Great Animal Drawings and Prints

99 Pages·2013·76.39 MB·English

by  Carol Belanger Grafton

PETER PAUL RUBENS
Great Animal Drawings and Prints
Carol Grafton
Copyright
Copyright © 2006 by Dover Publications, Inc.
All rights reserved.
Bibliographical Note
Great Animal Drawings and Prints is a new work, first published by Dover
Publications, Inc., in 2006.
DOVER Pictorial Archive SERIES
This book belongs to the Dover Pictorial Archive Series. You may use the
designs and illustrations for graphics and crafts applications, free and without
special permission, provided that you include no more than four in the same
publication or project. (For permission for additional use, please write to
Permissions Department, Dover Publications, Inc., 31 East 2nd Street, Mineola,
N.Y. 11501.) However, republication or reproduction of any illustration by any
other graphic service, whether it be in a book or in any other design resource, is
strictly prohibited.
9780486145594
Manufactured in the United States of America
Dover Publications, Inc., 31 East 2nd Street, Mineola, N.Y. 11501
Table of Contents
Title Page
Copyright Page
LIST OF PLATES
LIST OF PLATES
Frontispiece: PETER PAUL RUBENS (1577–1640)
Study for the Portrait of the Duke of Lerma. Pen over black chalk and wash. 300
x 215 mm.
1 JOST AMMAN (1539–1591)
Saint Nicholas. Pen and ink, heightened with white, on red prepared paper.
301 x 197 mm.
2 JOST AMMAN (1539–1591)
Stag. Pen and black ink. 109 x 91 mm.
3 ANDREA DEL SARTO (1486–1531)
Studies of a Dog. Red chalk. 190 x 253 mm.
4 FRANCIS BARLOW (1626–1704)
Elephant and Rhinoceros. Pen and wash. 250 x 185 mm.
5 FRA BARTOLOMMEO (1472–1517)
St. George and the Dragon. Black, white, and yellowish chalk on gray
prepared paper. 317 x 272 mm.
6 ANTOINE-LOUIS BARYE (1796–1875)
Jaguar. Pencil and watercolor. 253 x 247 mm.
7 STEFANO DELLA BELLA (1610–1674)
The Eagles. Etching. 154 x 120 mm.
8 ROSA BONHEUR (1822–1899)
Bull Resting. Soft black pencil. 299 x 437 mm.
9 HIERONYMUS BOSCH (c.1450–1516)
The Owl’s Nest. Pen and brown ink, laid down. 140 x 196 mm.
10 EDMÉ BOUCHARDON (1698–1762)
Bull’s Head. Red chalk. 607 x 454 mm.
11 FRANÇOIS BOUCHER (1703–1770)
Study of a Rooster. Black, red, and white chalk on brownish-gray paper.
170 x 200 mm.
12 PIETER BRUEGEL THE ELDER (1525/30–1569)
Rider and Two Horses. Pen and bistre over black chalk. 164 x 184 mm.
13 ANTONIO DEL CASTILLO (1616–1668)
Camels. Quill pen. 166 x 246 mm.
14 THÉODORE CHASSÉRIAU (1819–1856)
Amazon. Black crayon. 200 x 270 mm.
15 GIORGIO DE CHIRICO (1888–1978)
Cavalo. Charcoal on paper. 148 x 211 mm.
16 ALLAERT CLAESZ (1498–1562)
Rider. Pen and bistre wash. 323 x 312 mm.
17 CLAUDE (CLAUDE LORRAIN) (1600–1682)
TOP: The Campo Vaccino with the Basilica of Constantine. Pen and bistre
wash. 128 x 93 mm.
BOTTOM: Oxen Approaching a Mountain Lake. Pen and brown ink, and
wash. 104 x 150 mm.
