kuhn
Daoism in Graves  548
Bai Bin 白彬
Section 3
Medicine
Ghosts or Mucus? Medicine for Madness: New Doctrines, Therapies,
and Rivalries  603
Fabien Simonis
Section 4
Law
Changes to Women’s Legal Rights in the Family from the Song
to the Ming  643
Lau Nap-yin 柳立言
Volume 2
PART 3
The Three Teachings
Section 1
Art and Architecture
The Architecture of the Three Teachings  723
Tracy Miller
contents vii
Confucian Iconography  801
Julia K. Murray
Buddhist Arts: A Survey of Sites, Paintings, and Iconography  844
Zhang Zong 張總
Daoist Visual Culture  929
Shih-shan Susan Huang 黃士珊
Section 2
Self-Cultivation
Daoist Internal Alchemy  1053
Yokote Yutaka 橫手 裕
Daoism under the Jurchen Jin Dynasty  1111
Pierre Marsone
Buddhist Self-Cultivation Practice  1160
Juhn Y. Ahn
Self-Cultivation as praxis in Song Neo-Confucianism  1187
Curie Virág
Section 3
Institutions
Academies in the Changing Religious Landscape  1235
Linda Walton
The Buddhist Monastic Economy  1270
Michael J. Walsh
viii contents
PART 4
Daoxue
Moral Intuitions and Aesthetic Judgments: The Interplay of Poetry and
Daoxue in Southern Song China  1307
Michael A. Fuller
Confucian Thoughts  1378
Chang Woei Ong 王昌偉
Buddhists and Southern Chinese Literati in the Mongol Era  1433
Mark Halperin
Bibliography  1493
Index  1610
Acknowledgements
The conference which laid the groundwork for the present volumes was held
June 25–28, 2012, at the Chinese University of Hong Kong (CUHK), in the
Institute of Chinese Studies (ICS). Sponsored by the Centre for China Studies
and the Area of Excellence (AoE) “The historical anthropology of Chinese
society”, it was made possible by generous grants from the Chiang Ching-kuo
Foundation, the China studies MA program of CUHK, the Daoist studies centre
of CUHK, the Buddhist studies centre of CUHK, Brill publishing company, and
the École pratique des hautes études, department of history and philology. The
venue was provided without charge by the ICS. Special thanks are also due the
dean of the Faculty of Arts, Philip Leung, who lent us the services of Florence
Kwan. She handled all administrative and budget matters with brio. To each of
these sponsors and helpers we express our heartfelt gratitude.
In addition to the authors who participated in the conference, we would
like as well to thank the many scholars who served as discussants and panel
chairpersons: David Faure (project coordinator of the AoE, CUHK), Jan Kiely
(associate director, Centre for China studies, CUHK), Angela Leung (director,
Hong Kong institute for the humanities and social sciences, University of Hong
Kong), Ho Puay-peng (dean, school of architecture, CUHK), Lü Pengzhi (École
française d’Extrême-Orient, CUHK), Billy So (head, division of humanities,
Hong Kong University of Science and Technology), Lai Chi Tim (chair, depart-
ment of religion and cultural studies, CUHK), Tam Wai Lun (religion and cul-
tural studies, CUHK), and Maggie C.K. Wan (fine arts, CUHK).
Kimberly Powers, our copy editor, has done a marvellous job of bringing the
entire manuscript into conformity with Brill rules, as well as in the preparation
of the Bibliography and Index.
Finally, two translators deserve particular mention for their labor of love
in substantially supplementing the bibliographical notes of the authors they
translated: Fabrizio Pregadio, translator of Yokote Yutaka, and Phillip Bloom,
translator of Zhang Zong.