booklet real file

172 Pages·2015·1.69 MB·English

Annual International
Medieval and Renaissance Music
Conference

Brussels
6–9 July, 2015
We gratefully acknowledge the support of the following
institutions:
Annual International
Medieval and Renaissance Music
Conference

Brussels

6-9 July, 2015
Scientific committee
David Burn (University of Leuven)
Marie-Alexis Colin (Université libre de Bruxelles)
James Cook (University of Nottingham)
Camilla Cavicchi (CESR, Tours)
Anne-Emmanuelle Ceulemans (Musée des Instruments de Musique, Bruxelles)
Marie Cornaz (Bibliothèque Royale de Belgique)
David Fiala (Université François-Rabelais – CESR, Tours)
Fabrice Fitch (Royal Northern College of Music)
Tim Shephard (University of Sheffield)
Katelijne Schiltz (Universität Regensburg)
Thomas Schmidt (University of Manchester)
Philippe Vendrix (Université de Liège – CNRS – CESR, Tours)
Brigitte van Wymeersch (Université catholique de Louvain)

Organising committee
David Burn (University of Leuven)
Marie-Alexis Colin (Université libre de Bruxelles)
Camilla Cavicchi (CESR, Tours)
Fabian Balthazart (Université libre de Bruxelles)
Cristina Cassia (FNRS – Université libre de Bruxelles)
Martin Ham (Université libre de Bruxelles)
Zoe Saunders (University of Leuven)
Philippe Vendrix (Université de Liège – CNRS – CESR, Tours)
Brigitte van Wyrmeesch (Université catholique de Louvain)

We are especially grateful to the following student helpers:
Lilith Chiwy
Anne-Sophie Fayt
Sarah Gravier
Lucien Midavaine
Fauve Bougard
Rainier Leloup
Falques Xavier
Pascaline de Montjoye
Lou Verhelst
Contents

Welcome 2

Overview
• Monday 6 July 4
• Tuesday 7 July 9
• Wednesday 8 July 14
• Thursday 9 July 19

Abstracts
• Sessions 23
• Lightning papers 133
• Posters 137

143
List of participants

155
Useful addresses and numbers

159
Maps

1
Welcome

We wish you a very warm welcome to the 2015 Brussels Med-Ren. The Med-Ren has
undoubtedly become the most important annual gathering for presenting research
into early music. One of its most valuable tasks is to bring the diverse threads within
our field together at a single meeting, and to allow those engaged with early music
to discuss and share their interests with as many other scholars as possible. With
that in mind, we are proud to present a programme that we believe gives a truly
representative overview of current concerns in our field. With around 250 active
participants – including, particularly importantly, more than fifty graduate students –
the vivacity of early music studies cannot be disputed. We hope that you will enjoy
immersing yourself in this richness both formally and informally, and that old
collegial bonds may be strengthened, as well as new ones formed, all within the
convivial surroundings that Brussels has to offer.

David Burn
University of Leuven

Marie-Alexis Colin
Université libre de Bruxelles

2
OVERVIEW
SCHEDULE
3
MONDAY 6/7

9.00-10.00 Registration (location: AY, patio)

10.00-10.15 Welcome (location: AZ1.101)

10.15-11.15 ROOM AY2. 107 ROOM AY2. 108 ROOM AY2. 112 ROOM AY2. 114
S1 S2 S3 S4
Conductus workshop Calami sonum The long Middle Ages: Guillaume Du Fay
ferentes reappraised forms of notation in
Convenor: Mark early modern non- Chair: Carolann Buff
Everist Chair: Samantha professional
Bassler manuscripts Alejandro Planchart:
The three medieval containing sacred Guillaume Du Fay’s
tenors Lester Hu: Symbols or music music for the
sounds: Calami sonum Franciscan order
ferentes and the Chair: Mattias
beginnings of Lundberg Francis Biggi: Dufay
Renaissance and everyday music in
chromaticism Ute Evers and Ulrike late medieval Italy
Hascher-Burger
Jason Rosenholtz-
Witt: Lovesickness and
eroticism in Calami
sonum ferentes

11.15-11.45 COFFEE (location: AY, patio)

11.45-12.45 ROOM AY2. 107 ROOM AY2. 108 ROOM AY2. 112 ROOM AY2. 114 ROOM AZ1.101
S5 S6 S7 S8 S9
Medieval Iberian Jewish traditions in Susanna un jour 15th-century Josquin and around
sources context monophonic song
4
MONDAY 6/7

