Table Of ContentGifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
International Lawrence Durrell Society
&
The Durrell School of Corfu
Critical Materials on Lawrence Durrell:
A Bibliographic Checklist
(alphabetical)
“Abel Is the Novel, Merlin Is the Firm.” Time 91, no. 5 April (1968): 108.
“Adrift in a Wine-Dark Sea.” Time 76, no. 31 October (1960): 841 86.
“Antrobus Again.” Times Literary Supplement, no. 14 November (1958): 651.
Notes: Review of Durrell’s Stiff Upper Lip.
“Antrobus Complete.” Publisher’s Weekly 228, no. 15 (1985): 58.
“Authors and Editors.” Publisher’s Weekly 93, no. 17 (1968): 17-19.
“Back in Print.” Review of Contemporary Fiction 16, no. 1 (1996): 186.
“Bedrooms and Back Alleys.” Time 73, no. 30 March (1959): 91.
Notes: Review of Durrell’s Mountolive.
“Briefly Noted: Fiction.” New Yorker 34, no. 19 April (1958): 149.
Notes: Review of Durrell’s White Eagles Over Serbia.
“Briefly Noted: Fiction.” New Yorker 34, no. 8 March (1958): 146.
Notes: Review of Durrell’s Bitter Lemons.
“Briefly Noted: Fiction.” New Yorker 34, no. 18 October (1958): 205.
Notes: Review of Durrell’s Balthazar.
“Briefly Noted: Fiction.” New Yorker 34 (January 1959): 125.
Notes: Review of Durrell’s Esprit de Corps.
“Briefly Noted: Fiction.” New Yorker 36, no. 15 October (1960): 205.
Notes: Review of Durrell’s The Black Book.
“Briefly Noted: General.” New Yorker 36, no. 15 October (1960): 246-47.
Notes: Reviews Prospero’s Cell and Reflections on a Marine Venus.
“Briefly Noted: Verse.” New Yorker 37, no. 11 March (1961): 172.
“Cabal and Kaleidoscope.” Time 72, no. 25 August (1958): 80.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
“Carnal Jigsaw.” Time, no. 4 April (1960): 94, 96.
“Days at Palaeocastritsa.” Deus Loci: The Lawrence Durrell Quarterly 6, no. 4 (1983): 7-12.
“Desire for Desire.” Time 95, no. 18 May (1970): 88.
Notes: Review of Durrell’s Nunquam.
“Devil’s Disciples.” Times Literary Supplement 3789 (October 1974): 1155.
Notes: Review of Durrell’s Monsieur.
“Ease, Balance, Strain.” New Statesman 59, no. 21 May (1960): 764.
“Eros in Alexandria.” Time 70, no. 26 August (1957): 84.
Notes: Review of Durrell’s Justine.
“Feeling Big.” Times Literary Supplement, no. 8 June (1973): 646.
Notes: Review of Durrell’s Vega and Other Poems.
“Fiction: Pied Piper of Lovers.” Times Literary Supplement (1935): 725.
Notes: A review of Pied Piper of Lovers.
“For Special Attention.” The English Journal 49, no. 6 (1960): 440.
Notes: Reviews Clea.
“Goethe Go Home.” Time 83, no. 3 January (1964): 56.
Notes: Reviews the An Irish Faustus production in Hamburg.
“Grecian Isle.” Times Literary Supplement, no. 24 April (1937): 307.
Notes: A review of Panic Spring.
“Hardly Protocol.” Times Literary Supplement, no. 6 December (1957): 745.
Notes: Review of Durrell’s Esprit de Corps.
“Hello to All That.” Time 76, no. 19 September (1960): 106, 109.
“An Irish Retreat.” Times Literary Supplement, no. 12 December (1963): 1032.
Notes: Reviews Durrell’s An Irish Faustus.
“Lady into Pope.” Times Literary Supplement, no. 3 February (1961): 76.
“Larry & Henry.” Time 81, no. March (1963): 80.
“Lawrence Durrell.” Contemporary Literary Criticism 1 (1973): 83-87.
Notes: Collects extracts from criticism on Durrell’s works.
“Lawrence Durrell.” Contemporary Literary Criticism 4 (1975): 144-48.
Notes: Collects extracts from criticism on Durrell’s works.
