Companion to Music in the Age of the Catholic Monarchs

745 Pages·2016·8.273 MB·English

by  Tessa Knighton (ed.)

 i
CompaniontoMusicintheAgeoftheCatholicMonarchs
© KoninklijkeBrillNV,Leiden,2017 | doi10.1163/9789004329324_001
ii 
Brill’s Companions to the Musical Culture
of Medieval and Early Modern Europe
VOLUME1
Thetitlespublishedinthisseriesarelistedat brill.com/bcmc
 iii
Companion to Music in the Age
of the Catholic Monarchs
Edited by
TessKnighton
LEIDEN|BOSTON
iv 
Coverillustration:Angelmusicianplayingthevihuelademano(ValenciaCathedral,secondhalfofthe
fifteenthcentury)©PhotographbyPascualJoseMerceMartinez.
LibraryofCongressCataloging-in-PublicationData
Names:Knighton,Tess,1957-editor.
Title:CompaniontomusicintheageoftheCatholicmonarchs/editedby
TessKnighton.
Description:Boston;Leiden:Brill,[2017]|Series:Companionstothe
musicalcultureofmedievalandearlymodernEurope;volume1|Includes
bibliographicalreferencesandindex.
Identifiers:LCCN2016032824(print)|LCCN2016034648(ebook)|ISBN
9789004325029(hardback:alk.paper)|ISBN9789004329324(E-book)
Subjects:LCSH:Music--Spain--15thcentury--Historyandcriticism.|
Music--Spain--16thcentury--Historyandcriticism.|Music--Portugal--15th
century--Historyandcriticism.
Classification:LCCML315.2.C662017(print)|LCCML315.2(ebook)|DDC
780.946/09031--dc23
LCrecordavailableathttps://lccn.loc.gov/2016032824
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isbn978-90-04-32932-4(e-book)
Copyright2017byKoninklijkeBrillnv,Leiden,TheNetherlands.
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ContentCsontents v
Contents
List of Figures vii
List of Music Examples x
List of Tables xii
List of Contributors xv
Introduction 1
Tess Knighton
1 Music for the Royal Chapels 21
Kenneth Kreitner
2 Secular Song in Fifteenth-Century Spain 60
Jane Whetnall
3 Instruments, Instrumental Music and Instrumentalists: Traditions
and Transitions 97
Tess Knighton
4 Music and Spectacle 145
Ronald E. Surtz
5 Love and Liberality? Music in the Courts of the Spanish Nobility 173
Roberta Freund Schwartz
6 Music and Musicians at the Portuguese Royal Court and Chapel,
c. 1470–c. 1500 205
Bernadette Nelson
7 Cathedral Soundscapes: Some New Perspectives 242
Juan Ruiz Jiménez
8 Chant, Liturgy and Reform 282
Mercedes Castillo-Ferreira
9 Musical Cultures in the Reinos de Indias at the Time of Isabel and
Ferdinand 323
Javier Marín López
vi Contents
10 The Roman Connection: The Spanish Nation in the Papal Chapel,
1492–1521 364
Richard Sherr
11 Manuscripts of Polyphony from the Time of Isabel and
Ferdinand 404
Emilio Ros-Fábregas
12 Spanish Treatises on Musica Practica c. 1480–1525: Reflections from a
Cultural Perspective 469
Pilar Ramos López
13 Unwritten Music and Oral Traditions at the Time of Ferdinand and
Isabel 504
Giuseppe Fiorentino
14 Lost Voices: Women and Music at the Time of the Catholic
Monarchs 549
Ascensión Mazuela-Anguita
15 Musical Lives: Late medieval Hispano-Jewish Communities 579
Eleazar Gutwirth
Works Cited 617
Index 702
578
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iiepM.ilisolrosenau–(iTndlclIaEaed11aSasaljaacluIr5i4or9Ciurgrudrbxirtnaie.efoaac2nnIo6l1snhensraiaen1eeuihlts1so0siegd4sce,atlcrdcstsMtsihh–ermth6atnianah1Poahnir1ea0nt5andolusaseN5hegdnTC–0ndFdnsp3afPaaCr0rd1BtihoMr0saatFo5cttroSoOaurh)iloIl2eAyLoioomtntneCn2frafstendnnevfdd)lghMaitIedesteocieaiomdhasnlrnleortosMiopsseaC-iospfzitogcentonDoahaaSoilnldnecradcreaiasdaaarotlelnoPiabilcSoscMnfdadOiepncaaptosyThrhlneaCRdsheaCedltihOerneetCiMeroDesidrfsrhnyioTirtMapeborhprliolueooseeocsmsldGoikicoasunstaaiMrcndadAida35335583366v3v6i6gx923453x63328351344466993633791vxx82223345x12222455247133466231vvxxxxxxx64455554234x1x32xxPvviixx3345662xnr230xx1498233669461iie9977502352052921000819401453556i057496222848000222413ii602124720636iiiiiii009ii89iiii71ii72264ri0ii6i72ii44iiii6iiii7iiiv157362959113n12215793548d75073482473746i9503385288496290171539483619443499i43iiAiiiiiint,ntAegrdeclLhiitvuorHgiicsatlóBriocookNsacionalT[eAcHhNni]ques [Juan] 342368003926 and Escribano Typologies [Escrivano, of Scribano, Extempore CounScterirvpaoninot]
