design portfolio

122 Pages·2016·58.52 MB·English

DESIGN PORTFOLIO
ALá n RAmI R O m An nIn g

“The test of a work of art is, in
the end, our affection for it, not
our ability to explain why it is
good.”
- Stanley Kubrick
TEMPERED GLASS
1 1/2" 5/16" 1 1/2" 1 1/2" 1'-0" 1 1/2" 1 1/2" 1 1/2" 2" 5/16"
DOOR SEAL, TYP.
PP AAAA UURR LLCC HHMM IIUU TT RR EE DDCC OOTT CCSS HH
PASRCTHIETIDOUNL EADS 2" 2" 1 1/2" PSACRHTEIDTUIOLNE DAS 1 1/2" DOOR PER SCH. TYP. 4" 4" HINGE METAL FRAMING 1 1/2" PSACRHTEIDTUIOLNE DAS 88B3B38811ee2200vv00 ee33 rr 55llWWyy88 HH--iill00ssii99llhhllss99iirr,,33ee CC FFBBaa..llll33vviiff11ddoo00..rr nn 33SSiiaa55uu 88 iitt99--ee9900 113322993311660011
2E WINDOW JAMBS AT 2D DOOR STRIKE JAMB 2C DOOR HINGE JAMBS AT 2B DOOR STRIKE JAMB 2A ALUM WINDOW
INTERSECTION W/ WALL W/ SOLID WALL INTERSECTION W/ WALL W/ SIDELITE JAMB MULLION
NOTE: FOR STUD OPENING AND FRAMING REFER TO A705
ALUMINUM DOOR AND WINDOW FRA3"M = 1E'-0S" 2
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ALUM. WINDOW FRAME @ G3" .=L 1.' -C0" 25 MESH INFILL P3A" =N 1E'-0L" 20 POST BASE DE3" T= A1'-I0L" 15 @ CANTILEVER PARTITION CANTILEVER PARTITION DE3" T= A1'-I0L" 5 DDSSAHHRR.EEAAMEEWW.TTNN NNOOA..707CCHHMEECC.MKK.EEDD
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AERIAL VIEW LOOKING SOUTH TOWARDS NEW HARBOR AND SERVICE BUILDING AND ELEVATED PUBLIC PROMENADE ALONG SHORELINE
27 sections of the previous proposal 018 019 12/21 - 3 PM 020 021 022 023 024 025 026 027 newest proposal defines the site and its parameters with a greater intent in involving the topography and landscape conditions.
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Meridian Street po iat et iln6/20 - 5 PMmcoorrrhoycolnraden podfrt etLennsd rh mh iomitstadst s c h E aewetashhdntae hapevhc aenr ayewinetVe alnihen edeptlsco l lot rnds 1 l tbAierteett vgdirhocihhioIneck toenooeoejReeneaerfs pmv ri lnncfs oDeyetothshfr. taoalfnlhigh density of shadows - summer solstice low density of shadows - winter solstice hidden program 7wind flow density flora geometric relationships grasses6/20 - 5 PM Cpathways6/20 - 5 PM rafT 18
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6/20 - 8 AM
INTroDUCTIoN
“architecture is an art when one
consciously or unconsciously
creates aesthetic emotion in
the atmosphere and when this
environment produces well-be-
ing.”
- Luis Barragán
As a designer, I aspire to thread the natural dis- Urban sketching which is on location in one to fluidity, community, steel, structure, nature, and
covery of sketching into the practice of architec- one scale, connects you to the environment’s sustainability among others terms. It is here that
ture; sketching is an essential hand tool for real sounds, smells and colors in a most authen- I ventured to discover the potential for creating
time creation. As technology increases its means tic, raw way; the process is meticulous and spaces that encourage well-being.
for designers to produce in varying ways, it is meditative. This is how I connect to a space and
our duty as designers to stay true to the hand, it understand its inner and outer workings. In turn, I would like to give a special thank you to my
is the only authentic tool that can translate the I come to understand what the space wants or mentors, professors, competitive encouraging
imagination in the most fluid relatable way. This needs, how it can be transformed or expounded colleagues, the inspiring travelers, and my friends
does not mean we rebel against growing forms upon and how I can instill my own design in a and family who were part of the process in my
of design, but we adapt, and combine forces. space. education and experiences; the journey to be-
This is what we call, hybrid working methods. coming an architect is just getting started.
By designing back and forth both analog and The body of work presented in this book is
digital, learning from one to the next, extracting strung together by a common attitude towards
and implementing the learned qualities to the approaching a design, an architecture. Terms
following iteration, this is where the potential for consistently seen as driving forces are: harmony,
inspiring spaces are born. light, passive, context, precision, simplicity,

01
GUGGENHEIM HElSINKI
International Design Competition
location: Helsinki, Finland firm: Paul murdoch Architects
Typology: museum Key roles: 3D model Designer,
Coordination of Visualization
GUGGENHEIM HElSINIKI

PAUL mURDOCH ARCHITECTS

A sleek maritime form gently settles on the
harbors plaza. Iconic and strong, this museum is
unique to the context of Helsinki. The structure
is sensitive to the surrounding elevations by gen-
tly graduating to a height that meets the top of
the adjacent park. By night light bursts through
wooden ribbed structure and evokes the framing
of a boat hull. By day the glazing’s dynamic tint is
light controlled to preserve the artwork. The nat-
ural day lighting in the adaptable interior imbues
a sense of harmony with the exterior; connecting
the inhabitants to an authentic experience with
the artworks as well as the city of Helsinki.
22
Museum Render Montages: 1. Entry Plaza 2. Rhino 3D
3. Strong and Iconic Illuminating the Harbor
4. Electronically Tintable Dyanmic Glass
5. Finish Tradition with Innovative Wood Construction
1