“Lawrence Durrell.” Contemporary Literary Criticism 6 (1976): 151-54.
Notes: Collects extracts from criticism on Durrell’s works.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
“Lawrence Durrell.” Contemporary Literary Criticism 8 (1978): 190-194.
Notes: Collects extracts from criticism on Durrell’s works.
“Lawrence Durrell.” Contemporary Literary Criticism 13 (1980): 184-89.
Notes: Collects extracts from criticism on Durrell’s works.
“Lawrence Durrell.” Contemporary Literary Criticism 27 (1984): 94-102.
Notes: Collects extracts from criticism on Durrell’s works.
“Lawrence Durrell.” Contemporary Literary Criticism 41 (1987): 132-40.
Notes: Collects extracts from criticism on Durrell’s works.
“Lawrence Durrell : An Exclusive Interview.” Réalités 125, no. April (1961): 63-64, 74.
Notes: A shortened version of the interview from Réalités 178 (1960). The identity of the
interviewer is not listed.
“Lawrence Durrell Answers a Few Questions.” Labrys 5 (1979): 41-44.
Notes: Reprinted from Two Cities 1 (1959).
“The Long Arm of the Firm.” Times Literary Supplement, no. 26 March (1970): 328.
Notes: Review of Durrell’s Tunc and Nunquam.
“Marine Justine.” Time, no. 8 September (1961): 74, 76.
Notes: Reviews the Edinburgh production of Sappho.
“Maze With a Moral.” Time 79, no. 23 February (1962): 108.
“Mediterranean Warmth.” Times Literary Supplement, no. 12 October (1956): 599.
“Mirrored in Alexandria.” Times Literary Supplement, no. 8 February (1957): 77.
Notes: Review of Durrell’s Justine.
“NB.” Times Literary Supplement 4974 (July 1998): 14.
Notes: Discusses Margaret McCall and Durrell’s “A Farewell.” See Times Literary Supplement
“NB,” June 20, 1997.
“New Names, Old Hats.” Times Literary Supplement (November 1963): 995.
Notes: Reviews Durrell’s edited book New Poems 1963. A P.E.N. Anthology of Contemporary Poetry.
See Sitwell’s “New Poems 1963.”
“No Custard in the Prunes.” Christian Science Monitor, no. 9 February (1967): 11.
“The Old Firm.” Times Literary Supplement, no. 25 April (1968): 413.
Notes: Review of Durrell’s Tunc.
“On the Scene.” Yale Review 47, no. June (1958): 600-603.
“On the Volcano.” Time 76, no. 18 July (1960): 78, 81.
“Poetry: Ten Poems.” Times Literary Supplement (February 1933): 95.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
Notes: Review of Durrell’s Ten Poems.
“Poetry: Transition: Poems.” Times Literary Supplement, no. 6 December (1934): 878-79.
Notes: A review of Durrell’s Transition: Poems.
“Poor Heart.” Times Literary Supplement, no. 15 December (1966): 1172.
“Purple Guide.” Times Literary Supplement, no. 22 May (1969): 561.
Notes: Review of Durrell’s Spirit of Place.
“Recent Books.” Foreign Affairs April (1958): 527.
“Review: A Key to Modern British Poetry.” The English Journal 41, no. 9 (1952): 513.
“Review: New Directions in Prose and Poetry 1939.” The New English Weekly 41, no. 23 (March 1940): 342.
Notes: Refers to Durrell as a familiar author to The New English Weekly and gives strong praise for
the excerpt from Durrell’s Black Book, which the author notes is otherwise unavailable in
English due to Customs restrictions.
“Serenity of Mood.” Times Literary Supplement, no. 24 June (1960): 404.
Notes: Reviews Durrell’s Collected Poems.
“Shorter Notices.” Nation 146 (January 1938): 753.
Notes: Review of Panic Spring.
“Shorter Reviews.” New Statesman and Nation 43, no. 28 June (1952): 782.
Notes: Review of Durrell’s Key to Modern Poetry.
“Slivovitz.” Time 73, no. 9 February (1959): 94.
Notes: Review of Esprit de Corps.
“Strange People in Foreign Lands.” Times Literary Supplement , no. 31 May (1957): xviii.
Notes: Review of White Eagles over Serbia.
