Table Of Contentws
INTRODUCTION
What Is Bebop Jazz?
Hebop juga isa syle of musie teat fies evolved during “ho "9eiks, mua the Sogunniny uf te
ani was revoltiomity it many ways, Melocice
huamosicily ane tyne y. the amie ss Sgt
unely mor complex ect care covas ggg. Jeeniting Ms ‘ules en pst aca eos
oice a chord to how ta seimyose mika: ew te ackent ahve
While bebop :epresonts dhe beginning ot nus jy ts me rove jee per
“Usiaa. ee have Pulsed sy
pre Beioy lace uo Hse wid 1950 when masa
leoup un iTuenze sactenponay jt 1 Ute dh
oily supercede by its alTshoot, so fu and
Fad toy: These in rested unl the easly 1980s whe kl jazz anal Feo jaan. becomes dortinant
This bok en. deats « dh sin wight be terme “classe boop” the swat style uf sane evened by
anists wach Charts Parkes. Dis Gillspia, Telociocs kon, Bud Priel Kenuy Clarke and thers
‘ic reel cae: the cals FOG through th id 1950s, Wale new sles cane ints ja
tenia. Taesy ebup reais dh bens of semtemcerey rz ad a vibie form af expe
hte jue euricul throughout the ser
ier sy 28
sion at drt
How to Use This Book
Fohop isa sorsplec runic Ht cam seem fier atts, This le ers ways of knomng ne unde:
sandirg hon is Tsteing bi. I proses 4 COM al pees er assemaion the ste
J ceaer 0 easn how ta uly pay beup er any yoy yl. erchat aller one east listen to ston
fhe ziginal ust e wol ae newer
cud of be,
Alter ong becorses Sunil with rae muse i ene'* eam. ae
can begin
Sach eugner twins book Tacusts ow parent: expe
of bebop piace payinr—og. shor vere.
srl progress, schar ania, coraning, malic esis tals, ce, Kar anpees hor os
Dore, wit ull exsmples cate ram ae.ual 2h ses, Price gestion: wee ale pide a
sr must ecaptars. Ry paving Frau tne esureples an prec rg Ih Soppene? excises, he “sade”
sould gain proficiency ane Thames 2c sy in eos 2 alse in jars paving in gone
About the CD
The accomparsing C1 feauces many uf Use exatep'es he hovk perkarr ed cithes sobs o¢ Wiehe)
Pn, cui he reader ts acquive Istening scaly as wel asa reading one. Also hed a2
‘smo potfurmces oF hw of she cures fenced athe end af the ha. These tracks ean be ured so prace
ize semaping ad soloing inthe boop sty, (1 a: Long wit the trabks without pie pen
slew the Fight sere
auc.
Than A esamfer ate aad tenor
etn Valeria aa
Lee umes: bass
Tames Haber: chums
Su HR WN a
a
Q
CONTENTS
Page
History and Evolution en
The Bebop Language .8
Chords and Veicings 15
Harmony and Chord Progressions - 28
Melody oo BS
Scales and Tonality a9
Comping 59
64
74
Thelontous Monk a2
lead Sheets... 29
HISTORY AND EVOLUTION
Jin eens Siac ons ees
np a pany bee aed
deeply anta “nese ea” of playing alm kn anes
Ragtime
hers invite lseeranmers she eens par ofthe ene cencany were ragriene aad ues, Readme
(vasa vitiose. sit a pian rus developed hy AFecanAmericans curing the 1890s, It blends
aliens of Wescera Curspeint wusie ida ereentc of Wess Siroae a
Tra a tnkqueaviginal styl: the
daracag ard soem wear Heem Europe, bts rhythms coneepiam was ism Wet Ai
Wilks going ico det. £7 ingest ws uote thal Waite a9 eonesived en en 5 marcos lasers oF
ngthis ative, Tae 5 hand, Yor the most pa, Sept Seay Zbl 9
488 nots ane chad, The nght ens payed miskalies shal were Rexel on pus
wa anges ne ee ens spared the Fel ne, Ths: iga-hunel neloes ene ersaped in pees haved om
eh: Rhytoori prouplasy and veer: etter sl. 31312 a
11453 weve plage ty tke rake chile stood Tou Boas pot sane were plage Dy 2: Ral al
This le to many aeoentscl oes played By ths right oa tat id mbt se ithe Bes
the Jet. “Regtnis was tyacally writen in 38 yime skeet, Mer tact ee would ws iin
ys dol al the mole suze
-roaaune By Mera 3
a sight abs per “entre
te Atietn esineapt of ude
rarer
Tes
copra
te Western e288 Ne a spe, Bul as ne yew
2p stl ewes as
rulers lagers, Thin pont aificatios fi ja, biel evcved ina dhychaiealy
nl tegen mas
Although rapt is net java pes se. eset Insp il, ad Served #8 pods! FO" 77 plane “ara Fs
“rty years ehars 2 bain rs early BHD, Treg toma hass ste-chou eady gare oe
Sa r6H
a
(foe
fs z F uf
‘When playing accompaniment a pact of ackytun seca, bs past essen pa
wat he ve ste played wh the left and wie saleing, Fis were at
pa, eon pa aca
with Sandy
dec, and sceasioasly the 98m
Fionn gant a: berken typ ith soeore kage ta or ons ina es. was pe
love Fi he jit bo keep the pul Jet wl
Blues
