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About A Foreigner’s Cinematic Dream of Japan: Representational Politics and Shadows of War in the Japanese–German Co-production New Earth (1937)
In early 1936, a German film team arrived in Japan to participate in a film co-production, intended to show the ‘real’ Japan to the world and to launch Japanese films into international markets. While the production kick started the career of Japan’s silver-screen icon Hara Setsuko, the two directors clashed over the authenticity of the represented Japan and eventually directed two versions, The Samurai’s Daughter and New Earth, based on a common script. The resulting films hold a firm place in (film) history as an exercise in - or reaction against -politically motivated propaganda, respectively.A Foreigner’s Cinematic Dream of Japan contests the resulting oversimplification into nationalised and politicised dichotomies. Drawing on a wide range of Japanese and German original sources, as well as a comparative analysis of the ‘German-Japanese version’ and the elusive ‘Japanese-English version’, Iris Haukamp reveals the complexities of this international co-production. This exclusive research sheds light not only on the films themselves, but also on the timeframe of its production, with both countries at the brink of war.
Detailed Information
| Author: | Iris Haukamp |
|---|---|
| Publication Year: | 2021 |
| ISBN: | 9781501343551 |
| Pages: | 301 |
| Language: | English |
| File Size: | 28.561 |
| Format: | |
| Price: | FREE |
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