“Summer Reading.” Time 114 (July 1979): 77, 79.
Notes: Review of Durrell’s Livia.
“Sunset in Cyprus.” Time 71, no. 24 March (1958): 114, 116.
“A Tale Retold.” Times Literary Supplement, no. 18 April (1958): 205.
“Time Released.” Times Literary Supplement, no. 5 February (1960): 80.
“The Tragedy of Cyprus.” Times Literary Supplement, no. 23 August (1957): 502.
“Tropic of Alexandria.” Newsweek 61 (February 1963): 94-95.
Notes: Review of Lawrence Durrell and Henry Miller: A Private Correspondence.
“Tropical Fruit.” Times Literary Supplement, no. 3 February (1961): 76.
Notes: Review of The Best of Henry Miller, which Durrell edited.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
Under the Sign of Pisces: Anais Nin and Her Circle. Vol. 6, no. 11975.
“Voyage of Ideas.” Times Literary Supplement, no. 23 May (1952): 339.
Notes: Review of Durrell’s A Key to Modern Poetry.
“Xenophile.” New Statesman 67, no. 3 January (1964): 14.
Abdel-Al, Nabil. “Spirit of Place in Lawrence Durrell’s Alexandria Quartet and E. M. Forster’s Alexandria: a
History and Guide.” Durrell in Alexandria: On Miracle Ground IX Conference Proceedings, Ed. Shelly
Ekhtiar, 10-18. Alexandria, Egypt: University of Alexandria, 2006.
________. “Spirit of the Place in Lawrence Durrell’s Justine Vs. E. M. Forster’s Alexandria: A History and a
Guide.” Gombak Review: A Biannual Publication of Creative Writing and Critical Comment 4, no. 1
(1999): 32-45.
________. “Servant/Master Relationship in Lawrence Durrell’s An Irish Faustus With Reference to
Christopher Marlowe’s The Tragical History of Dr. Faustus.” Gombak Review: A Biannual Publication of
Creative Writing and Critical Comment 5, no. 1 (2001): 51-63.
Notes: Derives from Nabil Abdel-Al’s paper, “Servant/Master Relationships in Marlowe’s Dr.
Faustus and Durrell’s Irish Faustus” for On Miracle Ground XII, Ottawa, June 23, 2002.
Abdel-Massih, Christine. “Durrell’s Alexandria and M. Said’s The City: Literary and Visual Text.” Durrell
in Alexandria: On Miracle Ground IX Conference Proceedings, Ed. Shelly Ekhtiar, 82-90. Alexandria,
Egypt: University of Alexandria, 2006.
Abu el Fadl, Amal Sherif. “The Spirit of Place: A Comparative Study of the Significance of Place in
Laurence Durrell’s Justine and Naguib Mahfouz’s Miramaar.” Thes., American University in
Cairo, 1990.
Notes: Thesis #895/90
Adam, Peter. “Alexandria and After—Lawrence Durrell in Egypt.” The Listener 100, no. 2556 (April 1978):
497-500.
Notes: This piece is an interview, an article, and an advertisement for “The Spirit of Place:
Lawrence Durrell’s Egypt” on BBC2’s “The Lively Arts.”
________. “Alexandria Revisited.” Twentieth Century Literature: A Scholarly and Critical Journal 33, no. 3
(1987): 395-410.
________. “Creating a Delicious Amnesia.” Lawrence Durrell: Conversations, Ed. Earl G. Ingersoll, 173-81.
Cranbury, NJ: Associated University Presses, 1998.
Notes: Transcription of Adam’s “Spirit of Place: Lawrence Durrell’s Egypt,” broadcast by the
BBC in 1978.
________. “Everything Comes Right.” Lawrence Durrell: Conversations, Ed. Earl G. Ingersoll, 163-72.
Cranbury, NJ: Associated University Presses, 1998.
Notes: Transcription of Adam’s “Spirit of Place: Lawrence Durrell’s Greece,” broadcast by the
BBC in 1976.
Adams, Phoebe. “Lawrence Durrell in 1936.” Atlantic 206, no. October (1960): 120-121.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
________. “Reader’s Choice.” Atlantic 200 (September 1957): 86.
Notes: Review of Durrell’s Justine.