Chair: Henri Vanhulst Chair: Honey Meconi
Chair: John Griffiths Chair: David Burn Chair: Hana Vlhová-
Bernhold Schmid: Wörner Catherine Motuz:
David Catalunya: The Avery Gosfield: Shared “Susanne un jour” and Mimesis as emotion in
Las Huelgas Codex and separate spaces: “Ingemuit Susanna”: Jan Ciglbauer: “Habent the music of Josquin
revisited: scribal poetry and music of remarks on a well- sua fata libelli”: the
aspects and the the Jews in sixteenth- known subject Troper from Lübeck Zoe Saunders: Early
process of compilation century Italy 16th-century Josquin
Agnieszka Leszczyńska: Carlo Bosi: reception: the
Sarah Johnson: Diana Matut: The Susanne un jour in the Monophonic songs evidence of the
Structure and Yiddish song of the Baltic Sea region around 1500: stylistic Alamire repertory
meaning: aspects of Renaissance and its and formal
compilatio and relation to Dutch and considerations on the
ordinatio in the Códice German song culture basis of examples
de Toledo taken from the mss.
Paris, Bibliothèque
nationale de France, f.
fr. 9346 (Bayeux) and
12744

12.45-14.00 LUNCH

14.00-15.30 ROOM AY2. 107 ROOM AY2. 108 ROOM AY2. 112 ROOM AY2. 114 ROOM AZ1.101 ROOM UD2.218
S10 S11 S12 S13 S14 S15
Reception history and New directions in Sounds of the city Confessionalisation 1 Early chant Music and ethos
early music collectors Dominican sources
in nineteenth-century Chair: Tess Knighton Chair: Daniel Trocmé- Chair: Alejandro Chair: Leofranc
Europe Chair: Christian Latter Planchart Holford-Strevens
Leitmeir Fabien Guilloux:
Chair: Samantha L’économie sonore de Diane Temme: “Jamer/ Daniel DiCenso: Chant Marie Formarier: How
Bassler Eleanor Giraud: la ville de Valenciennes ellend vnd zerrüttung in low places: to be a Cistercian monk
5
MONDAY 6/7

Dominican chant in aux XIVe, XVe et XVIe der edlen Niderlande”: questions about mass and a good musician in
Ferran Escrivà–Llorca: the thirteenth century siècles resonance of chant, rural priests, the XIIth-XIIIth
Collecting polyphonic confessional conflict in and the Low Countries centuries
music in Spain during Eva Maschke: Céline Drèze: Jülich-Cleves-Berg
the Cecilian Dominican Pratiques musicales Jeremy Llewellyn: The Jacomien Prins:
Movement bookbinders and Notre des congrégations Jonas Pfohl: Between rise and fall of Girolamo Cardano and
Dame manuscripts: mariales jésuites dans state religion and meloform proper Julius Caesar Scaliger
Mattias Lundberg: more than just les provinces gallo- et personal faith – motets tropes on musical dreams
Living tradition, re- parchment flandro-belges (fin at the court of
pristinization and XVIe siècle-début XVIIe Maximilian II (1527– Santiago Ruiz Torres /
antiquarianism in Margot Fassler: Select siècle) 1576) Juan Pablo Rubio
mediaeval Latin sequence repertories Sadia: Cantillated
school song of Dominican nuns in Ascensión Mazuela- Andrew Cichy: An formulas in the
scholarship before fourteenth-century Anguita: Music at the English Catholic evangeliary ms. 94 of
1850 German-speaking feasts of beatification musical tradition on the Cathedral of Burgo
lands of Saint Teresa in the Continent? de Osma (12th
Saragossa, 1614 Continuity, rupture and century)
assimilation at the
English Augustinian
Monastery in Bruges
during the seventeenth
century

15.30-16.00 COFFEE (location: AY, patio)

16.00-18.00 ROOM AY2. 107 ROOM AY2. 108 ROOM AY2. 112 ROOM AY2. 114 ROOM AZ1.101 ROOM UD2.218
S16 S17 S18 (S13) S19 S20
Motet cycles (c.1470- Georgian Music of the Chant and Liturgy in Confessionalisation 2 The conductus and Composing chant
c.1510): Middle Centuries Context: an example the beyond
compositional design, from the Order of St. Chair: Daniel Trocmé- Chair: Daniel DiCenso
performance, and Chair: James Cook Birgitta of Sweden Latter Chair: Mark Everist
cultural context – Honey Meconi: To
6