Table Of Content

Double bass quartet for 3 double basses and cello solo Piotr Zabielski 1. Adagio maestoso Violoncello              mf sf p          Contrabass 1          mf sf p           Contrabass 2       mf sf p            Contrabass 3         mf sf p  A rall. Andante 7    Vc         f           Cb1                    mp               Cb2                mp Cb3                                     mp  10         Vc                                Cb1                                       Cb2                       Cb3                                       2 12       Vc              Cb1                                        Cb2             Cb3                                  sf sf  14        Vc        Cb1        f                                          Cb2             Cb3                                   sf sf sf sf  16                                      Vc     mf f p    Cb1                                        mf f p                                                      Cb2        f p                  Cb3                                    sf sf f p 3 B 18                        Vc     f  Cb1                         f          Cb2                f         Cb3                    f     22 Vc              p f pesante pp arco pizz.   Cb1                p f pesante pp pizz. arco       Cb2                 p f pesante pp pizz. arco      Cb3                 p f pesante pp 2. Allegro rall. A tempo 4 C arco pizz.                Violoncello        f pizz.  arco                   Contrabass 1     f pizz. arco Contrabass 2                      f pizz. arco   Contrabass 3                        f  D pg. 8 pizz. arco Vc                     mf sfp sf sf pp sul pont. pizz. Cb1             arco         mf sfp sf sf pp sul pont. pizz. arco Cb2                     mf sfp sf sf pp Cb3  pizz.      sul pont.    arco         mf sfp sf sf pp 5 18 pizz. Vc                       3 3 ff p sf                    pizz.           Cb1          3 3 ff p sf                 pizz.      Cb2     3 3 ff p sf              pizz. Cb3                3 3 ff p sf  E furioso 27 arco   Vc            f                   Cb2  mp     Cb3                 mp  31    Vc              Cb1                      Cb2      Cb3               6 35  Vc                Cb1                      Cb2      Cb3                39  Vc                  Cb2      Cb3          F 44 pizz.    Vc               mf pizz.              Cb1    mf                   Cb2     mf     Cb3                   mf 7 molto rall. 48 arco attaca Vc                        p arco attaca  Cb1                        p pesante attaca  Cb2                        p attaca pesante   Cb3                      p  3. Largo misterioso G 1 dolce Violoncello                 p mp mp                Contrabass 1  p mp pp arco     Contrabass 2            p mp pp arco  Contrabass 3             3 3 3 3 p mp pp  H 6   Vc                       3 3 3 3 pp                   Cb1 3 3 3 3     Cb2       mp 3 3 3 3 3 3                     Cb3                     3 3 3 3 3 3 8 9       Vc                    3 3 3 3 3 3 p                                       Cb1 3 3 3 3 3 3 3 3 3 3 3 3 Cb2          3 3 3 3 3 3 3 3 3 3 3 3   Cb3                                        rall. I Andante Vc 12                 ppp f                    Cb1    3 3 3 3 ppp mf       Cb2         pp ppp mf    Cb3                   3 3 3 3 ppp mf  17 Vc                mp       Cb1              mp             Cb2   mp pizz. Cb3                       mp 9 22          Vc           ppp smorzando           Cb1           ppp smorzando        Cb2          ppp smorzando   arco      Cb3           ppp smorzando 10 4. Allegro 1 Violoncello                ff                  Contrabass 1  f      Contrabass 2         f           Contrabass 3            f  J 8 Vc                       p sf p                                      Cb1  p mp mp                   Cb2                         p mp mp                       Cb3                               p mp mp  K Vc 13                                    ff ff                                              Cb1  ff f Cb2                                ff f            Cb3                                            ff f

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