Table Of ContentGreek Political Imagery from Homer to Aristotle
Greek Political Imagery 
from Homer to Aristotle
Roger Brock
Bloomsbury Academic
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First published 2013
© 2013 Roger Brock
All rights reserved. No part of this publication may be reproduced or transmitted in  
any form or by any means, electronic or mechanical, including photocopying, recording,  
or any information storage or retrieval system, without prior permission in writing from  
the publishers.
Roger Brock has asserted his right under the Copyright, Designs and Patents Act, 1988, 
to be identified as Author of this work.
No responsibility for loss caused to any individual or organization acting on or refraining 
from action as a result of the material in this publication can be accepted by Bloomsbury 
Academic or the author.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
ISBN: 978-1-47250-218-6
Library of Congress Cataloging-in-Publication Data
Brock, Roger.
 Greek political imagery from Homer to Aristotle / Roger Brock.
pages cm
Includes bibliographical references and index.
 ISBN 978-1-78093-206-4 (hardback) -- ISBN 978-1-4725-0217-9 (epub) -- ISBN 978-1-4725-
0218-6 (epdf)  1.  Greek literature--History and criticism. 2.  Classical literature--History 
and criticism. 3.  Politics in literature. 4.  Politics and literature--Greece. 5.  Imagery 
(Psychology)--Political aspects. 6. Greece--Politics and government--Early works to 1800.  I. 
Title.
PA3015.P63B76 2013
880.9'358--dc23
2013000816
Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN
Contents
Conventions  vii
Acknowledgements  ix
Introduction  xi
1  Gods as Kings, Kings as Gods  1
2  The State as a Household and Family  25
3  The Shepherd of the People  43
4  The Ship of State  53
5  The Body Politic  69
6  Leaders and Communities:  The Archaic Period (c.750–480 bc)  83
7  Democracy and Autocracy:  The Fifth Century (c.480–404 bc)  107
8  Orators and Philosophers:  The Fourth Century to Alexander (c.400–322 bc)  147
Epilogue  197
Bibliography  199
Index of Authors and Images  221
Index locorum  227
General Index  249
Conventions
Abbreviations generally follow LSJ and OLD for authors, and OCD3 for epigraphy and 
papyrology; note additionally R&O = Rhodes & Osborne (2003) and P-W = Parke & 
Wormell (1956). Fragments of tragedy are cited from TrGF, of comedy from PCG: in 
the latter case ‘KA’ normally refers to the critical notes of Kassel & Austin. Fragments 
of lyric poetry follow the numeration of PMG, while for iambus and elegy I follow 
West; fragments of Pindar are cited from Maehler’s edition.
Acknowledgements
This book has been a long time in the making, though I believe that it is all the better 
for it: in the long period of its gestation I have incurred many debts, and it is a great 
pleasure now to able to express my gratitude for the assistance I have received from the 
generous and collegial community of Classics. My only regret is that some of those to 
whom I am indebted are no longer alive to see the project completed.
  It began life as an Oxford DPhil thesis, ‘Political imagery in Greek literature before 
Plato’: the topic was suggested to me by Oswyn Murray and the thesis was supervised 
by George Forrest and Kenneth Dover, and examined by Tom Stinton and John Gould. 
The award of the Derby Scholarship, for which I again thank the Derby Trustees and 
the Craven Committee at Oxford, also enabled me to spend a rewarding academic 
year in Toronto, where I benefited from the advice of Desmond Conacher, Leonard 
Woodbury, John Cole and Mac Wallace. In the following year I was a Postdoctoral 
Fellow at the Ohio State University, where I began the extension of the period covered 
to the rest of the fourth century and enjoyed the company and generous hospitality 
of the postgraduate community and academic staff, especially Charles Babcock, Carl 
Schlam, Joe Tebben and my adviser David Hahm.
  Thereafter progress was slowed by the lack of uncluttered time in which to be able 
to reorganize all of the great mass of material into its final form: in the event, in the 
absence of any institutional sabbatical leave provision this was only made possible by 
the award of a Leverhulme Research Fellowship in 2002–3 and of a British Academy 
Senior Research Fellowship in 2008–9. I am profoundly grateful to both organisations, 
without whose support the book would not yet have seen the light of day even now.
  I was able to try out earlier versions of the content and ideas on audiences in 
Cambridge, Columbus, Edinburgh, Exeter, Hull, Lampeter, Leeds, Liverpool, London, 
Manchester, Oxford, Rennes, Rethymnon, St. Andrews, Sheffield and Toronto, and I 
thank the organisers in each case for the opportunity and the audiences for comments, 
criticisms and suggestions which have improved my thinking. I have also benefited 
over the years from the assistance of a great many individuals who have helped me 
with encouragement and advocacy, provided advice and guidance, given me access to 
inaccessible, unpublished or forthcoming work, answered questions, and otherwise 
supported me. After all this time there will inevitably be some whose names are 
omitted here, but however fallible my memory, I am sincerely grateful to all those who 
have assisted me in any way. In particular I should like to thank Umberto Bultrighini, 
John Davies, Kyle Erickson, Elaine Fantham, Philip Ford, Mogens Hansen, Steve 
Heyworth, Richard Hunter, Gregory Hutchinson, David Konstan, Stratis Kyriakidis, 
Lynette Mitchell, Robin Osborne, Robert Parker, P.J. Rhodes, Fabio Roscalla, Richard 
Rutherford, Malcolm Schofield, Richard Seaford, Oliver Taplin, Christopher Tuplin, 
Matthijs Wijbier and Peter Wiseman. In addition, Pat Easterling, Melissa Lane,