18 EDGAR DEGAS (1834–1917)
Racehorse and Jockey. Red chalk. 283 x 418 mm.
19 EDGAR DEGAS (1834–1917)
Study for ‘Steeplechase—The Fallen Jockey’: The Horse. Charcoal. 231 x
355 mm.
20 EUGÈNE DELACROIX (1798–1863)
A Horseman. Pen and sepia wash. 190 x 230 mm.
21 GASPARE DIZIANI (1689–1767)
Hermit and a Stag. Pen, brown ink and wash over red chalk on thin ecru
paper. 273 x 197 mm.
22 ALBRECHT DÜRER (1471–1528)
Sketches of Animals and Landscapes (detail). Pen and black ink; blue, gray,
and rose wash. 264 x 397 mm.
23 ALBRECHT DÜRER (1471–1528)
The Knight on Horseback. Pen and brown ink with watercolor on white
paper. 410 x 324 mm.
24 ALBRECHT DÜRER (1471–1528)
Head of a Roebuck. Watercolor. 228 x 166 mm.
25 ALBRECHT DÜRER (1471–1528)
The Italian Trophies. Pen and black ink on white paper, numerous
pentimenti. 432 x 316 mm.
26 ANTHONY VAN DYCK (1599–1641)
Studies of a Horse. Black chalk, with white chalk highlights, on blue paper.
429 x 366 mm.
27 ANTHONY VAN DYCK (1599–1641)
Studies of the Head of a Horse and of a Man on Horseback. Pen and brush
in brown. 264 x 165 mm.
28 ANTHONY VAN DYCK (1599–1641)
Studies of a Greyhound. Black chalk, with white chalk highlights, on light
brown paper. 470 x 328 mm.
29 JEAN-LOUIS FORAIN (1852–1931)
Equestrienne. Pen and brush and black ink, and watercolor. 264 x 333 mm.
30 JEAN-HONORÉ FRAGONARD (1732–1806)
Bull in a Stable (Taureau de la Campagne Romaine). Bistre wash. 350 x
490 mm.
31 THOMAS GAINSBOROUGH (1727–1788)
Study of a Bulldog. Black chalk, heightened with white chalk, and touched
with brown chalk, on gray paper, discolored to buff. 314 x 244 mm.
32 JEAN-LOUIS-ANDRÉ-THÉODORE GÉRICAULT (1791–1824)
Mounted Officer of the Carabineers (Seen from the Back). Black chalk with
watercolor, heightened with white. 254 x 215 mm.
33 JEAN-LOUIS-ANDRÉ-THÉODORE GÉRICAULT (1791–1824)
Study of a Dead Horse. Pencil. 227 x 297 mm.
34 GERMAN MASTER, ANONYMOUS (15th Century)
Knight on Horseback. Pen and bistre with ochre brush work on tan paper.
188 x 122 mm.
35 JACOB DE GHEYN II (1565–1629)
Plucked Chickens Hanging from Nails. Pen and brown ink. 167 x 135 mm.
36 GIULIO PIPPI (called GIULIO ROMANO) (1499–1546)
The Head of An Eagle. Pen and brown ink and wash. 120 x 213 mm.
37 VINCENT VAN GOGH (1853–1890)
Studies of a Dead Sparrow. Black chalk. 240 x 320 mm.
38 HENDRICK GOLTZIUS (1558–1617)
Sacrificial Scene. Pen and gray ink, gray wash, heightened with white, on
green prepared paper. 308 x 411 mm.
39 FRANCISCO GOYA (1746–1828)
Man Taming a Horse. Sepia wash. 193 x 131 mm.
40 FRANCISCO GOYA (1746–1828)
Another Way of Bullfighting on Foot. Red crayon. 290 x 185 mm.
41 HANS HOFFMANN (c.1530–1591/92)
Fish. Watercolor on parchment with pale-blue ground-coating. 125 x 186
mm.
42 HANS HOFFMANN (c.1530–1591/92)
Dead Blue Jay. Watercolor and gouache. 489 x 318 mm.
43 KATSUSHIKA HOKUSAI (1760–1849)