Arranging Fine Perfume Compositions - The Fougere, Lavender

626 Pages·2011·3.5 MB·English

Arranging Fine Perfume Compositions
The Fougere & Lavender’s
Glen O. Brechbill
Fragrance Books Inc.
www.perfumerbook.com
New Jersey - USA
2011
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Glen O. Brechbill
“To my late father and beloved mother without
them non of this work would have
been possible”
II
ARRANTING FINE PERFUMECOMPOSITIONS- THEFOUGERELAVENDER’S©
This book is a work of non-fiction. No part of the book may be used or reproduced in
any manner whatsoever without written permission from the author except in the case
of brief quotations embodied in critical articles and reviews. Please note the enclosed
book is based on Fragrance Ingredients by House ©.
Designed by Glen O. Brechbill
Library of Congress
Brechbill, Glen O.
Arranging Fine Perfume Compositions - The Fougere Lavender’s / Glen O. Brechbill
P. cm. 626 pgs.
1. Fragrance Ingredients Non Fiction. 2. Written odor descriptions to facillitate the
understanding of the olfactory language. 1. Essential Oils. 2. Aromas. 3. Chemicals.
4. Classification. 5. Source. 6. Art. 7. Twenty one thousand fragrances. 8. Science.
9. Creativity. I. Title.
Certificate Registry # TXu1 - 364 - 187
Copyright © 2006 by Glen O. Brechbill
All Rights Reserved
PRINTEDIN THEUNITEDSTATESOFAMERICA
10 9 8 7 6 5 4 3 2 1
First Edition
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Arranging Fine Perfume Compositions - THE FOUGÈRE & LAVENDER’S
About the Book
The fougère & lavender's is another favorite fragrance family. Originally this concept was intended for
Women. However due to the strength of lavender a major component of this family it ended up as a masculine
fragrance concept. One of the earlier fougère fragrances was Fougère Royale by Houbigant. This old fragrance
house created one in the 18th century. Like many fragrance families a single fragrance gave birth to a wide
range of fragrance types. Until fifteen years ago there was no regulatory body governing the use of essential
oils in today's fragrances. This changed with the ( IFRA ) organization founded and funded by Givaudan, IFF,
Symrise, Firmenich and Takasago. Like many industries these five control approximately eighty percent of the
market.
Today sadly one can not incorporate many of the key aromatic materials into a fougère, lavender scent
because of skin irritation problems experienced by a monority percentage of the population. This Gestapo type
group ruthlessly hunts and hounds out any dissidents who don't agree with their draconian amendments. One
can not use coumarin, oakmoss, patchouli, lavender and many natural citrus materials. The goal of the big five
is to of course control the industry by eliminating competition in this case natural ingredients in favor of syn-
thetics based on petroleum. My opinion has been and always will be the peanut analogy. If one experiences a
problem with a product don't use it. My niece has a peanut allergy, and she will never know the joy and pleas-
ure that nuts can bring. Are peanuts banned because of folk’s food reaction? Of course not.
The fragrance industry for whatever reason and the artistic creative craft are slowly being ruined by five fra-
grance houses because of greed. Again, if you are a perfumer employed by this industry speaking out will get
you fired and blacklisted for life. This is what happened to me many years ago. An unscrupulous former
employer needed my first book titled A Reference Book on Fragrance Ingredients to save a lazy family mem-
ber work. I was promoted to a Jr. Perfumer's position in a coy attempt to gain a copy of my earlier then unfin-
ished notes. Not knowing then how this industry worked I soon found my self blacklisted.
Getting even artistically I decided would take careful thought, and a lot of creative work. Crafting each
book rested in part of learning desktop publishing, graphic arts including font design. One might call my inter-
est in fragrance an obsession. I would tend to agree with this assessment. Once one learns the fragrance art or
language the only way to let it out is by creative exercise. As an artist I find enjoyment each night by creating
a single fragrance on paper. Again, each fragrance is based on assembling a theme with certain type of aro-
matic materials. Perfumer's specialize creating fragrances for a single fragrance family or brand. They learn
the art by watching their mentor. This is called an apprenticeship. One is unable to work in this industry with-
out serving in an offical apprenticeship. There are self-taught artists like myself, but not many.
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Glen O. Brechbill
Each of my compositional books is a unique presentation into the creative art of an individual fragrance
family. Why hasn't someone else done this before one asks? When an individual is selected into this unique
profession you have to swear an oath to keep the fragrance art and creative thought process a secret. This is
part of the reason why there are so few books on the subject of fragrances available particularly the composi-
tion. Today no perfumer would be permitted to display formulas in any correct proportions. Even though fra-
grance houses have hundred's of thousands of formulas in their possession they are paranoid of any one outside
the hands of a few actually learning the art. In order to understand the art one must know the materials inti-
mately, and how they blend together in various fragrance blends in correct percentages.