Adams, Robert Martin. After Joyce: Studies in Fiction After Ulysses. New York: Oxford University Press, 1977.
Alberes, R. M. “Lawrence Durrell Ou Le Roman Pentagonal.” La Revue De Paris 72, no. June (1965): 102-12.
Alcott, Kenneth. “Lawrence Durrell.” The Penguin Book of Contemporary Verse Kenneth Alcott, 220-224.
Harmondsworth: Penguin Books, 1950.
Aldington, Catherine. “Letter to Larry.” Twentieth Century Literature: A Scholarly and Critical Journal 33, no.
3 (1987): 343-44.
Aldington, Richard. “A Note on Lawrence Durrell.” Two Cities 1 (1959): 13-20.
________. “A Note on Lawrence Durrell.” The World of Lawrence Durrell, Ed Harry T. Moore, 3-12.
Carbondale: Southern Illinois University Press, 1962.
Notes: reprinted from Two Cities 1959
________. Selected Critical Writings, 1928-1960. Ed & Pref. Alister Kershaw and Harry T. Moore. Carbondale:
Southern Illinois University Press, 1970.
Notes: Contains essays on Durrell, among others.
Alexander, Alfred. “Circular Tour.” Times Literary Supplement, no. 15 July (1977): 870.
Notes: Review of Durrell’s Sicilian Carousel.
Alexander, Marguerite. “ Desire.” Flights From Realism: Themes and Strategies in Postmodernist British and
American Fiction Marguerite Alexander, 64-82. London: Edward Arnold-Hodder & Stroughton,
1990.
Notes: Durrell’s Alexandria Quartet is discussed in contrast to Nabokov’s Lolita and Lehmann’s
Echoing Grove.
Alexandre-Garner, Corinne. “Alexandria: Passage or Origin?”Durrell in Alexandria: On Miracle Ground IX
Conference Proceedings, Ed. Shelly Ekhtiar, 20-30. Alexandria, Egypt: University of Alexandria,
2006.
________. “Black Snow in Winter: Anais in Paris-The Lawrence Durrell Connection.” Anais Nin: Literary
Perspectives, Ed Suzanne Nalbantian, 236-53. New York: St. Martin’s, 1997.
Notes: Discusses Durrell’s Black Book, “Zero” and “Asylum in the Snow,” among other texts.
________. “Cities of Memory, Writing of Oblivion - A Journey Through the Works of Durrell, Lawrence.”
Etudes Anglaises 46, no. 3 (1993): 301-12.
________. “COMING TO MEDUSA: From Desire to Fear, and From Love to Disgust. Glosses on Durrell’s
Discourse on Modern Love.” Lawrence Durrell and the Greek World, Ed. Anna Lillios, 191-202.
London: Associated University Presses, 2004.
________. “Durrell: La Clôture Impossible?” Etudes Britanniques Contemporaines 10 (1996): 83-98.
________. “En Guise D’Introduction.” Lawrence Durrell Revisited : Lawrence Durrell Revisité, Ed. Corinne
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
Alexandre-Garner, 5-9. Nanterre, France: Université Paris X, 2002.
________. “En Guise De Conclusion... De La Naissance De L’Écriture â La Bibliotheque Disparue.”
Lawrence Durrell: Actes Du Colloque Pour L’Inauguration De La Biblioth!que Durrell, Ed. Corinne
Alexandre-Garner, 277-86. Nanterre, France: Université Paris-X, 1998.
________. “The Enigma of the Quartet.” Alexandria 1860-1960: The Brief Life of a Cosmopolitan Community,
Eds. Robert Ibert and Ilios Yannakakis, 162-66. Alexandria, Egypt: Harpocractes Publishing,
2004.
________. “Exiled From Exile.” Deus Loci: The Lawrence Durrell Journal ns 8 (2001): 44-57.
Notes: Translated from the French by Jane Eblen Keller.
________. “From Pregnant Men to Lovers-Philosophers: Durrell’s Representation of Creation and
Procreation in the Quartet and the Quintet.” In-Between: Essays and Studies in Literary Criticism 11,
no. 2 (2002): 197-210.
________. “Introduction.” Lawrence Durrell: Actes Du Colloque Pour L’Inauguration De La Biblioth!que Durrell,
Ed. Corinne Alexandre-Garner, 7-14. Nanterre, France: Université Paris-X, 1998.
