Dada and Surrealism : a very short introduction

209 Pages·2004·3.504 MB·English

by  Hopkins, David

Dada and Surrealism: A Very Short Introduction
Very Short Introductions are for anyone wanting a stimulating
and accessible way in to a new subject. They are written by experts, and have
been published in more than 25 languages worldwide.
The series began in 1995, and now represents a wide variety of topics
in history, philosophy, religion, science, and the humanities. Over the next
few years it will grow to a library of around 200 volumes – a Very Short
Introduction to everything from ancient Egypt and Indian philosophy to
conceptual art and cosmology.
Very Short Introductions available now:
ANCIENT PHILOSOPHY Continental Philosophy
Julia Annas Simon Critchley
THE ANGLO-SAXON AGE COSMOLOGY Peter Coles
John Blair CRYPTOGRAPHY
ANIMAL RIGHTS David DeGrazia Fred Piper and Sean Murphy
ARCHAEOLOGY Paul Bahn DADA AND SURREALISM
ARCHITECTURE David Hopkins
Andrew Ballantyne Darwin Jonathan Howard
ARISTOTLE Jonathan Barnes Democracy Bernard Crick
ART HISTORY Dana Arnold DESCARTES Tom Sorell
ART THEORY Cynthia Freeland DRUGS Leslie Iversen
THE HISTORY OF THE EARTH Martin Redfern
ASTRONOMY Michael Hoskin EGYPTIAN MYTHOLOGY
Atheism Julian Baggini Geraldine Pinch
Augustine Henry Chadwick EIGHTEENTH-CENTURY
BARTHES Jonathan Culler BRITAIN Paul Langford
THE BIBLE John Riches THE ELEMENTS Philip Ball
BRITISH POLITICS EMOTION Dylan Evans
Anthony Wright EMPIRE Stephen Howe
Buddha Michael Carrithers ENGELS Terrell Carver
BUDDHISM Damien Keown Ethics Simon Blackburn
CAPITALISM James Fulcher The European Union
THE CELTS Barry Cunliffe John Pinder
CHOICE THEORY EVOLUTION
Michael Allingham Brian and Deborah Charlesworth
CHRISTIAN ART Beth Williamson FASCISM Kevin Passmore
CLASSICS Mary Beard and THE FRENCH REVOLUTION
John Henderson William Doyle
CLAUSEWITZ Michael Howard Freud Anthony Storr
THE COLD WAR Galileo Stillman Drake
Robert McMahon Gandhi Bhikhu Parekh
GLOBALIZATION PLATO Julia Annas
Manfred Steger POLITICS Kenneth Minogue
HEGEL Peter Singer POLITICAL PHILOSOPHY
HEIDEGGER Michael Inwood David Miller
HINDUISM Kim Knott POSTCOLONIALISM
HISTORY John H. Arnold Robert Young
HOBBES Richard Tuck POSTMODERNISM
HUME A. J. Ayer Christopher Butler
IDEOLOGY Michael Freeden POSTSTRUCTURALISM
Indian Philosophy Catherine Belsey
Sue Hamilton PREHISTORY Chris Gosden
Intelligence Ian J. Deary PRESOCRATIC PHILOSOPHY
ISLAM Malise Ruthven Catherine Osborne
JUDAISM Norman Solomon Psychology Gillian Butler and
Jung Anthony Stevens Freda McManus
KANT Roger Scruton QUANTUM THEORY