Considering those under thirty today in age on the average read a single book for pleasure in a year I doubt
in the near future whether any of today's artists will actually create one. It takes a great deal of work to come
up with an idea, and then turn it into a book. Learning the high skill of desktop publishing took a lot of cre-
ative effort and energy. My former employer who cheated me out of a lucrative and well paid career knows
today that they made a major blunder letting me go many years ago. My compensation for a career that didn't
happen are my books. Each book will have my picture in it. Although it is from long ago, it is my hope that
my work will live on, and help future artists in his and her pursuit of knowledge. It is my firm belief that I
saved a lot of information that is slowly disappearing from the world wide web.
The Google search engine is a fine one. Its problem however, is not being able to sort through the massive
data and display it in a correct form. In other words it can't differentiate between relevance information and the
quality of that information versus irrelevance. It will rank a single article up front, and leave a web site that has
over ten thousand pages three to five pages after it. A single news article will be kept in prime location dele-
gating important information to the rear. As many know Google is scooping up every orphan book and publi-
cation out there on the www and in libraries. Due to the copyright limbo nature of this material who actually
owns it is up for grabs, and will be later sorted out by the Court. I set all of my books at 50 % view to make
them useless beyond myself including removing the printing function.
Obviously material that I displayed in this book could never be published. The purpose was to showcase
how each fragrance family came to be. In many cases a single fragrance started a family that can have tens of
thousands of off spring. Each fragrance is unique in its construction. Again, at the same time many are simi-
lar, and in reality many smell alike because they are often very similar in construction. Lacking essential oils
the synthetics lack diffusion. This is the reason why many last only several hours after applied.
Fine fragrances are getting cheaper and cheaper. A household type product of twenty years ago contained
more essential oils then due today's synthetic blends. One well-known perfumer employs less then thirty-fra-
grance materials in his fine fragrance construction. I classify this type of fragrance of a house hold nature.
Everyone is seeking to make more money with fewer materials. This in turn produces cheaper fragrances and
is part of the problem why the fine art is slowly dying.
Do my fragrances that are in this collection work you next want to know? My answer to that of course is
who knows. I do realize formulation books that you see today are for the most part misleading. Any one of
my creations can be endlessly changed, and adapted with experimenting. Taking into the account the cost for
many of the materials I doubt whether any listed in this book could be made. However, that in a nutshell is the
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Arranging Fine Perfume Compositions - THE FOUGÈRE & LAVENDER’S
fine art of fragrance. It is my opinion that the composition itself should be an integral part of advertising, and
marketing of a fine fragrance. However, due to the paranoia in the fragrance industry governing a trade secret
that is the composition, which in turn creates a fragrance I doubt whether this will ever happen. In order to
understand a formula one must know at the very least several thousand aromatic materials.
It is my opinion in the not too distant future of thirty to fifty years of time the fine art of fragrance will have
completely disappeared. High-speed computers plus automatic compounding machines will replace it. Each
fragrance house has millions of compositions in their libraries. A single successful fragrance can have many
thousands of variations. I am sure the next generation of Artificial Intelligence computer's will be the noses of
the future. The major players in the industry Givaudan, IFF and Symrise have opened fine art creative centers
in China, Brazil and India. Sooner or later due to cutting costs no one will know for sure the true source of any
given fragrance. A perfumer in China can create a fine fragrance for a Wall Mart or Chanel brand.
This is the main reason why there is nothing new today. An individual scent belongs to a fragrance fami-
ly. To be in that family one has to be related to a fragrance in that family. If a perfumer comes up with some-
thing different which I believe is not possible, a competitor will duplicate it with a gas-chromatography com-
puter inside a week. In today's fragrance world there is nothing new except the endless hype show casing some-
thing unique. In reality there is nothing new except cheaper fragrances that contain little or no essential oils
plus fewer aromatic materials.
I was blacklisted by the fragrance industry through an unscrupulous former employer many years ago. Due
to the computer and the world wide web I have been able to display my creative talent to its fullest. No one
has come knocking on my door seeking my services. If I can do this type of original creative work, and am
under employed what does that tell you about this industry? Non of my books will ever be printed. Due to the
nature of the pdf file I can not sell at this time a single copy without fear of unauthorized distribution to other
channels.
This book titled Arranging Fine Perfume Compositions - The Fougère & Lavender's took over four months
of work to create. Careful study will display how similar many fragrances actually are, and why perfumers are
able to come up with new fine fragrances with several days of experimentation. Each fragrance can be easily
changed anywhere in a formula with careful adjustment of the parts per thousand arrangement, and by the addi-
tion and deletion of other aromas. I could have taken a single fragrance and made hundreds. I chose not to
because painting the same picture over and over again gets very boring.
Is the art in danger of dying you want to know. Due to the folks at ( IFRA ) and of course greed by the big
five I think it is slowly changing, and not for the better. The fine art of the perfumer who are masters at manip-
ulating aroma materials have to go along with changes in their palette in order to work. Fight the system, and
one will find themselves out of work as happened to me many years ago.
Enjoy.
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Glen O. Brechbill
A World of Fragrance’s - The FOUGÈRE Lavender’s
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Arranging Fine Perfume Compositions - THE FOUGÈRE & LAVENDER’S
International Directory by Country & House
Continent/Country/Fragrance House Continent/Country/Fragrance House
Manuscript # 1 ( A - H ) Fiveash Data Management
Fleurchem, Inc.