________. “Introduction: Writing the Borderline.” Lawrence Durrell Borderlands and Borderlines, Ed.
Corinne Alexandre-Garner, 11-19. Paris: Presses Universitaires de Paris 10, 2005.
________. “Je Est/Hait L’Autre : La Femme Juive Comme Double Et Autre Dans The Avignon Quintet.”
Parcours Judaiques, no. March (1998): 179-93.
________. Lawrence Durrell: Actes Du Colloque Pour L’Inauguration De La Biblioth!que Durrell. Confluences, 15.
Nanterre, France: Université Paris-X, 1998.
________. Lawrence Durrell Borderlands and Borderlines. Confluences, 26. Paris: Presses Universitaires de
Paris 10, 2005.
________. “Lawrence Durrell Revisited: L’Odyssee D’Une Ecriture.” Lawrence Durrell Revisited : Lawrence
Durrell Revisité, Ed. Corinne Alexandre-Garner, 225-48. Nanterre, France: Université Paris X,
2002.
________. Lawrence Durrell Revisited : Lawrence Durrell Revisité. Confluences, 21. Nanterre, France:
Université Paris X, 2002.
________. “’La Main En Gage’; Or, The Occurence of Writing.” Deus Loci: The Lawrence Durrell Quarterly 7,
no. 3 (1984): 3-24.
________. “Preface.” Lawrence Durrell Borderlands and Borderlines , Ed. Corinne Alexandre-Garner, 5-8.
Paris: Presses Universitaires de Paris 10, 2005.
________. Le Quatuor D’Alexandrie, Fragmentation Et Écriture : Étude Sur Lámour, La Femme Et L’Écriture Dans
Le Roman De Lawrence Durrell. Anglo-Saxon Language and Literature, 136. New York: Peter Lang,
1985.
________. “Regard D’Exil—Naître De L’Inde: Lawrence Durrell.” Les Cahiers De Sahib 4 (1996): 11-25.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
________. “La Représentation De La Deuxieme Guerre Et Du Nazisme Dans Le Quintette D’Avignon.”
Parcours Judaiques 3 (1996): 99-111.
________. “The Triangle of Love, Incest, and Writing.” On Miracle Ground: Essays on the Fiction of Lawrence
Durrell, Ed Michael H. Begnal, 52-62. Lewisburg: Bucknell University Press, 1990.
________. “Villes De La Mémoire, Écriture De L’Oubli: Voyage a Travers L’Oeuvre De Lawrence Durrell.”
Études Anglaises 46, no. 3 (1993): 301-12.
________. “Waking Up in Scott Fitzgerald’s Bed.” Lawrence Durrell: Conversations, Ed. Earl G. Ingersoll,
215-26. Cranbury, NJ: Associated University Presses, 1998.
Alford, Steven E. “Lawrence Durrell.” Dictionary of Literary Biography: British Travel Writers, 1940-1980, Eds.
B. Brother and J. M. Gergits, 50-62. Detroit: Gale Group , 1999.
Ali, Zahra Ahmed Hussein. “Between Shaharazad and Marcel Proust: Narrative Techniques in The
Alexandria Quartet.” Diss, Brown University, 1986.
Notes: UMI 8519799
Abstract: Lawrence Durrell’s major novel has not received the critical attention it deserves,
because often it is approached through the concepts of traditional realism, or is seen merely as
a literary expression of Einstein’s physical concepts. Durrell, however, is the heir of many
traditions; his work combines elements of classicism and experimentalism. Perhaps the term
‘arabesque’ describes more comprehensively Durrell’s art. This term is redefined and expanded
to include different characteristics of the Quartet: its metafictional nature, its spatial form (its
elimination of time), its baroque qualities, and its thematic and technical affinities with Arabic
story telling. Primarily, the dissertation is a close structural reading based on Gerald Genette’s
theory. Nevertheless, concepts from other poeticians, notably Tzvetan Todorov and Roland
Barthes, are employed to demonstrate Durrell’s arabesque art. The Introduction is a short
review of the prevailing critical approaches to the Quartet, and an explication of the
dissertation’s methodology. Chapter I and II analyze the intricate web of the novel’s temporal
scheme. Chapter I deals with the types of analepsis (flashbacks) in the text; Chapter II analyzes
the interaction among the types of prolepsis (flashforwards). These two chapters prove that the
constant re-interpretation of scene and the character’s metamorphoses from one narrative to
another are coherent and not melodramatic. Chapter III discusses the Quartet’s tempo
(rhythm). To define it, I examine the interaction between ‘duration’ (pause, scene, summary
and ellipsis) and ‘frequency’ (the presence of the iterative, singulative and repetitive modes).
