Table Of ContentSSeeuurraatt
Page 4:
Georges-Pierre Seurat
Photograph
Author:
Lucie Cousturier
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ISBN 978-1-78160-771-8
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Art is harmony. Harmony is the analogy of contrasts, the analogy of
similarities, of tone, of shade, of line, considered by the dominant, and
under the influence of happy, calm, or sad lighting combinations.
· Georges Seurat
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Biography
1859: Georges-Pierre Seurat was born in Paris into a bourgeois family. His aunt was the wife of
art dealer and amateur painter, Paul Homonté. This uncle was of particular influence to the
young Georges as he introduced him to the practice of painting. Seurat was drawing from
the age of nine.
1876: Seurat enrolled in the École Nationale des Beaux-Arts in Paris as an external auditor.
1878: Enrolled definitively in the École Nationale des Beaux-Arts in Paris in the department of
painting. The painter Henri Lehmann (1814-1882), a former student of Ingres, was
amongst his professors. It was during this period that Seurat read a scientific treaty on
colours for the first time. He began with De la loi du contraste simultané de couleurs (1839)
by the chemist Eugène Chevreul.
1879: Seurat opened a workshop with his friends Edmond Amand-Jean (who became a Symbolist
painter) and Ernest Laurent who followed him into Neo-Impressionism. Together they visited
the fourth Impressionist exhibition, and Seurat then decided to leave the Beaux-Arts.
Georges left to complete his military service in Brest, returning one year later with numerous
drawings of seascapes.
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1882: He began to devote himself to the study of black and white and to the contrasts between
colours, which would become the foundation for his artistic technique.
1884: Seurat exhibited his first big composition, Bathers at Asnières, at a salon for independent
artists (Salon des Indépendants). There, he encountered painters who formed the Neo-
Impressionist group. These included Charles Angrand, Maximilien Luce, Henri Cross, and
Paul Signac.
1884-1890: During the summer, Seurat made several trips to Normandy, to the seaside, notably at
Grandcamp-Maisy, Honfleur, and Port-en-Bessin. These seascapes were of great
inspiration to him, and he brought back many paintings and drawings.
1886: He finished what is without doubt the most famous of his canvasses, A Sunday on La
Grande Jatte, and exhibited it during the second Salon des Indépendants.
1890: His son, Pierre Georges, from his liaison with the model Medeleine Knobloch, was born.
His family and friends consequently discovered this relationship, which had been previously
kept hidden.
March 1891: Georges Seurat died suddenly, most probably from diphtheria. His son died from the
same illness a month later.
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The Paintings
If the fame which the names of Cézanne and
Renoir have retained has bypassed Seurat, it is
because the latterÊs works, which were
immediately snapped up and fixed in private
collections, have almost no contact with the public.
Portrait of a Young Woman (The Artist’s Cousin?)
c. 1877-1879
Oil on canvas, 30.4 x 25 cm
The Dumbarton Oaks Research Library and Collections,
Washington D.C
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It was through successive works that the artistic
innovators appeased the clamouring masses. Their
total production of works is like a conversation
which, by subtle styles and nuances, sways the
viewers. Had Seurat continued to live beyond his
thirty one years, nothing could today escape the
domination of his work, which the vigour of his
Woman on a Bench (Repairing her Coat)
1880-1881
Pencil, 16.5 x 10.4 cm
Robert and Lisa Sainsbury Collection,
Sainsbury Centre for Visual Arts, Norwich
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