Table Of ContentEuropean Theories
in Former Yugoslavia
European Theories
in Former Yugoslavia:
Trans-theory Relations between
Global and Local Discourses
Edited by
Miško Šuvaković, Žarko Cvejić
and Andrija Filipović
European Theories in Former Yugoslavia:
Trans-theory Relations between Global and Local Discourses
Edited by Miško Šuvaković, Žarko Cvejić and Andrija Filipović
This book first published 2015
Cambridge Scholars Publishing
Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Copyright © 2015 by Miško Šuvaković, Žarko Cvejić, Andrija Filipović
and contributors
All rights for this book reserved. No part of this book may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording or otherwise, without
the prior permission of the copyright owner.
ISBN (10): 1-4438-7720-4
ISBN (13): 978-1-4438-7720-6
TABLE OF CONTENTS
Acknowledgements .................................................................................... ix
Introduction ................................................................................................. 1
European Theories in Former Yugoslavia
Žarko Cveji(cid:252), Andrija Filipovi(cid:252) and Miško Šuvakovi(cid:252)
Chapter One ................................................................................................. 5
Andrew Bowie and Music in German Philosophy around 1800:
The Case of Kant
Žarko Cveji(cid:252)
Chapter Two .............................................................................................. 12
Walter Benjamin and the Deterritorialisation of the Original
Jovan (cid:253)eki(cid:252)
Chapter Three ............................................................................................ 20
Toward a Critique of Post-structuralist Anti-humanism:
Cavell and Foucault
Nikola Dedi(cid:252)
Chapter Four .............................................................................................. 27
Hélène Cixous’s écriture féminine and Rachael Blau DuPlessis’s
Feminine Aesthetic
Dubravka (cid:264)uri(cid:252)
Chapter Five .............................................................................................. 34
Artification and Jacques Rancière’s Aesthetic Regime of Art
Aleš Erjavec
Chapter Six ................................................................................................ 40
Deleuze and the Question of the Human in Contemporary Art
Andrija Filipovi(cid:252)
vi Table of Contents
Chapter Seven ............................................................................................ 46
Sara Ahmed and the Analysis of Critical Whiteness and Racism
in Post-former-Yugoslavia
Marina Gržini(cid:252)
Chapter Eight ............................................................................................. 52
The Epistemological Aspect of André Nusselder’s Interface Theory
Oleg Jekni(cid:252)
Chapter Nine .............................................................................................. 58
Gadamer’s Approach to the Paradox of the Open Horizon of Actuality
Nataša Lah
Chapter Ten ............................................................................................... 64
Transgressions of Utilitarian Speech in Bakhtin’s Speech Practice
and the Trans-rational Experiment
Amra Latifi(cid:252)
Chapter Eleven .......................................................................................... 73
Jacques Attali’s Concept of the Political Economy of Music in the Context
of the Recording Industry in Former Yugoslavia
Marija Maglov
Chapter Twelve ......................................................................................... 79
Some Aspects of the Contemporary Methodological Position in Mazel’s
Integral Analysis Method of Analysing Musical Works
Sonja Marinkovi(cid:252)
Chapter Thirteen ........................................................................................ 86
Dissensus communis: Rancière and the Dehumanisation of Art
Bojana Mateji(cid:252)
Chapter Fourteen ....................................................................................... 92
Stuart Hall’s “Double Articulation” in Theorising Yugoslav Popular
Music
Vesna Miki(cid:252)
Chapter Fifteen ........................................................................................ 101
Julia Kristeva’s Concept of Abjection applied to the Phenomenon
of the Transgender Body
Aleksa Milanovi(cid:252)
European Theories in Former Yugoslavia vii
Chapter Sixteen ....................................................................................... 107
The A of Deconstruction: Derrida, la différance, and “and”
Novica Mili(cid:252)
Chapter Seventeen ................................................................................... 116
The Theoretical and Philosophical Approach to the Concept
of Authenticity in the Works of Cesare Brandi and his Contemporaries
Marko Nikoli(cid:252)
Chapter Eighteen ..................................................................................... 122
Philippe Sollers and the Idea of Textual and Ideological Revolution
Sanela Nikoli(cid:252)
Chapter Nineteen ..................................................................................... 128
Theory of Contemporary Art: Lines and Curves (Boris Groys,
Dieter Mersch, W. J. T. Mitchell)
Žarko Pai(cid:252)
Chapter Twenty ....................................................................................... 135
Louis Althusser’s Theory of Ideological Interpellation in the Post-socialist
Space of the Balkans
Rade Panti(cid:252)
Chapter Twenty-one ................................................................................ 142
Vibrant Social Technologies: Bruno Latour’s Sociology of Non-humans
and its Potential for Contemporary Social Theory
Ana Petrov
Chapter Twenty-two ................................................................................ 148
The Liquid Context: Zygmunt Bauman’s Liquid Modernity
Maja Stankovi(cid:252)
Chapter Twenty-three .............................................................................. 155
Olga Freidenberg’s Concept of the Parodic
Lada Stevanovi(cid:252)
Chapter Twenty-four ............................................................................... 160
Ignasi de Solà-Morales and Minimalism
Vladimir Stevanovi(cid:252)
viii Table of Contents
Chapter Twenty-five ................................................................................ 167
Woman as the Ineffable/Intangible Point of Textual Coordinates:
Luce Irigaray and the Strategies of Working with the Limits
of Phallogocentrism
Dragana Stojanovi(cid:252)
Chapter Twenty-six ................................................................................. 173
A Discussion of Hans-Thies Lehmann’s Paradigm of Postdramatic
Theatre
Aneta Stojni(cid:252)
Chapter Twenty-seven ............................................................................. 179
Jacques Lacan, Early Lacanianism, and Former Yugoslavia
Miško Šuvakovi(cid:252)
Chapter Twenty-eight .............................................................................. 187
The Baroque has no Metropolis: Peter Davidson and the Universal
Baroque
Jelena Todorovi(cid:252)
Editors and Contributors .......................................................................... 192
Index of Names........................................................................................ 196
ACKNOWLEDGEMENTS
The editors wish to thank all the contributors for the hard work they
invested in this project. Also, the editors are especially grateful to the
Faculty of Media and Communications, Belgrade, and its Dean, Professor
Nada Popovi(cid:252) Periši(cid:252), for her generous assistance, without which this
book could not happen.