Narrative tempo in Justine and Balthazar is erratic while in Mountolive and Clea it is regular.
Nevertheless, each type of tempo is compatible with the dominant vision in each narrative.
Chapter IV delineates the development of focus and voice in Darley’s narratives. The modal
pattern of the Quartet gradually changes, repudiates its experimental trend and takes on a
classical mode which is compatible in some of its significant aspects with Arabic story telling.
Allan, R. “Entretien Avec Lawrence Durrell.” Reflets Mediterraneens June-Juillet (1965).
Allan, R. and Frederic-Jacques Temple. “Lawrence Durrell, L’Homme Et L’Ouevre.” Reflets Mediterraneens
June-Juillet (1965).
Allart, Claude. “Le Quatuor D’Alexandrie De Lawrence Durrell: Systeme D’Ecriture Et Methode
Comparatiste.” Diss., l’Universite Paris X, 1991.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
Allen, Walter. “New Novels.” New Statesman 55, no. 12 April (1958): 480.
Notes: Review of Durrell’s Balthazar.
________. “War and Post War: British [6].” The Modern Novel in Britain and the United States Watler Allen,
278-92. New York: E.P. Dutton & Co, Inc., 1964.
Notes: Also available as Tradition and Dream: The English and American Novel from the Twenties to
Our Time. London: 1964.
Allison, John M. “Embassy Antics.” Saturday Review 50, no. 25 March (1967): 33.
Aly, Hanaa Hasanein. “Durrell’s Faustus Retreats.” Durrell in Alexandria: On Miracle Ground IX Conference
Proceedings, Ed. Shelly Ekhtiar, 240-248. Alexandria, Egypt: University of Alexandria, 2006.
Alyn, Marc. The Big Supposer: An Interview With Marc Alyn. Trans. Francine Barker. New York: Grove Press
Inc., 1974.
Notes: Translated from Le Grand Suppositoire : entretiens avec Marc Alyn. Paris: Pierre Belfond,
1972.
________. Le Grand Suppositoire : Entretiens Avec Marc Alyn. Paris: Pierre Belfond, 1972.
Notes: Translated to The Big Supposer. New York: Grove Press, 1974.
________. “Listening for the Novel’s Fetal Heartbeat.” Lawrence Durrell: Conversations, Ed. Earl G.
Ingersoll, 132-48. Cranbury, NJ: Associated University Presses, 1998.
Notes: Reprint of a portion of Alyn’s The Big Supposer. Trans. Francine Barker. Paris: Pierre
Belfond, 1972. London: Grove Press Inc., 1974.
________. “Le Rire Fraternel Du Tao: L’Amitie Miller-Durrell.” Europe: Revue Litteraire Mensuelle 69, no.
750 (1991): 76-85.
Anderson, Barbara. “The Cinematic Qualities of Lawrence Durrell’s Alexandria Quartet.” Deus Loci: The
Lawrence Durrell Newsletter 2, no. 2 (1978): 3-16.
Anderson, Roger Kent. “A La Recherche Du Temps Perdu and The Alexandria Quartet: Searches for Reality.”
Diss., University of Texas at Austin, 1975.
Notes: DAI 37:291A
Andreini, Laurence. “Genèse Du Projet Sappho De Lawrence Durrell: Créé Par Le Théâtre Amazone
Compagnie Laurence Andreini.” Lawrence Durrell: Actes Du Colloque Pour L’Inauguration De La
Bibliothèque Durrell, Ed. Corinne Alexandre-Garner, 51-57. Nanterre, France: Université Paris-X,
1998.
