Table Of ContentA Philosophy of 
Humour
Alan Roberts
A Philosophy of Humour
Alan Roberts
A Philosophy of 
Humour
Alan Roberts
Department of Philosophy
University of Sussex
Brighton, UK
ISBN 978-3-030-14381-7        ISBN 978-3-030-14382-4  (eBook)
https://doi.org/10.1007/978-3-030-14382-4
Library of Congress Control Number: 2019934706
© The Editor(s) (if applicable) and The Author(s) 2019
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether 
the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of 
illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and trans-
mission or information storage and retrieval, electronic adaptation, computer software, or by similar or 
dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication 
does not imply, even in the absence of a specific statement, that such names are exempt from the relevant 
protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book 
are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or 
the editors give a warranty, express or implied, with respect to the material contained herein or for any 
errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional 
claims in published maps and institutional affiliations.
This Palgrave Pivot imprint is published by the registered company Springer Nature Switzerland AG.
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgments
I am indebted to many people for their valuable contributions towards 
this book. This includes my editorial team and independent reviewer at 
Palgrave Macmillan as well as Matthew Kieran, Dominic Lopes and 
Kathleen Stock for their helpful comments. I am deeply grateful to Sarah 
Sawyer, not only for her open-mindedness in taking humour seriously, 
but also for her dedication, patience and immense knowledge.
I would like to express my gratitude to the friends and family who 
bravely agreed to proof-read earlier versions of this book. They are Rona 
Bathgate, Lucy Bergmans, Iva Cek, Jonno Evans, Lisa Forrest, Mark 
Haskett, Danny Houslay, Woody Lewenstein, Daisy Martin, Eleanor 
O’Brien, Fred Perry, Claire Roberts, Craig Roberts, Duncan Shaw, Paul 
Taylor and Rory Watts. They may not all be philosophers but each one of 
them is a humorist.
I am eternally grateful to my parents, Graham and Joan Roberts, for 
their unconditional support in everything I do and for holding the dubi-
ous distinction of having read almost everything I have ever written. 
Finally, and most importantly, I would like to thank Camilla Landberg, 
whom I met at the start of this journey and without whom I would never 
have been able to finish. Tusen takk, min kjære.
v
Contents
1    I  ntroduction    1
References    5
 2    Amusement, Funniness and Humour    7
 1     What is Amusement?    7
 2     What is Funniness?   12
 3     What is Humour?   16
 4     Chapter Summary   20
References   21
 3    Early Theories of Amusement   25
 1     The Essentialist Approach   25
 2     Early Superiority Theories   28
 3     Early Incongruity Theories   31
 4     Early Release Theories   35
 5     Early Play Theories   38
 6     Chapter Summary   40
References   41
vii
viii  Contents
 4    The Cognitive Component of Amusement   45
 1  E    arly Incongruity Theory   45
1.1  I   ncongruity Necessity   46
1.2  I   ncongruity Sufficiency   49
 2  U    nsuccessful Refinements   51
2.1  E    xpectation Violation   51
2.2  N    orm Violation   53
2.3  E    rroneous Conceptualisation   54
2.4  E    rror Detection   56
 3  B    isociation Refinement   57
3.1  B    isociation Theories   57
3.2  Th    eoretical Synthesis   61
3.3  C    ritical Assessment   63
 4  R    esolution Refinement   66
4.1  R    esolution Theories   67
4.2  Th    eoretical Synthesis   69
4.3  C    ritical Assessment   73
 5  Th    e Cognitive Component of Amusement   75
 6  C    hapter Summary   77
References   78
 5  T   he Affective Component of Amusement   83
 1  S   uperiority Theories   83
1.1  E    arly Superiority Theory   84
1.2  M    odern Superiority Theory   86
1.3  K    ey Insight   89
 2  R    elease Theories   91
2.1  E    arly Release Theory   91
2.2  M    odern Release Theory   93
2.3  K    ey Insight   94
 3  P    lay Theories   96
3.1  E    arly Play Theory   97
3.2  M    odern Play Theory   99
3.3  K    ey Insight  101
Contents  ix
 4  Th    e Affective Component of Amusement  103
 5  C    hapter Summary  107
References  108
 6    A Theory of Amusement  113
 1  C    ombining the Cognitive and Affective Components of 
Amusement  113
1.1  C    ognitive Dissonance  114
1.2  Th    eory of Amusement  116
1.3  C    ritical Assessment  118
 2  I   ncreasing Amusement via Arousal  121
 3  C    hapter Summary  126
References  127
  Index  131
1
Introduction
Abstract In this chapter, I introduce the discipline of philosophy, defend 
humour as a philosophical topic and address the question ‘What is 
humour?’
Keywords Humour • Amusement • Funniness
People say to start with a joke, but I’m going to go one better by starting 
with the funniest joke in the world:
Two hunters are out in the woods when one of them collapses. He doesn’t 
seem to be breathing and his eyes are glazed. The other guy whips out his 
phone and calls the emergency services. He gasps, ‘My friend is dead! What 
can I do?’ The operator says, ‘Calm down, I can help. First, let’s make sure 
he’s dead.’ There is a silence, then a shot is heard. Back on the phone, the 
guy says, ‘OK, now what?’
This joke was recently voted the funniest in the world during an interna-
tional poll with over 40,000 jokes and almost 2,000,000 ratings (Wiseman 
2015, 217). So, if you have not promptly died of laughter as per Monty 
© The Author(s) 2019 1
A. Roberts, A Philosophy of Humour, https://doi.org/10.1007/978-3-030-14382-4_1
2  A. Roberts
Python’s sketch ‘The Funniest Joke in the World’, then your sense of 
humour is malfunctioning and in need of some maintenance. Luckily, 
this book can provide that maintenance because it is titled A Philosophy of 
Humour. Let’s unpack that title starting with the word ‘philosophy’.
The word ‘philosophy’ comes from the Greek words philo and sophia 
meaning ‘love’ and ‘wisdom’, so philosophy is literally ‘the love of wis-
dom’. What this essentially amounts to, I would argue, is using reason to 
address fundamental questions. Questions like:
What is the meaning of life?
Do I have free will?
Is there a God?
How should we organise society?
At this point philosophy and humour may seem an odd mix. After all, 
philosophy is clearly a weighty discipline and humour a light topic. But 
there are good reasons to consider humour a worthwhile topic for philo-
sophical study.
First, humour is universal across humanity. Laughter has been discov-
ered in every known human culture and can be experienced by almost 
everyone (Apte 1985; Lefcourt 2001). The sound of laughter is one of the 
few non-verbal expressions which remains recognisable from one culture 
to another (Sauter et al. 2010). Moreover, the average person laughs 
around 17 times a day and at the rate of about 5 laughs for every 10 min-
utes of conversation (Martin and Kuiper 1999; Vettin and Todt 2004).
Second, humour is important to humanity. Your sense of humour 
determines what books you read, what films you watch and what rela-
tionships you have. Both men and women prefer romantic partners with 
a good sense of humour and sexually attractive people are more likely to 
be seen as funny (Lippa 2007; Cowan and Little 2013). In addition, mar-
ried couples who use laughter when discussing relationship conflicts not 
only feel better afterwards but also report higher levels of marital satisfac-
tion and stay together for longer (Whalen 2010; Yuan et al. 2010).
Third, humour is beneficial for humanity. Laughter is followed by a 
period of muscle relaxation with a corresponding decrease in heart rate 
and blood pressure (Bennett and Lengacher 2008). Humour helps people