Manuscript # 2 ( I - Z ) Fleurin, Inc.
Flexitral, Inc.
North America Florachem Corporation
Florida Chemical Company, Inc.
Canada Florida Worldwide Citrus
Frencharoma Imports Co., Inc.
The Spice Trader
Good Scents Company
United States Gorlin & Company
Graham Chemical Corporation
Alfa Chem
American Society of Perfumers I.P. Callison & Sons
Aromatic International LLC Innospec Inc.
Artiste Flavor / Essence International Flavors & Fragrances
Astral Extracts
J & E Sozio, Inc.
Bedoukian Research, Inc. Joint American Ventures in China
Bell Flavors & Fragrances
Berje Inc. MelChem Distribution
Millennium Chemicals
Carrubba Inc.
Central States Chemical Marketing Natural Resourcing
Champon Vanilla Norwest Ingredients
Citrus & Allied
Cookson & Hunt International Co. Oliganic
Creative Fragrances Ltd.
Pental Manufacturing
DMH Ingredients Phoenix Aromas & Essential Oils
Polarome International
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Glen O. Brechbill
Prima Fleur Brazil
Rosetta Enterprises LLC Citral Oleos Essenciais Ltda.
Sarcom Inc. J. Piltz & Cia. Ltda.
Science Lab
Sensient Technologies Corporation Petit Marie
Sigma Aldrich
Spectrum Chemicals Rai Ingredients
Sundial Fragrances & Flavors
Sunrose Aromatics Europe
Texarome Belgium
Treatt USA Inc.
Trisenx, Inc. Synaco Group
Uhe Company, Inc. Bulgaria
Ungerer & Company
Vesselino Trading Company
Vigon International, Inc.
Denmark
Walsh, John D., Company, Inc.
Wambesco Gmbh
Central America
France
Mexico
A.N.E.C.
Esencias y Materiales Lozmat Adrian Industries SAS
Albert Vielle SA
Tecnaal Group Aromatic Collection
Aromax
South America Axxence SARL
Argentina BFA Laboratories
Barosyl S.A.
Esarco Biolandes Parfumerie
Euma
Charabot & Company Inc.
Fritzsche SAICA Clos D’Aguzon
San Miguel Agici y F Diffusions Aromatiques
Dulcos Trading
Exaflor
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Arranging Fine Perfume Compositions - THE FOUGÈRE & LAVENDER’S
H.Reynaud & Fils Hungary
IPRA Fragrances Silvestris & Szilas Ltd.
Interchim
Italy
Laboratoire Monique Remy
Baller s.r.l.
Mane SA
Moraflor Produits Aromatiques Capua s.r.l.
Muller & Koster Citroflor di G.
PCAS Espira S.p.A
Payan Bertrand SA
Prodarom Farotti Essences srl
Prodasynth
Moelhausen S.P.A.
Rhodia Organics
Robertet SA Portugal
SIPAA. Ch. Berthier Kruetz Helmut
Sovimpex
Symarome Spain
Germany Bordas Destilaciones Chinchurreta
Basf Cami de Fontainilles
Dullberg Konzentra Gmbh Destilerias Munoz Galvez, s.a.
Eramex Aromatics Gmbh Lluche Essence
Frey & Lau Gmbh Ventos, Ernesto S.A.
Lothar-Streck Switzerland
Paul Kaders GmbH Essencia, Aetherische Oele AG
Sensient Essential Oils Gmbh Firmenich
Symrise GmbH & Co. KG
Givaudan Fragrance Corporation
Th. Gyer Gmbh & Co. KG
Puressence Wuresten Inc.
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The Netherlands Fruitarom Industries
Brighten Colorchem, B.V. Nardev
Flavodor Asia
PFW Aroma Chemicals China
United Kingdom China Aroma Chemical Co., Ltd.
China Perfumer
A & E Connock Ltd. Chinessence Ltd.
Augustus OIls. Ld.
HC Biochem
British Society of Perfumers Hangzhou Aroma Chemical Co.
Buckton Home Page Ltd.
Shanghai M & U International
De Monchy Aromatics, Inc.
Tianjin Jiete Fine Chemical Co.
Earth Oil Plantations Ltd.
Hong Kong
FD Copeland & Sons Ltd.
Fine Chemical Trading Naradev
Furest Day Lawson
O’Laughlin Industries
Global Essence Ltd.
India
Handa Fine Chemicals Ltd.
Amen Organics
JC Buck Ltd. Anthea Aromatics Pvt. Ltd.
Anupam Industries
Lionel Hitchen Ltd.
B.S. Industries
Quality Analysis Bansal Aroma
SRS Aromatics Ltd. FFC Aroma
Flowersynth
Venus Enterprises
GMPCT
Mediterranean Gyran Flavours
Israel Hermani Ex-Imp Corporation
Hindustan Mint & Agro Products
Agan Aroma & Fine Chemicals
Aromor Flavors & Fragrances Ltd. Indian Spices
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