ListofFLiigsutroefsFigures vii
List of Figures
Knighton
3.1 Anonymous(JoanFiguera?),Herod’s banquet (detailfromthemid-fifteenth-
centuryretableofSantaEulalia) 113
3.2 Theblacktrumpeter‘JohnBlanke’depictedintheWestminsterTournament
Roll 116
3.3 MasteroftheretableofSantaAuta(LisbonworkshopofAfonsoJorge)
(c.1522),detailfromtheCasamento de Santa Ursula com o Principe
Conan 118
3.4 Attrib.AndrésdeNájara(fl.1504–33),choirstallintarsia(1505–12)depictinga
windbandperformingfromapolyphonicchoirbook 120
3.5 AlfonsodelaTorre,Visión deleitable(1454):AllegoricalfigureofMusicfroma
copydated18November1477 125
3.6 Angelmusicianplayingthevihuelade arco 127
3.7 Angelmusicianplayingthevihuelade mano 128
3.8 Attrib.AndrésdeNájara(fl.1504–33),choirstallintarsia(1505–12)depictinga
singerandanorganist 140
Jiménez
7.1 TheecclesiasticalgeographyoftheSpanishkingdomsc.1500 243
7.2 MapofSevilleinthesixteenthcenturyshowingthelocationofecclesiastical
institutions 258
Castillo-Ferreira
8.1 ChantbookcopiedfortheFranciscanmonasteryofSanJuandelosReyesin
ToledowiththeroyalcoatofarmsofFerdinandandIsabelbeforethe
ConquestofGranadaandNativityscene 292
8.2 Missale secundum consuetudinem ecclesiae Caesaraugustensis(Zaragoza:Juan
Hurus,1498)[fol.32]) 295
8.3 ChristophWeiditz,‘DanzaMorisca’(Trachtenbuch,1529) 320
viii ListOfFigures
Marín López
9.1 Charta del navicare per le isole novamente trovate in la parte de l’India (1502),
westdetail 326
Sherr
10.1 PossibleportraitofJuandeHillanis(I-Rvat CS49,fol.104v) 382
10.2 KyrieIofMassXIoftheLiberUsualis 385
Ros-Fábregas
11.1a Sheetofpaperofabout29/30cm×40/41cmor30.5cm×40/44cmusedin
Colombina,PalaceandSegovia 408
11.1b QuartoformatoftheColombinaandPalaceSongbooks 409
11.2 ThethreewatermarksinColombina 412
11.3 DistributionofwatermarksinthePalaceSongbook 422
11.4 Gloveorgauntletwatermarks(PalaceW8andW12,probablytwins) 423
11.5 GatheringsofthePalaceSongbookwiththeworksinpaleblackinkcoincid-
ingwithadifferenttypeofwatermarkW8andW12 425
11.6 WatermarksSegoviaW1anditstwinW1*(E-SEss,folsvandcxlviii) 430
11.7 WatermarksSegoviaW2anditstwinW2*(E-SEss,folslviiandcxxiiii) 431
11.8 WatermarksSegoviaW3anditstwinW3*(E-SEss,folscxxxixandcxli) 432
11.9 WatermarksSegoviaW4anditstwinW4*(E-SEss,folsccxiiandccviii) 433
11.10 DoublefoliationintheSegoviamanuscript 438
11.11 HypotheticaloriginofthepresentgatheringsIVthroughVIIafterthedivision
intwoseparatesepternionsthatcouldhaveconstitutedanearlystageofthe
Segoviamanuscript 439
11.12 Thetwoinscriptions‘DonRodrigo’and‘MuymanyficoseñordonRodrigo
manrique’onthelastfoliooftheSegoviamanuscript 440
Ramos López
12.1 GonzaloMartínezdeBizcargui,Arte de canto llano e contrapunto e canto de
órgano (Burgos,1511),fol.b1r:‘Examplebecauseofmathematics’:distribution
oftonesandsemitonesindiapason,diapenteanddiatesaronafterPythagoras
andBoethius 477
ListofFigures ix
12.2 GonzaloMartínezdeBizcargui,Arte de canto llano e contrapunto e canto de
órgano (Burgos,1511),fol.b5r:‘Exampleoftoneandmajorandminorsemitone
andcommainthediatesseronaccordingtotheearandexperience’ 478
Fiorentino
13.1 Libro de cincuenta romances([Barcelona],c.1525) 533
13.2 TomásdeSantaMaría,Arte de tañer fantasia(1565),ii,fol.48(detail) 540
Mazuela-Anguita
14.1 JuanadancingwithPhiliptheFair 557
14.2 SongbyFernandodelaTorrededicatedtothefemaledwarfofIsabelde
Portugal(1428–96);FernandodelaTorre(c.1420–74),Libro de las veynte cartas
e quistiones con sus respuestas y algunos metros (c.1449)(Madrid,BNEMS
18041,fol.101v:‘OtraalaenanadelaseñoraReyna’ 570
14.3 FranciscodeLaTorre,Pánpano verde(E-MpII-1335,fol.8v;Cancionero Musical
de Palacio,no.11) 577
Gutwirth
15.1 Inthe1320sintheCrownofAragon,anobserverimaginesaJewishdance
tothemusicofthetambourine(DanceofMiriam;GB-LblAdd.27210,
fol.15) 580
15.2 TheDanceofMiriam(upperright)fromtheCatalan-Aragonesecopyofthe
Haggadah(c.1320s)(GB-LblAdd.27210,fol.15) 583