KIERKEGAARD Patrick Gardiner John Polkinghorne
THE KORAN Michael Cook ROMAN BRITAIN Peter Salway
LINGUISTICS Peter Matthews ROUSSEAU Robert Wokler
LITERARY THEORY RUSSELL A. C. Grayling
Jonathan Culler RUSSIAN LITERATURE
LOCKE John Dunn Catriona Kelly
LOGIC Graham Priest THE RUSSIAN REVOLUTION
MACHIAVELLI Quentin Skinner S. A. Smith
MARX Peter Singer SCHIZOPHRENIA
MATHEMATICS Timothy Gowers Chris Frith and Eve Johnstone
MEDIEVAL BRITAIN SCHOPENHAUER
John Gillingham and Christopher Janaway
Ralph A. Griffiths SHAKESPEARE Germaine Greer
MODERN IRELAND SOCIAL AND CULTURAL
Senia Pasˇeta ANTHROPOLOGY
MOLECULES Philip Ball John Monaghan and Peter Just
MUSIC Nicholas Cook SOCIOLOGY Steve Bruce
NIETZSCHE Michael Tanner Socrates C. C. W. Taylor
NINETEENTH-CENTURY SPINOZA Roger Scruton
BRITAIN Christopher Harvie and STUART BRITAIN John Morrill
H. C. G. Matthew TERRORISM Charles Townshend
NORTHERN IRELAND THEOLOGY David F. Ford
Marc Mulholland THE TUDORS John Guy
paul E. P. Sanders TWENTIETH-CENTURY
Philosophy Edward Craig BRITAIN Kenneth O. Morgan
PHILOSOPHY OF SCIENCE Wittgenstein A. C. Grayling
Samir Okasha WORLD MUSIC Philip Bohlman
Available soon:
AFRICAN HISTORY HIEROGLYPHS
John Parker and Richard Rathbone Penelope Wilson
ANCIENT EGYPT Ian Shaw HIROSHIMA B. R. Tomlinson
THE BRAIN Michael O’Shea HUMAN EVOLUTION
BUDDHIST ETHICS Bernard Wood
Damien Keown INTERNATIONAL RELATIONS
CHAOS Leonard Smith Paul Wilkinson
CHRISTIANITY Linda Woodhead JAZZ Brian Morton
CITIZENSHIP Richard Bellamy MANDELA Tom Lodge
CLASSICAL ARCHITECTURE MEDICAL ETHICS
Robert Tavernor Tony Hope
CLONING Arlene Judith Klotzko THE MIND Martin Davies
CONTEMPORARY ART Myth Robert Segal
Julian Stallabrass NATIONALISM Steven Grosby
THE CRUSADES PERCEPTION Richard Gregory
Christopher Tyerman PHILOSOPHY OF RELIGION
Derrida Simon Glendinning Jack Copeland and Diane Proudfoot
DESIGN John Heskett PHOTOGRAPHY
Dinosaurs David Norman Steve Edwards
DREAMING J. Allan Hobson THE RAJ Denis Judd
ECONOMICS Partha Dasgupta THE RENAISSANCE
THE END OF THE WORLD Jerry Brotton
Bill McGuire RENAISSANCE ART
EXISTENTIALISM Thomas Flynn Geraldine Johnson
THE FIRST WORLD WAR SARTRE Christina Howells
Michael Howard THE SPANISH CIVIL WAR
FREE WILL Thomas Pink Helen Graham
FUNDAMENTALISM TRAGEDY Adrian Poole
Malise Ruthven THE TWENTIETH CENTURY
Habermas Gordon Finlayson Martin Conway
For more information visit our web site
www.oup.co.uk/vsi
David Hopkins
DADA AND
SURREALISM
A Very Short Introduction
1
3
Great Clarendon Street, Oxford ox2 6dp
Oxford University Press is a department of the University of Oxford.
