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Art and Cosmo technics
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e-flux
Art and Cosmo technics
Yuk Hui
Printed and Distributed by
the University of Minnesota Press
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CONTENTS
PREFACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xix
Introduction
On the Education of Sensibility
§1
THE HISTORICAL PSYCHOLOGY OF THE
TRAGIC COSMOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
§2
THE RECURSIVE LOGIC OF TRAGIC ART . . . . . . . . . . . . . . . 9
§3
VARIETIES OF EXPERIENCE OF ART . . . . . . . . . . . . . . . . . . 20
§4
DAOIST VS. TRAGIST
COSMOT ECHNICS . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
§5
THE OVERTAKING OF RECURSIVE
MACHINES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
§6
AFTER EUROPE, ART AND
PHILOSOPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
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Chapter 1
World and Earth
§7
ART AFTER THE END OF
PHILOSOPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
§8
THE OTHER BEGINNING
THROUGH ART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
§9
TRUTH IN THE ARTIFICIAL . . . . . . . . . . . . . . . . . . . . . . . . . . 87
§10
THINKING AND PAINTING . . . . . . . . . . . . . . . . . . . . . . . . . 95
§11
ART AND THE COSMIC . . . . . . . . . . . . . . . . . . . . . . . . . . 111
§12
EPISTEMOLOGY OF
THE UNKNOWN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
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Chapter 2
Mountain and Water
§13
VISIBLE AND INVISIBLE:
NOTES ON PHENOMENOLOGY . . . . . . . . . . . . . . . . . . . . . 131
§14
FIRST ATTEMPT CONCERNING
SHANSHUI: LOGIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
§14.1
THE CONCEPT OF XIANG
AND XING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
§14.2
THE LOGIC OF XUAN:
OPPOSITIONAL CONTINUITY . . . . . . . . . . . . . . . . . . 154
§14.3
THE RECURSIVITY OF XUAN:
OPPOSITIONAL UNITY . . . . . . . . . . . . . . . . . . . . . . 175
§14.4.
THE COSMIC AND THE MORAL . . . . . . . . . . . . . . . . . 184
§15
THE REALM OF THE NOUMENON . . . . . . . . . . . . . . . . . . 191
§16
SENSING AND RESONATING . . . . . . . . . . . . . . . . . . . . . 199
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Chapter 3
Art and Automation
§17
THE STATUS OF MACHINE
INTELLIGENCE TODAY . . . . . . . . . . . . . . . . . . . . . . . . . 211
§18
THE LIMIT OF ORGANICISM . . . . . . . . . . . . . . . . . . . . . . 222
§19
THE INCOMPUTABLE AND
THE INCALCULABLE . . . . . . . . . . . . . . . . . . . . . . . . . . 232
§20
INTELLIGENCE, REASON,
AND INTUITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
§21
SECOND ATTEMPT CONCERNING
SHANSHUI: PLACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
§21.1
THE BASHO OF SHANSHUI . . . . . . . . . . . . . . . . . . . . . 255
§21.2
EMPLACING IN BASHO
AS RESITUATING . . . . . . . . . . . . . . . . . . . . . . . . . . 266
§21.3
SPACE AND PLACE . . . . . . . . . . . . . . . . . . . . . . . . . 272
§22
ART AS EPISTEMIC
REVOLUTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
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BIBLIOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
INDEX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
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