Bins, the ether are ave funeuener ot 277, ceolvo ow Amgen pamatins in the Sour smn the sec
fone alot the siete: concur nal HOez, Dhaes .s a vagal sun srg by 4 athe whe ao
‘emparied himselt on & puilar. The yore: sraetce descended fom Wise Atkin ke che haemvny came
from Westen-Furopean casi Tary hee wos escent. imprivised ane mae up oa the spot,
Fluas cere frm: rayne in tha it sas mgaevsed ual sada loser eaychri feeling oi, The aeseapa
ying ger usally plage eho el served from major sien esperar nots ehyth fin 4! Gime), ie
ger sang Gels A>ating mckaics on ep. lst Rieu eo ayllesie ea
iacdy.The clogie caaterial sesrly buss 98 derived Fars Oe sea el “blocs:
seen in raging is alsa evidert 9
tan a-thentis blues ex
ify blues huh the se3erate HeTnnig snd toa ence of the
selo“y al sccompanément, Blue i sera inch
For move 6 bes, s22 Chapter 3.3
evolamor of jazz ed ra enna kay slanent fo
New Orleans Jaz
Jaca all peiginated in Now Odes erouned WM evolved shen wii
tahich wes cra used hen they :0GK @ utero bowl arl chica the yl ed neti
fovder to souni nore Uke eatin or hives (9 ail another Na. acl’ amo tiene inks jaar pts
askon players infuse fis and improvising. into ibs Tslay we rip se the tere “az7ing i up
regent sa ey ingtediony, and zz Bogan to “ss ing™ thro the sn: dichotomy het,
‘ptcupstod melodie thy kets ame che hasan pth ad Pube
an “raging the tun,”
Ragtinge seems tf whan ceurpared to java Jlly Roll Merton is ic anes:mpovtent sis fe pan
Fonsenad the “even suhivisig us” eert a agri Sing "straighe” eighth notes nu “ving ehh ross
he playing them uievesty ma kong Stout runner. ht Formerly wile wice: ani plavod ss two exon
ghd noes wou layed aya quarter uote snd cighe nate ws nl ef a aighiecne tripe:
(Frag Pi The sere elaxed site has tel juz e
Stride
et ese pro sete Ruowes as “sie pane” gees nu ot gine and Zhssrstas Nowe rk Gueng
0 and early Ns. His ste s somemms faired sas “Tae lessime” or the “Haclon pit
soll” The zempes could he esiomls fet, he prea stride piers 4 averng Belt hands teat were
ate pay the oat ecter me
a areat speeds. Cconsshythn elfacts rare on played in the Fe Laud
hry shanging asvemb and bassnteickord pererng, Tottks were lian ped insteas ol sng.e axes we she
lesen. ord in the New Orlems stv, wulkrag Rass nes len re up eae mth patterns, The
hava payee cho:dal tase. ond single-role meus, Unlike chase ragunzeb.t ihe New #rlea
paaw—lride serge. se Ms eres plan ss apresisee, fames B fohuson ard ts tude Fats Waller
seer tee leading tae pass,
Karl Hines
the am 02
The Birth of Babop
Accuses exange 1 janx plasn bam dosing the sary 19-8) ith the ith of bebop, Panis raw no longer
het assy aul ake ang ees 19 the
playi-g oF random ike cherdal puretuatne. it gecom:paaiment chythuis wert longer stacy and. 0
‘anger predheab’s. Gone antivels sas te plas af ¢ hess pat, Cemnping sas perfor with 10 hands
chen seer mying east wir'a th let han shen aul, Coumt Shue ae sll 2< Parl Hines ead Duke
ington 3 ng thy side Uh sing ste ase npaninyt int the
somping approach. Basie was the fis to consistently do So €ucing “he Swing ova rad sores ns ehe imate
so isp 49 ths bed pianists, Nut Cake nls ws inetremestel it devsaping a eer, ght ‘ef -hand
approach Whe new sla emphasizes the ba foe anal nes ler ryt: te ce ehyto se
Sst the vest aU Ly seein, they "cerpee
se the tvs inflata in aes
Rehup dcunmers iso emphasized the bear less sad punctuated the mse ay msde playing et surks
runs in surprediclable ways. Dehup foceproura melevtss soe sytluus Deas 3 G2 le tha ty ks
veswitive apne he reythn:scetion playing eccane desirable and mesons, Chie Parker, Dizzy
Gillespie, zd othe= Form pagers dovelosce a highly sane rghadi-rhvthorie poral thal tacure en
dom-Ee eecent in
we of Ie pants and dramas
weed a such mane
vanples sans lesering than was praca i= tlie lsh ef ize
thos panists began imitating the Rarinonically: vomplex. convoluted lire of the horn asters. sn sigle
ots soalar mslodies <oplacsd the mnslly pein une chndal melodies of ener sly, Beli players
developed a cumplex tunmenie lem tha sled on careaded ed ete chon, along wa Fee
herd prostesieas
All of Gace enanges ware rud-eal cpartunss ram toe preelazs sing Sle, end wy ake players neve
liked or aevevadeped t the ese sists. As with wrist revalaons in msie Hs Ee was Te
Feng axport at ehgtin te phe!