It furthers the University’s objective of excellence in research, scholarship,
and education by publishing worldwide in
Oxford New York
AucklandBangkokBuenos AiresCape TownChennai
Dar es SalaamDelhiHong KongIstanbulKarachiKolkata
Kuala LumpurMadridMelbourneMexico CityMumbaiNairobi
São PauloShanghaiTaipei TokyoToronto
Oxford is a registered trade mark of Oxford University Press
in the UK and in certain other countries
Published in the United States
by Oxford University Press Inc., New York
© David Hopkins, 2004
The moral rights of the author have been asserted
Database right Oxford University Press (maker)
First published as a Very Short Introduction 2004
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the prior permission in writing of Oxford University Press,
or as expressly permitted by law, or under terms agreed with the appropriate
reprographics rights organizations. Enquiries concerning reproduction
outside the scope of the above should be sent to the Rights Department,
Oxford University Press, at the address above
You must not circulate this book in any other binding or cover
and you must impose this same condition on any acquirer
British Library Cataloguing in Publication Data
Data available
Library of Congress Cataloging in Publication Data
Data available
ISBN 0–19–280254–2
357910 8642
Typeset by RefineCatch Ltd, Bungay, Suffolk
Printed in Great Britain by
TJ International Ltd., Padstow, Cornwall
Contents
List of illustrations viii
Acknowledgements xi
Introduction xiv
1
Dada and Surrealism: a historical overview 1
2
‘Rather life’: promoting Dada and Surrealism 30
3
Art and anti-art 62
4
‘Who am I?’: mind/spirit/body 97
5
Politics 123
6
Looking back on Dada and Surrealism 146
References 157
Further reading 161
Dada: the main centres – key individuals and events 167
Key Surrealist events 170
Key figures associated with surrealism 171
Index 173
List of illustrations
1 Sarah Lucas, Get Off Your 6 The mock trial of
Horse and Drink Your Maurice Barrès 37
Milk xvii
© Sarah Lucas. Courtesy Sadie 7 Installation view of the
Coles HQ, London International Exhibition
of Surrealism at the
2 Marcel Janco, Cabaret
Galerie des Beaux Arts,
Voltaire 5
Paris, 1938 39
© ADAGP, Paris, and DACS,
© Archives du Wildenstein
London 2003. Kunsthaus Zurich
Institute, Paris
3 Marcel Duchamp,
8 ‘Our colleague Benjamin
Fountain 10
Péret in the act of
© Succession Marcel Duchamp/
insulting a priest’ 47
ADAGP, Paris, and DACS,
London 2003. Scottish National Scottish National Gallery of
Gallery of Modern Art Modern Art
4 Max Ernst, Pietà/ 9 Cover: La Révolution
Revolution by Night 19 Surréaliste, 1 (1924) 49
© ADAGP, Paris, and
DACS, London 2003. Photo 10 ‘The Papin Sisters:
© Tate, London 2003 Before and After’ 51
Scottish National Gallery of
5 Installation view of Modern Art
the First International
Dada Fair, Berlin,
June 1920 34
© bpk, Berlin
11 Francis Picabia, Young 16 André Masson, Birth
American Girl in a of Birds 72
State of Nudity 54 © ADAGP, Paris, and DACS,
© ADAGP, Paris, and DACS, London 2003. The Museum of
London 2003. Scottish National Modern Art, New York. Purchase.
Gallery of Modern Art Digital image © 2002 The
Museum of Modern Art/Scala,
12 Jedermann sein eigner Florence
Fussball (Everyman his
17 Max Ernst, Santa
own Football) 55
Conversazione 75
© DACS 2003
© ADAGP, Paris, and DACS,
London 2003. Private collection
13 George Grosz, Daum
Marries her Pedantic
18 Hannah Höch, Bourgeois
Automaton ‘George’ in
Wedding Couple –
May 1920. John
Quarrel 78
Heartfield is Very Glad
Private collection
of it 58
© DACS 2003. Berlinische 19 Joan Miró,
Galerie, Berlin, Landesmuseum The Hunter 79
für Moderne Kunst, Photographie
© Successio Miro, DACS 2003.
und Architektur
The Museum of Modern Art, New
York. Digital image © 2002 The
14 The ‘Palais Idéal’ of the
Museum of Modern Art, New
Postman Cheval. 59 York/Scala, Florence
© Collection Roger-Viollet, Paris
20 René Magritte, Le Viol
15 Hans Arp, Rectangles (The Rape) 82
Arranged According to © ADAGP, Paris, and DACS,
the Laws of Chance 70 London 2003. The Menil
Collection Houston, USA. Photo:
© DACS 2003. The Museum of
Paul Hester
Modern Art, New York. Purchase.
Digital image © 2002 The
Museum of Modern Art/Scala, 21 Salvador Dalí,
Florence ‘Paranoiac Face’ 83
© Salvador Dalí, Gala-Salvador
Dalí Foundation, DACS, London
2003. Scottish National Gallery
of Modern Art