Antolini-Dumas, Tatiana. “Archéologie Et Psychanalyse: L’Exploration Du Passé Dans Cefal" De
Lawrence Durrell.” La Memoire En Ruines: Le Modele Archeologique Dans L’-Imaginaire Moderne Et
Contemporain, Eds. Valerie Angelique Deshoulieres and Pascal Vacher, 129-38. Clermont-
Ferrand, France: PU Blaise Pascal; Centre de Recherches sur les Litteratures Modernes et
Contemporaines, Universite Blaise Pascal, 2000.
Apostolescu, Roxana. “The Alexandria Quartet and The Bed of Procrustes.” Romanian Review (Bucharest,
Romania) 41, no. 3 (1987): 82-85.
Gifford, James. “Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online.
23 Jan 2007. <http://www.lawrencedurrell.org/bibliog/gifford.htm>. Date accessed.
[email protected]
Arban, Dominique. “Lawrence Durrell.” Preuves 109 (1960): 86-94.
Ardagh, John. Writers’ France: A Regional Panorama. Photos Mayonette Magnus. New York: Hamish
Hamilton, 1989.
Notes: “Durrell is mentioned in the chapter on Provence, and two quotations from Monsieur are
included” (177) from Deus Loci NS 4, MacNiven/Koger bibliography.
Armstrong, James. “’Banned in America by the U.S. Customs Officials!’: The Publication of Peter
Neagoe’s Storm (1932).” The Papers of the Bibliographic Society of America 93, no. 1 (1999): 38-51.
Notes: Durrell and Miller are discussed and used as evidence in the author’s analysis of the
banning of Neagoe’s work, all being published by the Obelisk Press.
Arthos, John. “Lawrence Durrell’s Gnosticism.” The Personalist 43, no. 3 (1962): 360-73.
Ashworth, Ann. “Alexandria and Her Goddesses: ‘... She Verges on the Goddess’.” Journal of Evolutionary
Psychology 18, no. 1-2 (1997): 15-19.
________. “Anima and Individuation Issues in The Alexandria Quartet.” Journal of Evolutionary Psychology
15, no. 3-4 (1994): 244-48.
________. “Durrell’s Hermetic Puer and Senex in The Alexandria Quartet.” Critique 26, no. 2 (1985): 67-80.
Aue, Walter. Die Augen Sind Unterwegs : Spurensuche in Frankreichs Süden : Wege Zu Jean-Henri Fabre, René
Char, Lawrence Durrell, André Gide, Frédéric Mistral, Francesco Petrarca, Samuel Beckett, Paul Cézanne,
Blaise Cendrars, Franz Werfel, Saint-John Perse, Albert Camus, Claude Simon, Vincent Van Gogh,
Ferdinand Cheval / Walter Aue. Frankfurt am Main: Anabas, 2000.
Awad, Mohamad F. “Recognizing the House: The Change in Time, Place, and People.” Durrell in
Alexandria: On Miracle Ground IX Conference Proceedings, Ed. Shelly Ekhtiar, 32-35. Alexandria,
Egypt: University of Alexandria, 2006.
________. “The House Revisited, The City Remembered.” Deus Loci: The Lawrence Durrell Journal NS 7
(1999): 39-44.
--B. “Review: The Icons.” Deus Loci: The Lawrence Durrell Quarterly 5, no. 1 (1981): 7.
Notes: “B” may stand for Brigham?
Badsha, Abdulla K. “Durrell’s Heraldic Universe and the ‘Alexandria Quartet’: A Subaltern View.” Diss.,
University Of Wisconsin - Madison, 2001.
Notes: DAI: AAT 3012559. ISBN: 0-493-23273-7
Bair, Deirdre. “Writing As a Woman: Henry Miller, Lawrence Durrell, and Anais Nin in the Villa Seurat.”
Anais: An International Journal 12 (1994): 31-38.
Baker, James R. “An Interview With William Golding.” Twentieth Century Literature 28, no. 2 (1982): 130-
170.
Notes: Durrell is discussed on pages 166-167.
Baker, Sheridan. “Alive and Well; The Contemporary British Novel.” American Libraries 5, no. 9 (1974):
482-90.
Description:“Critical Materials on Lawrence Durrell: A Bibliographic Checklist” Online. 23 Jan
2007 Laurence Durrell's Justine and Naguib Mahfouz's Miramaar.” Thes.