‘kya soot: camping. was nos.
luke Temyths, and melodie deccnes t0“leting 9 the pbs” sa
Thelonious Muok 2s one ofthe tounding fahess wl bebop. Hs, wong wth Buzzy Cie an ters
developed «rae Bermonic syste inspite by A Tan's invalians Mes ev eign Ky OF
voicing chords. Bud Powell ried Monk's veisings aad le incezpitatal Charlie Parker's melodie 4p
Prooeh ine his sieno slayings md Bocas the eo asum ate. most imitsed bebop ens i Alou he wes
one af he inserts a: bebup, Monk develeee unigue highly srigival ste thet retoned outse “ho
cesar” way a hy
Je the earls recip fie cortry, yaa. La acer at Fon, aking ack sy fe inp
‘Macy outsaading youn nus tens ae plying sctop in aleest its pare for: abn ll eememnpary 72
Pisses inahae ef lest sve bebop fo thei oper 12 fol
festa: cal bshop picny spe as patie by te igual eho amsts
ig chalets alle insights mts the
THE BEBOP LANGUAGE
nits melodie. Dewi, aud Dp tey League, Like mos!
tp if tr
Ge tel adaioped hast nega Rea sey ane ero
sal olsen of music ane cet be
ile through suc, wht rythm a are Bs
sc aed does formuleie serutny
Argttewe
Harmony
Seventh and Sixth Chords
Je alr:
#1 the tenn joo, ic sevens
In aston ssi, he Fest eit 0 ar
ately the ssh. Sixt elon ace Len use in pe wf seventh chads inj The Seana se
em ged si chaste sth tho 209 © ae sha Dele
cry? Ge rw ma:7) Ch o cars ct
te beg_t
rei
duu: passin postions, oF teins te enc eben, fee
es ace spaced as closely as pase
sud sath hxc ws ieee eet
lize he eed
oat
a) er mn #4
The slonsipmosg keds the mos: ipamta ap! mane: Hise star hips a
yh pen
aes being estar
ew aed a
vised Fun their roi post ans om isten ©
sition ef eis Jeived fe Gut scale. Reena sumerak {I ees ss ese Uy dente wee peso,
DD atenie sever hal Fr the Rey oF C salon ave shows bel,
1, a Wt chords ae rinor seveaths the W ck isi
Device tha Cama TY cannes
Uoesast sevean ne Fa I cont lpr seventt. Cettise chen’ thaiFat-y ashes sevsara, Tis 30
SIME i every rae Se
[saci sevenih ehosds tar minor keys are bes snore rae since shore ane several mira seen. The
inant cerrne iy se datarie spxP sans fer © vino shin bol
Gig ao I= Ri} E it,
Extensions
ue ptereschrey nebo ering ssn a of ht eos ih an seu
Nas, even BE asenta a egy ma hy he pny it ove pedi op
ey. gS - t= Pog
ema Bi ou Ams a
+L It
Novice the coreplen souneh thar weal fier playure these chores
positions my sinnsensty soning eh ls Bu
est eho ae rely eae
ss hebop
fie eviced fa eb wag ate ms
sels
(have Parker often quosed cn emphasizing Tes importer of sce-e eh rones in chon. He
refers cane nights shea practicing “Chenokee.” Fe atscerero that hy playiee te hight istereals of ekonds
ir eet sears, he stumbled po ie esesce «the mex misc that
Ineo (0 ors, wie ls Fis ne eyinic apa tka gave bth ta bop }
Alterations
The seve chord remains the funemente:Ratmenie unit in hebep. uations chal Kins vUppEH pe
Tiklst awe #ee%y adusd in mee. La ation, bbep weekslin afte rely on
sper hr eatcusions faker knowin 3s senate ake atten rab or In
welche’ tenes. hs, it
by a all ste. Tae possiblitie:
for hermenic culation Leconss almost fuss ween thsse plies are emSaed. Belew ate vanples ot
some of Le ere semmoaly wed exer al gu glare: sured cher foe etch asic yesenth and x1
hoe pig,
Major secon nd
tar th tom
4p Sp oY n°
Minarseveat charts
ns
fee oe Se ie ee Say
a evens a irtenhs raya badd to CPS and CTS ued ven av The Mit
Sis comideredw bes uel chariot hate pmktce- One ay tine of te fa Fre
sake elewer mos ome
intertocking Triads & Seventh Chords
hiking of ste upper estansions ul chonts ea: be serplied by brewing ta chowds into two saparate
pars Inwer and upper. Those separate units can > thought if as superposal er tnecking ads eid se
nth srs. or example. 1 €:arajer “iba chord oa be soastrutes hp plaving a G mjen iad ote
© major seventa chav cr by placing an E anor seseuth howd on op a AC tein seventh shoe. 1
Jewong exaniple noes Hots cau hes ith swe ceammnon aint laseuth, aed Hirtmta chore
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