Table Of Content

Lecture Notes in Morphogenesis Series Editor: Alessandro Sarti Federico Vercellone Salvatore Tedesco   Editors Glossary of Morphology Lecture Notes in Morphogenesis Series Editor Alessandro Sarti, CAMS Center for Mathematics, CNRS-EHESS, Paris, France LectureNotesinMorphogenesisisaninterdisciplinarybookserieswhichaimsto facethequestionsofemergence,individuationandbecomingofformsfromseveral different points of view: those of pure and applied mathematics, of computational algorithms, of biology,of neurophysiology, of cognitive and social structures. The set of questions above concerns all the manifestations of Being, all the manifestations of Life. At the heart of contemporary embryogenesis lies an essentialquestion:Howcanformemergefromtheconstant,chaoticflow?Howcan a sequence of purely informational elements — an a-signifying combination of chemical substances organized in the DNA molecule — evolve into the highly complex and structured forms of the living organism? A similar question can be asked when we deal with the morphogenesis of vision in neural systems and with the creation of evolving synthetic images, since digital technology makes possible the simulation of emergent processes both of living bodies and of visual forms. Finallytheveryideathatabstractstructuresofmeaningcouldbecapturedinterms of morphodynamic evolution opens the door to new models of semiolinguistics, semioticmorphodynamics,andcognitivegrammars.Anentireheritageofideasand conceptshastobereconsideredinordertofacenewandchallengingproblems:the theoretical framework opened by Goethe with the introduction of the word “Morphogenesis”isdevelopedbyD’ArcyThompsonin“OnGrowthandForm”,it is reorganized with new theoretical insights by the classical structuralism of Levi-Strauss and formalized by the dynamical structuralism of René Thom. The introduction of the post-structuralists ideas of individuation (in Gilbert Simondon and Gilles Deleuze) and plasticity of structures builds a bridge to contemporary problems of morphogenesis at a physical, biological, social and transindividual level. The objective of this book series is to provide suitable theoretical and practicaltoolsfordescribingevolutionaryphenomenaatthelevelofFreeboundary problems in Mathematics, Embryogenesis, Image Evolution in Visual Perception, Visual Models of Morphogenesis, Neuromathematics, Autonomy and Self-Organization, Morphogenetic Emergence and Individuation, Theoretical Biology, Cognitive Morphodynamics, Cities Evolution, Semiotics, Subjectivation processes, Social movements as well as new frontiers of Aesthetics. To submit a proposal or request further information, please use the PDF Proposal Form or contact directly: Dr. Thomas Ditzinger ([email protected]) More information about this series at http://www.springer.com/series/11247 Federico Vercellone Salvatore Tedesco (cid:129) Editors Glossary of Morphology 123 Editors Federico Vercellone SalvatoreTedesco Dipartimento di FilosofiaeScienze Scienze Umanistiche dell’Educazione Universitàdi Palermo Universitàdi Torino Palermo, Italy via Sant’Ottavio 20 Torino, Italy ISSN 2195-1934 ISSN 2195-1942 (electronic) Lecture Notesin Morphogenesis ISBN978-3-030-51323-8 ISBN978-3-030-51324-5 (eBook) https://doi.org/10.1007/978-3-030-51324-5 ©SpringerNatureSwitzerlandAG2020 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpart of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission orinformationstorageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilar methodologynowknownorhereafterdeveloped. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publicationdoesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfrom therelevantprotectivelawsandregulationsandthereforefreeforgeneraluse. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained hereinorforanyerrorsoromissionsthatmayhavebeenmade.Thepublisherremainsneutralwithregard tojurisdictionalclaimsinpublishedmapsandinstitutionalaffiliations. ThisSpringerimprintispublishedbytheregisteredcompanySpringerNatureSwitzerlandAG Theregisteredcompanyaddressis:Gewerbestrasse11,6330Cham,Switzerland Contents Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Salvatore Tedesco and Federico Vercellone Aesthetics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Salvatore Tedesco and Federico Vercellone Analogy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Carmelo Calì Artefact . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Peppino Ortoleva Artifex . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Amalia Maria Sofia Salvestrini Artistic Morphology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Federico Vercellone Atmosphere . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Tonino Griffero Attractors/Basin of Attraction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Francesco La Mantia Biopolitics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 Giovanni Leghissa Body. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Andrea Borsari Character/State . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Salvatore Tedesco Chreod. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Francesco La Mantia v vi Contents Classics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Giuseppe Cambiano Code (Biological) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Alessandro Minelli Code (Juridical) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Pier Giuseppe Monateri Colour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Luca Farulli Complexity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Mauro Ceruti Contour/Outline/Silhouette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Carmelo Calì Dance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Roberto Giambrone Deformation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 Carmelo Calì Degeneration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 Salvatore Tedesco Demography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 Hervé Le Bras Development/Evolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Alessandro Minelli Device. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Massimo Bergamasco Diagrams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Carmelo Calì Diaphane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Anca Vasiliu Drawing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Carmelo Calì Dynamic System. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Mauro Ceruti Eidetics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Carmelo Calì Emergence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141 Salvatore Tedesco Contents vii Enactivism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149 Antonino Bondì Epidemiology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 Paolo Vineis Epigenesis/Preformation(ism) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Alessandro Ottaviani Epigenetic Landscape. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 Sara Franceschelli Epigenetics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Paolo Vineis Ethics of Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 Gregorio Tenti Evidence/Intuibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177 Carmelo Calì Extension . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179 Pietro Corvaja Figuration/Figure/Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Salvatore Tedesco Folktale, Morphology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Gianfranco Marrone Food. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Nicola Perullo Form Constancy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197 Carmelo Calì Formation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Salvatore Tedesco and Federico Vercellone Formula . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 Pietro Corvaja Fractal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209 Francesco La Mantia Generation/Genealogy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 Pier Paolo Viazzo Geography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217 Paolo Furia Gestalt/Gestalt Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221 Carmelo Calì viii Contents Graph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225 Carmelo Calì Groups, Theory of . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227 Francesco La Mantia Grouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229 Carmelo Calì Hermeneutics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233 Leonardo Samonà Heterogenesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239 Alessandro Sarti Historical Form of Art. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243 Federico Vercellone Homology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Salvatore Tedesco Horizon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253 Gregorio Tenti Icon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 William John Thomas Mitchell Iconoclash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261 Federico Vercellone Identity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265 Paolo Furia Image/Reproduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271 Federico Vercellone Improvisation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273 Alessandro Bertinetto Incarnation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277 Salvatore Tedesco Individuation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279 Alessandro Sarti Intuition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281 Carmelo Calì Isomorphy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285 Pietro Corvaja Landscape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287 Raffaele Milani Contents ix Legal Formalism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291 Pier Giuseppe Monateri Life. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293 Vallori Rasini Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299 Carmelo Calì Mask . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303 Rosario Perricone Matrix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 Pietro Corvaja Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309 Pietro Corvaja Measurement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 Carmelo Calì Melody. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 Alessandro Bertinetto Metamorphosis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319 Valeria Maggiore Metaphor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 Alberto Martinengo Mimesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 Christoph Wulf Model. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 Carmelo Calì Morpheme . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 Francesco La Mantia Morphology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337 Salvatore Tedesco and Federico Vercellone Museum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347 Danilo Eccher Myth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351 Federico Vercellone Niche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355 Salvatore Tedesco Ontogeny/Phylogeny. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359 Alessandro Minelli

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Glossary of Morphology PDF

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Author:Federico Vercellone, Salvatore Tedesco
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